A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. Then he meets a mysterious beauty, and also notices something frightfully suspicious on one of his photographs of her taken in a park. The fact that he may have photographed a murder does not occur to him until he studies and then blows up his negatives, uncovering details, blowing up smaller and smaller elements, and finally putting the puzzle together.Written by
According to Don McCullin in his autobiography "Unreasonable Behaviour", director Michelangelo Antonioni was unhappy with the color of the grass in Maryon Park. He had it sprayed green so he could re-shoot the scene. See more »
The print removed by Thomas from the darkroom ferrotype dryer is stiff and perfectly dry, but the print shown moments later in the following scene is limp and obviously still wet. See more »
Give me your money. Do it.
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Some of the music was rescored for the Warner DVD release, namely the latter part of the opening title music. The VHS releases' music remain intact. See more »
BLOW-UP is NOT "about the possible dehumanizing effects of photography..." but rather a movie version of the philosophical question: "If a tree falls in the forest and no one hears it, does it make a sound?"
In this case, if a murder is committed and there is no evidence, did it really happen?
While seemingly about a successful, but hedonistically superficial, photographer who films both wartime brutalities and fashion, Thomas (David Hemmings) comes to finally realize that his images only create an illusion of the real world.
He discovers that he has accidentally photographed a murder when he develops and enlarges ("blows up") the images of photographs taken of a couple in an otherwise deserted park. He even returns to the scene and finds the victim's body. But when the photographs AND the negatives AND the body disappears AND there is no report of a missing person, he discovers that he has no evidence of a murder having occurred.
In the end, when he throws back the imaginary tennis ball to the pantomime players on the tennis court, he realizes that what he accepts as reality is really only an illusion.
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