At Zabriskie Point, United States' lowest point, two perfect strangers meet; an undergraduate dreamer and a young hippie student who start off an unrestrained romance, making love on the dusty terrain.
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. Then he meets a mysterious beauty, and also notices something frightfully suspicious on one of his photographs of her taken in a park. The fact that he may have photographed a murder does not occur to him until he studies and then blows up his negatives, uncovering details, blowing up smaller and smaller elements, and finally putting the puzzle together.Written by
According to Don McCullin in his autobiography "Unreasonable Behaviour", director Michelangelo Antonioni was unhappy with the color of the grass in Maryon Park. He had it sprayed green so he could re-shoot the scene. See more »
In the park the lens protector is down on the grass between Thomas's feet. He then takes a long step to bend down and pick up the lens protector from a distance. See more »
Give me your money. Do it.
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This new version of the opening title music is played on the English language track of the DVD. All other tracks on the DVD including the English one with the audio commentary keep the original music. See more »
'Blowup' is frequently mentioned as one of the most influential movies of the twentieth century. And I believe it is. But it is no dry and dull document that the viewer must force himself to "appreciate" while he stifles his yawns. Like 'Citizen Kane', 'Breathless' and 'Psycho' it is not only an important movie milestone, it is still a living and breathing work of art that will fascinate and impress any movie lover who approaches it with an open mind. 'Blowup' lures you in with its snapshot of swinging 60s London, and it's tease of being a murder mystery, which it really isn't, but by then you're hooked. This movie is a puzzle with no solution, a text with any interpretation the viewer cares to bring to it. That may sound heavy going and off putting, but this is a surprisingly watchable movie. Even the "boring" sequences are interesting! Anyone who enjoys David Lynch, Dario Argento (whose 'Profundo Rosso' deliberately referenced this), Nic Roeg or Jim Jarmusch, movies where atmosphere and visual images are more important than characterization, plot or dialogue, will appreciate this 60s classic. I think it gets better with every viewing.
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