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Blow-Up (1966)

Blowup (original title)
Not Rated | | Drama, Mystery, Thriller | 24 February 1967 (Brazil)
A mod London photographer finds something very suspicious in the shots he has taken of a mysterious beauty in a desolate park.

Writers:

Michelangelo Antonioni (story), Julio Cortázar (short story "Las babas del diablo") (as Julio Cortazar) | 3 more credits »
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Popularity
3,755 ( 40)

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Nominated for 2 Oscars. Another 7 wins & 6 nominations. See more awards »

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Cast

Complete credited cast:
Vanessa Redgrave ... Jane
Sarah Miles ... Patricia
David Hemmings ... Thomas
John Castle ... Bill
Jane Birkin ... The Blonde
Gillian Hills ... The Brunette
Peter Bowles ... Ron
Veruschka von Lehndorff ... Verushka (as Verushka)
Julian Chagrin ... Mime
Claude Chagrin Claude Chagrin ... Mime
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Storyline

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. Then he meets a mysterious beauty, and also notices something frightfully suspicious on one of his photographs of her taken in a park. The fact that he may have photographed a murder does not occur to him until he studies and then blows up his negatives, uncovering details, blowing up smaller and smaller elements, and finally putting the puzzle together. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Sometimes, reality is the strangest fantasy of all. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | Italy | USA

Language:

English

Release Date:

24 February 1967 (Brazil) See more »

Also Known As:

Blow-Up See more »

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Box Office

Budget:

$1,800,000 (estimated)

Cumulative Worldwide Gross:

$20,000,000, 31 January 1970
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

David Hemmings was amazed at Michelangelo Antonioni's energy and stamina throughout the production. "I was an energetic 25-year-old - probably more so than most - and I was fascinated by the way Antonioni, at 54, could operate around the clock and still sustain a momentum he needed to get him through the production," he said. "It seemed that, however late he'd gone to bed the night before, he appeared on the set each morning as bright-eyed as a bantam cock, and just as well-groomed...For a man of his age, he was impressively eager for new experiences. I think perhaps he was a little in thrall to the idea of 'swinging London' and even once shooting had started, he spent a great deal of time hanging around in search of oscillation, often with photographers and models. Perhaps he considered it all research, but in his quest he raved ceaselessly, night after night in clubs and discotheques, in the company of the new goddesses of the fashion world, with his fierce eyes shining intensely in the dark, grave face as he drank grappa till his ears bubbled and tried to extract every last ounce from the swinging city - a man from Rome, a modern Bellini, determined to leave his mark in the middle of the liberated new world." See more »

Goofs

During the scene where Thomas is frolicking with the two girls on the purple paper backdrop in the studio, two crew members including a camera operator can be clearly seen just sitting there in the top right side of the frame. See more »

Quotes

[first lines]
Mime: Give me your money. Do it.
See more »

Alternate Versions

This new version of the opening title music is played on the English language track of the DVD. All other tracks on the DVD including the English one with the audio commentary keep the original music. See more »

Connections

Referenced in Life Itself (2014) See more »

Soundtracks

Thomas Studies Photos
Written and Performed by Herbie Hancock
See more »

Frequently Asked Questions

See more »

User Reviews

 
Undeservingly hated.
4 October 2001 | by darth-chicoSee all my reviews

It is hard to find people who will readily defend this movie these days. It is commonly thought of as pretentious, overly artsy, and lacking coherence. If you don't connect with the film that is fine, but to call it trash is a mistake. Many people try to pin this as being a 60's statement. It is not however. Antonioni was a veteran filmmaker who got lumped in with the new wave scene because he was around at the same time. This was initially a hit, though that probably had little to due with it's actual merits as a film.

It is the story of an artist. The photographer Thomas, who has lost all feeling of passion for his work. He hangs around London taking fashion photographs. He is cruel to his models and other women in his life. He seems interested in other's art but cannot be roused to create any of his own. He will soon be releasing a book of photographs, all of which are uninspired photos of the poor, sick and dying. While in the park he takes a series of shots he hopes will be a nice epilogue to his collection. They are of a couple playing in the park. These pictures, however, are not what they seem.

Antonioni makes great use of insinuation. He tantalizes us with the possibility of what could have been. In us he insights the same passion that is in Thomas. In the end, I don't think he disappears so much as he returns. He does not return as the same person, though. He is changed by the passion for his art and the challenge of reality. He is no longer playing the game of catch the murderer, or faking the motions of being a photographer, or posing as a deep artist by taking sad pictures. He is now truly inspired.

Today many people hate Thomas. And with good reason. He is definitely not a nice person, but he is one of my favorite anti-heroes. There is a scene many people may miss. It is short. He is driving in his car, I think after speeding off from some want to be models, he turns on the radio, and starts bobbing his head and making funny faces to the music. This is the scene that redeems his early self to me. When he is alone, we see he still has an innocent streak despite his cruelty.

All that being said, I only recommend this to the more serious moviegoer. 10/10


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