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Blow-Up - Erään suudelman jälkeen

Original title: Blow-Up
  • 19661966
  • K-16K-16
  • 1h 51m
IMDb RATING
7.5/10
61K
YOUR RATING
POPULARITY
3,944
292
  • Cast & crew
  • User reviews
  • Trivia
  • IMDbPro
Blow-Up - Erään suudelman jälkeen (1966)
Official Trailer
Play trailer2:13
2 Videos
99+ Photos
  • Drama
  • Mystery
  • Thriller

A fashion photographer unknowingly captures a death on film after following two lovers in a park.A fashion photographer unknowingly captures a death on film after following two lovers in a park.A fashion photographer unknowingly captures a death on film after following two lovers in a park.

IMDb RATING
7.5/10
61K
YOUR RATING
POPULARITY
3,944
292
  • Director
    • Michelangelo Antonioni
  • Writers
    • Michelangelo Antonioni(story)
    • Julio Cortázar(short story "Las babas del diablo")
    • Tonino Guerra(screenplay)
  • Stars
    • David Hemmings
    • Vanessa Redgrave
    • Sarah Miles
Top credits
  • Director
    • Michelangelo Antonioni
  • Writers
    • Michelangelo Antonioni(story)
    • Julio Cortázar(short story "Las babas del diablo")
    • Tonino Guerra(screenplay)
  • Stars
    • David Hemmings
    • Vanessa Redgrave
    • Sarah Miles
  • See production, box office & company info
    • 314User reviews
    • 147Critic reviews
    • 82Metascore
  • See more at IMDbPro
    • Nominated for 2 Oscars
      • 8 wins & 11 nominations total

    Videos2

    Official Trailer
    Trailer 2:15
    Official Trailer
    Blow-Up
    Trailer 2:13
    Blow-Up

    Photos110

    David Hemmings in Blow-Up - Erään suudelman jälkeen (1966)
    David Hemmings, Sarah Miles, Ann Norman, Melanie Hampshire, Jill Kennington, Rosaleen Murray, and Roy Beck in Blow-Up - Erään suudelman jälkeen (1966)
    David Hemmings and Mary Khal in Blow-Up - Erään suudelman jälkeen (1966)
    Vanessa Redgrave and David Hemmings in Blow-Up - Erään suudelman jälkeen (1966)
    David Hemmings and Veruschka von Lehndorff in Blow-Up - Erään suudelman jälkeen (1966)
    Sarah Miles in Blow-Up - Erään suudelman jälkeen (1966)
    Vanessa Redgrave and David Hemmings in Blow-Up - Erään suudelman jälkeen (1966)
    "Blowup" David Hemmings 1966 MGM
    "Blowup" David Hemmings, Veruschka von Lehndorff 1966 MGM
    "Blowup" David Hemmings, Veruschka von Lehndorff 1966 MGM
    "Blowup" David Hemmings 1966 MGM
    "Blowup" Veruschka von Lehndorff 1966 MGM

    Top cast

    Edit
    David Hemmings
    David Hemmings
    • Thomasas Thomas
    Vanessa Redgrave
    Vanessa Redgrave
    • Janeas Jane
    Sarah Miles
    Sarah Miles
    • Patriciaas Patricia
    John Castle
    John Castle
    • Billas Bill
    Jane Birkin
    Jane Birkin
    • The Blondeas The Blonde
    Gillian Hills
    Gillian Hills
    • The Brunetteas The Brunette
    Peter Bowles
    Peter Bowles
    • Ronas Ron
    Veruschka von Lehndorff
    Veruschka von Lehndorff
    • Verushkaas Verushka
    • (as Verushka)
    Julian Chagrin
    Julian Chagrin
    • Mimeas Mime
    Claude Chagrin
    • Mimeas Mime
    Jeff Beck
    Jeff Beck
    • Self - The Yardbirdsas Self - The Yardbirds
    • (uncredited)
    Roy Beck
    • Boy dancing In Ricki Tick Clubas Boy dancing In Ricki Tick Club
    • (uncredited)
    Charlie Bird
    • Homeless Manas Homeless Man
    • (uncredited)
    Susan Brodrick
    • Antique shop owneras Antique shop owner
    • (uncredited)
    Robin Burns
    • Homeless Manas Homeless Man
    • (uncredited)
    Tsai Chin
    Tsai Chin
    • Thomas's receptionistas Thomas's receptionist
    • (uncredited)
    Julio Cortázar
    Julio Cortázar
    • Homeless Manas Homeless Man
    • (uncredited)
    Chris Dreja
    Chris Dreja
    • Self - The Yardbirdsas Self - The Yardbirds
    • (uncredited)
    • Director
      • Michelangelo Antonioni
    • Writers
      • Michelangelo Antonioni(story) (screenplay)
      • Julio Cortázar(short story "Las babas del diablo")
      • Tonino Guerra(screenplay)
    • All cast & crew
    • See more cast details at IMDbPro

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    Storyline

    Edit
    A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. Then he meets a mysterious beauty, and also notices something frightfully suspicious on one of his photographs of her taken in a park. The fact that he may have photographed a murder does not occur to him until he studies and then blows up his negatives, uncovering details, blowing up smaller and smaller elements, and finally putting the puzzle together. —Anonymous
    • photographer
    • fashion photographer
    • swinging london
    • blow up
    • cover up
    • 110 more
    • Plot summary
    • Plot synopsis
    • Taglines
      • Michelangelo Antonioni's first British film
    • Genres
      • Drama
      • Mystery
      • Thriller
    • Certificate
      • K-16
    • Parents guide

    Did you know

    Edit
    • Trivia
      Among the homeless men whose photos were taken by the David Hemmings character is Julio Cortázar, who wrote the original short story on which "Blow-Up - Erään suudelman jälkeen (1966)" is based.
    • Goofs
      David Hemmings character uses a two way radio from his Rolls several times in the film. Very rare for 1966 and a precursor to the car phone. However mobile radios like that at that time need a large whip antenna attached to the car to function. The Rolls has its normal radio antennae on the fender, but nothing else so that two way radio could not work.
    • Quotes

      Thomas: Nothing like a little disaster for sorting things out.

    • Alternate versions
      Some of the music was rescored for the Warner DVD release, namely the latter part of the opening title music. The VHS releases' music remain intact.
    • Connections
      Featured in Film Review: How I Learned to Live with Being a Star (1967)
    • Soundtracks
      Main Title (Blow-Up)
      Written and Performed by Herbie Hancock

    User reviews314

    Review
    Top review
    You always miss something
    I would recommend that people who are considering watching this film for the first time not read the following. I don't mention the film's ending, I just believe its far more satisfying to let the films potent details nervously sink into place on their own.

    It is not about cameras. It is not about seeing. It is about our perception of our individual world. It throws shadows on the very judgments we build our lives upon. Without mentioning the obvious references to illusion (the mimes, the abstract picture of the corpse, etc.), I offer the following expert signposts Antonioni leaves for us to find.

    1) The guitar neck David snatches at the rave-up has value only until he is not being chased for it, whereupon he discards it in the street. The pedestrian who then picks it up sees it only as junk.

    2) Dialogue with his model friend at the pot party: DAVID - ` I thought you were in Paris.' THE GIRL - `I am'.

    3) Appearances and Disappearance (2 of the many). The Lynn Redgrave character pops up as he arrives at his apartment. His question `How did you find me' is not explained. Later in the story, it is notably odd when David wakes up the following morning after the pot party that there is no one to be seen in the party house. Even the decorations like the clothes hung on the statue the night before have vanished.

    4) David teaches the affectations of smoking to the woman. She must create an impression.

    5) His painter friend describes his painting. `They don't mean anything to me while I work on them. Its only later that I ascribed something to them. Like this leg.' Whereupon he points out a place in a painting that might be a human leg. When he paints, he is tapping subconscious language, something apart from subjective and objective reality. Its as if Antonioni is offering us an even further vantage point to the events to come, dream reality.

    6) The rambling diversion of events shows David's inability to `focus' on working through his mystery.

    7) So much is hidden from the viewer. Its almost suggested that the real end to the narrative takes place someplace after the movie has already finished, jarring our sense of story, insinuating an ending we never get to `see'.

    8) David announces at one point to his friend, `If only I had more money I'd be all right.'. Meanwhile he drives through the whole movie in his Rolls Royce.

    This is a very remarkable film. I was irked by the pacing and the diversions as I watched it, but that was exactly why it all kept coming and coming at me for hours after until finally in bed it all rushed through me like a gorgeous musical event. I know for certain there are many more hidden corners to it, but this is what I got in my first viewing. Just that gut feeling that I missed something, I believe, is exactly where Antonioni was going. You always miss something.
    helpful•287
    72
    • joegerardi
    • Aug 4, 2000

    FAQ1

    • What kind of car was Thomas driving?

    Details

    Edit
    • Release date
      • September 8, 1967 (Finland)
    • Countries of origin
      • United Kingdom
      • Italy
    • Official sites
      • Criterion
      • HBOMAX
    • Language
      • English
    • Also known as
      • Blow-Up
    • Filming locations
      • Maryon Park, Woolwich Road, Charlton, London, England, UK
    • Production company
      • Carlo Ponti Production
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $1,800,000 (estimated)
    • Gross worldwide
      • $35,329
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 51 minutes
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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