Blow-Up - Erään suudelman jälkeen

'Blowup' is frequently mentioned as one of the most influential movies of the twentieth century. And I believe it is. But it is no dry and dull document that the viewer must force himself to "appreciate" while he stifles his yawns. Like 'Citizen Kane', 'Breathless' and 'Psycho' it is not only an important movie milestone, it is still a living and breathing work of art that will fascinate and impress any movie lover who approaches it with an open mind. 'Blowup' lures you in with its snapshot of swinging 60s London, and it's tease of being a murder mystery, which it really isn't, but by then you're hooked. This movie is a puzzle with no solution, a text with any interpretation the viewer cares to bring to it. That may sound heavy going and off putting, but this is a surprisingly watchable movie. Even the "boring" sequences are interesting! Anyone who enjoys David Lynch, Dario Argento (whose 'Profundo Rosso' deliberately referenced this), Nic Roeg or Jim Jarmusch, movies where atmosphere and visual images are more important than characterization, plot or dialogue, will appreciate this 60s classic. I think it gets better with every viewing.