Study of interracial marriage in the 1960's. A white divorcée falls in love with and marries an African-American man. When her ex-husband sues for custody of her child, arguing that a mixed... See full summary »
A Jewish man and a Jewish woman meet and while attracted to each other, find that their worlds are very different. She is the archtypical Jewish American Princess, very emotionally involved... See full summary »
Gene and Finny are two boys who are best friends living in 1943, at the height of World War II. The idea that the boys will most likely be drafted when they turn eighteen is surrounding ... See full summary »
Barbara gets secret plastic surgery in Switzerland in an attempt to save her marriage to Mark, but he doesn't seem interested in meeting her. She checks in to a ski resort to wait for Mark,... See full summary »
Originally billed as "The T.A.M.I. Show II" in preview hype, this concert sequel produced by Phil Spector (who also appears) and filmed at the Moulin Rouge Theater in Hollywood, CA features performances by Joan Baez, The Byrds, Ray Charles, Petula Clark, Bo Diddley, Donovan, The Lovin' Spoonful, David McCallum, Roger Miller, The Modern Folk Quartet, The Ronettes, Sky Saxon of the Seeds and Ike and Tina Turner.Written by
This film belonged to a genre of films that began in the mid 60s that were actually stage productions broadcast on Closed Circuit TV and recorded on Kinescope for theater distribution. These films also included the heralded The T.A.M.I. Show (1964) as well as the theatrical 2nd version of 'Harlow (1965/II)' starring Carol Lynley. See more »
If, like myself, you're a nostalgic middle-ager who wants to remember what the best in mid-60's pop was like for a couple hours, or, if you're under forty or so and want to know why it was so great, Phil Spector's "Big T.N.T. Show" is the one to watch.
Taped in concert at the Hollywood Palace and hosted by then-TV teen idol David McCallum ("The Man from U.N.C.L.E."), this show is so crammed with highlights it's hard to know where to begin. There's Ray Charles rockin' the house with the ultimate "Wha'd I Say," dynamite extended sets from the Byrds and Roger Miller; Donovan at his most pseudo-psychodelic (Check out the all-but-incomprehensible intro he gives to Joan Baez), Petula Clark taking us downtown, Baez singing "There But for Fortune" and "You've Lost That Lovin' Feeling," the latter with Phil Spector at the piano, Bo Diddley knockin' 'em out as only he could. The mind reels.
But this is a film better seen than described. Unfortunately, it's unavailable on video, so catch it the next time it's on AMC. You'll be glad you did. This film, along with "Woodstock" and "The T.A.M.I. Show," form the great film trilogy of 1960's pop/rock.
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