The life, times and afflictions of the fifteenth-century Russian iconographer St. Andrei Rublev.The life, times and afflictions of the fifteenth-century Russian iconographer St. Andrei Rublev.The life, times and afflictions of the fifteenth-century Russian iconographer St. Andrei Rublev.
IMDb RATING
8.1/10
55K
YOUR RATING
- Director
- Writers
- Stars
- Awards
- 5 wins & 2 nominations
Irina Tarkovskaya
- Durochka
- (as Irma Raush)
Yuriy Nikulin
- Patrikey, monakh
- (as Yu. Nikulin)
Rolan Bykov
- Skomorokh
- (as R. Bykov)
Nikolay Grabbe
- Stepan, sotnik Velikogo knyazya
- (as N. Grabbe)
Mikhail Kononov
- Foma, monakh
- (as M. Kononov)
Stepan Krylov
- Starshiy liteyshchik
- (as S. Krylov)
Bolot Beyshenaliev
- Tatarskiy khan
- (as B. Beyshenaliev)
Anatoliy Obukhov
- Aleksey, monakh
- (as A. Obukhov)
Vladimir Titov
- Sergey
- (as Volodya Titov)
Nikolay Glazkov
- Efim
- (as N. Glazkov)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFor the scene where the cow is on fire, it was covered in an asbestos coat that protected it from actually being burned. But for the scene where the horse falls down the stairs, it was shot in the neck by director Andrei Tarkovsky. The crew acquired the horse from a slaughterhouse where it was going to be shot the next day.
- GoofsIn the final scene, set in 1424, Rublev vows to paint an icon of the Trinity. This icon was executed in 1410, 14 years earlier.
- Quotes
Andrei Rublyov: You just spoke of Jesus. Perhaps he was born and crucified to reconcile God and man. Jesus came from God, so he is all-powerful. And if He died on the cross it was predetermined and His crucifixion and death were God's will. That would have aroused hatred not in those that crucified him but in those that loved him if they had been near him at that moment, because they loved him as a man only. But if He, of His own will, left them, He displayed injustice, or even cruelty. Maybe those who crucified him loved him because they helped in this divine plan.
- Alternate versionsWhen released in the UK, the sight of a horse falling off a staircase was cut from this title.
- ConnectionsEdited into Ombres vives ...une autre histoire du cinema... (2013)
Featured review
The most profoundly affecting film of my life
Having had the privilege of visiting Russia and anticipating a return next month, I admit to being a complete Russophile. The mystery, emotion and history of this remarkable country have found places in my soul I was scarcely aware of. This masterful film manages to evoke the sensations I felt during my month's long visit. The Russian people, among the dearest I have known, have suffered as have few others in all of history. The art of this magnificent country is always tinged in dark tones. The music, if not in a minor key, evokes minor key emotions. The literature, even with Gogol, clearly delineates the suffering and hardships with which all Russians are familiar. Therefore, it was not surprising to find all of this so strongly depicted in Andrei Rublyov. However, the beauty that somehow transcended the misery and bleakness constantly before the viewer was redemptive. The scene in which the iconographer holds the sobbing boy is one of the most touching and devastating on film. I sat before the screen with tears streaming down my cheeks. It may sound hyperbolic, but I found this film absolutely life-changing. I am returning to Russia to volunteer in an orphanage. Moreover, I am fully prepared to end my life in that great enigmatic country. Indeed, this film has changed my life. I cannot recommend it too highly.
helpful•3316
- tb-24
- Oct 9, 1999
Details
- Release date
- Country of origin
- Languages
- Also known as
- Андреј Рубљов
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- RUR 1,000,000 (estimated)
- Gross US & Canada
- $124,189
- Opening weekend US & Canada
- $11,537
- Sep 15, 2002
- Gross worldwide
- $156,878
- Runtime3 hours 25 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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