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Andrei Rublev (1966)

Andrey Rublev (original title)
The life, times and afflictions of the fifteenth-century Russian iconographer.

Director:

Andrei Tarkovsky (as Andrey Tarkovskiy)

Writers:

Andrey Konchalovskiy (as Andrey Mikhalkov-Konchalovskiy), Andrei Tarkovsky (as Andrey Tarkovskiy)
Reviews
Popularity
4,104 ( 284)

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Cast

Cast overview, first billed only:
Anatoliy Solonitsyn ... Andrey Rublev
Ivan Lapikov ... Kirill
Nikolay Grinko ... Daniil Chyornyy
Nikolay Sergeev ... Feofan Grek
Irina Tarkovskaya ... Durochka (as Irma Raush)
Nikolay Burlyaev ... Boriska
Yuriy Nazarov ... Velikiy knyaz, Malyy knyaz
Yuriy Nikulin ... Patrikey, monakh (as Yu. Nikulin)
Rolan Bykov ... Skomorokh (as R. Bykov)
Nikolay Grabbe ... Stepan, sotnik Velikogo knyazya (as N. Grabbe)
Mikhail Kononov ... Foma, monakh (as M. Kononov)
Stepan Krylov ... Starshiy liteyshchik (as S. Krylov)
Bolot Beyshenaliev ... Tatarskiy khan (as B. Beyshenaliev)
B. Matysik B. Matysik ... Pyotr
Anatoliy Obukhov ... Aleksey, monakh (as A. Obukhov)
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Storyline

Andreiv Rublev charts the life of the great icon painter through a turbulent period of 15th Century Russian history, a period marked by endless fighting between rival Princes and by Tatar invasions. Written by L.H. Wong <as9401k56@ntuvax.ntu.ac.sg>

Plot Summary | Plot Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Soviet Union

Language:

Russian | Italian | Tatar

Release Date:

October 1973 (USA) See more »

Also Known As:

Andrei Rublev See more »

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Box Office

Budget:

RUR 1,000,000 (estimated)

Opening Weekend USA:

$12,807, 26 August 2018, Limited Release

Gross USA:

$100,148, 18 November 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(re-edited) | (re-edited) | (2004 re-release) | (original length) | (UK) | (Blu-ray)

Sound Mix:

Mono

Color:

Color (Sovcolor)| Black and White

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The character of Danil is based on Daniil Chyorny (c. 1360 - 1430), a Russian icon painter and companion of Andrei Rublyov. He is believed to have painted the Assumption Cathedral in Vladimir in conjunction with Rublyov. See more »

Goofs

In the final scene, set in 1424, Rublev vows to paint an icon of the Trinity. This icon was executed in 1410, 14 years earlier. See more »

Quotes

Kirill: [admiring one of Feofan's icon paintings] As Epiphanius said in "The Life of Saint Sergeius," "Simplicity, without gaudiness." That is what this is. It's sacred... Simplicity, without gaudiness - you can't say it better.
Feofan Grek: I see you are a wise man.
Kirill: If so, is that a good thing? If one is ignorant, isn't it better to be guided by one's heart?
Feofan Grek: In much wisdom there is much grief. And he who increases knowledge increases sorrow.
See more »

Alternate Versions

When released in the UK, the sight of a horse falling off a staircase was cut from this title. See more »

Connections

Featured in Zomergasten: Episode #19.3 (2006) See more »

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User Reviews

 
Arguably the greatest film ever.
1 February 2005 | by heptaparaparshinokhSee all my reviews

Considering the great quantity of films in existence, there are very few that even come close to being considered the greatest of all time. Having seen my share of 'masterpieces' I have come to regard Andrei Rublev as the greatest of them all, although I admit that this is debatable. Nonetheless, this film seems to be stigmatized as being too long or boring - maybe because it's by Tarkovksy, or that it's black and white, or that it's Russian - I really don't know where this comes from. If you can get past any preconceived notions of what the movie is going to be like,and just sit down for a few seconds and watch it, you will probably be able to see from the beginning that this is an extremely important, unmissable film - not to mention captivating and exciting, although very dark and disturbing throughout. The amount of skill and thought, and work that went into this film echoes within the timeless imagery that the director has created. Any serious fan of the cinema would be doing themselves a serious disservice by avoiding this movie any longer. If you interested in the works of Gurdjieff and Ouspensky, you'll be able to take something of another level from this film, as there are many subtle references and parallels to their writings and teachings throughout this movie. It could be argued that the film itself is a cinematic representation of the law of three. Regardless, this is a truly extraordinary thing to behold.


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