In London, the twenty-seven year-old hairdresser Rita decides to complete her basic education before having children as desired by her husband Denny. She joins the literature course in an ... See full summary »
For Alfie, the only real life is sex life; only then can he kid himself he is living. Sex is not used as the working-class boy's way to 'the top'. Executive status has no appeal for Alfie. Nor has class mobility. He is quite content to stay where he is, as long as the 'birds' are in 'beautiful condition', as he assures us they are in one of the candid, over-the-shoulder asides to the camera which the film carries over from "Tom Jones". The film shows how much of the 'swinging 60's' quality of London life was a male creation, and through the dominance of the fashion photographers, a male prerogative. Written by
The only Best Picture Oscar nominee that year to be also nominated for Best Song. See more »
We see a streetsign showing that Alfie's flat is in Chepstow Road, W3. Later in the film he goes for a walk with his neighbour leaving Lilly in the flat. They are seen walking in the area behind King's Cross station, several miles from W3. See more »
What I loved once and what I love now are two different things.
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At the beginning of the film Michael Caine talks to camera and explains that there will be no opening credits. See more »
This is a seriously good comedy. Michael Caine is delightfully saucy as the title character. He ought to seem a cad, and at times he is, but he takes his lumps too, and takes them in stride. The supporting cast is very effective, with especially excellent performances by Jane Asher, Shelley Winters and Millicent Martin. The camera work is also notable, and London serves as an effective backdrop. Definitely worth a look, and a reminder Michael Caine was as good then as he is now.
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