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Alfie (1966)

PG | | Comedy, Drama | 24 August 1966 (USA)
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An unrepentant ladies' man gradually begins to understand the consequences of his lifestyle.

Director:

Lewis Gilbert

Writers:

Bill Naughton (screenplay), Bill Naughton (based on the play: "Alfie")
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Nominated for 5 Oscars. Another 7 wins & 17 nominations. See more awards »

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Cast

Complete credited cast:
Michael Caine ... Alfie
Shelley Winters ... Ruby
Millicent Martin ... Siddie
Julia Foster ... Gilda
Jane Asher ... Annie
Shirley Anne Field ... Carla
Vivien Merchant ... Lily Clamacraft
Eleanor Bron ... The Doctor
Denholm Elliott ... The Abortionist
Alfie Bass ... Harry Clamacraft
Graham Stark ... Humphrey
Murray Melvin ... Nat
Sydney Tafler Sydney Tafler ... Frank
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Storyline

For Alfie, the only real life is sex life. Only then, can he kid himself he is living. Sex is not used as the working-class boy's way to "the top". Executive status has no appeal for Alfie. Nor has class mobility. He is quite content to stay where he is, as long as the "birds" are in "beautiful condition", as he assures us they are in one of the candid, over-the-shoulder asides to the camera which this movie carries over from Tom Jones (1963). This movie shows how much of the "swinging 60s" quality of London life was a male creation, and through the dominance of the fashion photographers, a male prerogative. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Michael Caine is Alfie is Wicked ! See more »

Genres:

Comedy | Drama

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

24 August 1966 (USA) See more »

Also Known As:

Alfie See more »

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Box Office

Budget:

$800,000 (estimated)

Gross USA:

$18,871,300
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Recording System)

Color:

Black and White | Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The power station in the background where Humphrey (Graham Stark) gives his mother's gold ring to Gilda (Julia Foster) is the Lots Road Power Station with its original four chimneys, each two hundred seventy-five feet (eighty-four meters) tall. Opened in 1905 to supply power to the newly electrified Underground railways, it was converted from coal to oil in the 1970s, and due to the lower emissions from gas, the numbers of chimneys needed was reduced, so two were removed. The station stopped generating power in 2002. See more »

Goofs

Fly-wire visible on the guy who is thrown through the paneling at the end of the pub fight. See more »

Quotes

Alfie: You're not entitled to secret thoughts!
Annie: Everyone's entitled to secret thoughts!
See more »

Crazy Credits

At the beginning of the film Michael Caine talks to camera and explains that there will be no opening credits. See more »

Connections

Referenced in The Bob Newhart Show: What's It All About, Albert? (1975) See more »

Soundtracks

Rolling Bones
by The Screaming Nadgers
[Instrumental as heard in Motorway Café]
See more »

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User Reviews

 
More than a comedy
15 January 2002 | by andrew7See all my reviews

Watching this marvellous film again last night, I began to think about how peculiar that a film which has so severely dated in so many respects still manages to say something profound today. In certain respects, this film just couldn't be done today. First of all, gender roles have changed a great deal, and many of Alfie's "birds" simply wouldn't be plausible in a modern film. Second of all, sex has changed so much. Back in the 80s, we had plenty of films (usually bad ones) which took a similarly cavalier attitude toward sex, but that's a relic of a simpler, pre-HIV world that's gone forever.

But "Alfie" still manages to say something, even to a modern audience. On one hand, it's got a very funny script, and Michael Caine plays Alfie with such an infectious charm that it's impossible not to smile. But also, there's a deeper layer of meaning to the film. "I never mean to hurt anyone," Alfie says. "I know," says Harry, "but you do." Alfie ignores this lovely and rare moment of real honesty, but the audience shouldn't, because the heart of the film is right here.

Alfie himself is such a fascinating character. At first, he seems like simply a rogue, a rascal. But there's a helluva lot going on under the surface. His deep, deep insecurities, his tragic loneliness (he wouldn't see it that way, naturally), his pathological inability to have a real relationship with anyone. Especially his own son, whom he obviously loves very much.

While it's easy to see "Alfie" as a tragic story and feel sympathy for the character, it's important to hold onto the hatred. Alfie is a cruel, merciless, and heartless man. He is self-absorbed, utterly insensitive, and totally domineering. He cheerfully holds his "birds" to standards of loyalty he himself needn't bother with. He ruthlessly undermines the individuality and autonomy of everyone he is with, even when pretending to be a liberating force. Notice in his scenes with Gilda how his words sound as though he's endorsing freedom, independence, and self-determination, but the effect of those words is to keep her right under his thumb where she belongs. Alfie deserves our sympathy, yes, but he also deserves our hatred, loathing, and utter contempt.

Anyway, like the DVD box says, this is just a sweet, frothy little comedy, if you like, and it's very enjoyable as such. But, if you care to look deeper, there is so much more to behold. The tagline to "American Beauty" was "look closer", but all of its profound ideas and insights (if any) were plastered right across the screen. "Alfie" is a film which asks you to look closer, and it rewards the effort.


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