Alfie (1966)

An unrepentant ladies' man gradually begins to understand the consequences of his lifestyle.

Director:

Lewis Gilbert

Writers:

Bill Naughton (screenplay), Bill Naughton (based on the play: "Alfie")

Stars:

Michael Caine, Shelley Winters, Millicent Martin

Nominated for 5 Oscars. Another 7 wins & 17 nominations.

Cast

Complete credited cast:
Michael Caine	...	Alfie
Shelley Winters	...	Ruby
Millicent Martin	...	Siddie
Julia Foster	...	Gilda
Jane Asher	...	Annie
Shirley Anne Field	...	Carla
Vivien Merchant	...	Lily Clamacraft
Eleanor Bron	...	The Doctor
Denholm Elliott	...	The Abortionist
Alfie Bass	...	Harry
Graham Stark	...	Humphrey
Murray Melvin	...	Nat
Sydney Tafler	...	Frank

Storyline

For Alfie, the only real life is sex life; only then can he kid himself he is living. Sex is not used as the working-class boy's way to 'the top'. Executive status has no appeal for Alfie. Nor has class mobility. He is quite content to stay where he is, as long as the 'birds' are in 'beautiful condition', as he assures us they are in one of the candid, over-the-shoulder asides to the camera which the film carries over from "Tom Jones". The film shows how much of the 'swinging 60's' quality of London life was a male creation, and through the dominance of the fashion photographers, a male prerogative.

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Plot Keywords:

sex | transistor radio | electric guitar | jazz score | forename as title | 

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Taglines:

Recommended for Mature Audiences

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Genres:

Comedy | Drama

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Certificate:

PG

Details

Country:

UK

Language:

English

Release Date:

24 August 1966 (USA)

Also Known As:

Alfie

Filming Locations:

Lots Road Power Station, Chelsea, London, England, UK

Box Office

Budget:

$800,000 (estimated)

Gross USA:

$18,871,300

Company Credits

Production Co:

Lewis Gilbert, Sheldrake Films

Technical Specs

Runtime:

114 min

Sound Mix:

Mono (RCA Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The power station in the background where Humphrey gives his mother's gold ring to Gilda is the Lots Road Power Station with its original four chimneys, each 275 feet tall. Opened in 1905 to supply power to the newly electrified Underground railways, it was converted from coal to oil in the 1970s and due to the lower emissions from gas the numbers of chimneys needed was reduced, so two were removed. The station stopped generating power in 2002.

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Goofs

Fly-wire visible on the guy who is thrown through the paneling at the end of the pub fight.

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Quotes

[talking about Gilda's appearance while she is pregnant]
Alfie: Mind you, she came over quite beautified for a while, particularly during the early months. And I told her: I said "Blimey, girl, you ain't as ugly as I thought".

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Crazy Credits

At the beginning of the film Michael Caine talks to camera and explains that there will be no opening credits.

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Connections

Referenced in Mad Men: Commissions and Fees (2012)

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Soundtracks

Rolling Bones
by The Screaming Nadgers
[Instrumental as heard in Motorway Café]

User Reviews

More than a comedy

Watching this marvellous film again last night, I began to think about how peculiar that a film which has so severely dated in so many respects still manages to say something profound today. In certain respects, this film just couldn't be done today. First of all, gender roles have changed a great deal, and many of Alfie's "birds" simply wouldn't be plausible in a modern film. Second of all, sex has changed so much. Back in the 80s, we had plenty of films (usually bad ones) which took a similarly cavalier attitude toward sex, but that's a relic of a simpler, pre-HIV world that's gone forever.

But "Alfie" still manages to say something, even to a modern audience. On one hand, it's got a very funny script, and Michael Caine plays Alfie with such an infectious charm that it's impossible not to smile. But also, there's a deeper layer of meaning to the film. "I never mean to hurt anyone," Alfie says. "I know," says Harry, "but you do." Alfie ignores this lovely and rare moment of real honesty, but the audience shouldn't, because the heart of the film is right here.

Alfie himself is such a fascinating character. At first, he seems like simply a rogue, a rascal. But there's a helluva lot going on under the surface. His deep, deep insecurities, his tragic loneliness (he wouldn't see it that way, naturally), his pathological inability to have a real relationship with anyone. Especially his own son, whom he obviously loves very much.

While it's easy to see "Alfie" as a tragic story and feel sympathy for the character, it's important to hold onto the hatred. Alfie is a cruel, merciless, and heartless man. He is self-absorbed, utterly insensitive, and totally domineering. He cheerfully holds his "birds" to standards of loyalty he himself needn't bother with. He ruthlessly undermines the individuality and autonomy of everyone he is with, even when pretending to be a liberating force. Notice in his scenes with Gilda how his words sound as though he's endorsing freedom, independence, and self-determination, but the effect of those words is to keep her right under his thumb where she belongs. Alfie deserves our sympathy, yes, but he also deserves our hatred, loathing, and utter contempt.

Anyway, like the DVD box says, this is just a sweet, frothy little comedy, if you like, and it's very enjoyable as such. But, if you care to look deeper, there is so much more to behold. The tagline to "American Beauty" was "look closer", but all of its profound ideas and insights (if any) were plastered right across the screen. "Alfie" is a film which asks you to look closer, and it rewards the effort.