In London, twenty-seven year-old hairdresser Rita decides to complete her basic education before having children as desired by her husband Denny. She joins a literature course in an open ... See full summary »
For Alfie, the only real life is sex life; only then can he kid himself he is living. Sex is not used as the working-class boy's way to 'the top'. Executive status has no appeal for Alfie. Nor has class mobility. He is quite content to stay where he is, as long as the 'birds' are in 'beautiful condition', as he assures us they are in one of the candid, over-the-shoulder asides to the camera which the film carries over from "Tom Jones". The film shows how much of the 'swinging 60's' quality of London life was a male creation, and through the dominance of the fashion photographers, a male prerogative.Written by
When Alfie speaks with Siddie in the final scene, the ambient light level varies between twilight and dark night. See more »
[talking about Gilda's appearance while she is pregnant]
Mind you, she came over quite beautified for a while, particularly during the early months. And I told her: I said "Blimey, girl, you ain't as ugly as I thought".
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At the beginning of the film Michael Caine talks to camera and explains that there will be no opening credits. See more »
Alfie is a difficult film to come to terms with as it is most definately not what it seems. Its at its most base level is a movie about an arrogant womanising Jack the Lad, whose only virtue is his rogueism. However In my opinion it is an educated, witty, and ironic journey through the male ego during the sixties/seventies. Alfie is a tragic coming of age.
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