In London, twenty-seven year-old hairdresser Rita decides to complete her basic education before having children as desired by her husband Denny. She joins a literature course in an open ... See full summary »
For Alfie, the only real life is sex life. Only then, can he kid himself he is living. Sex is not used as the working-class boy's way to "the top". Executive status has no appeal for Alfie. Nor has class mobility. He is quite content to stay where he is, as long as the "birds" are in "beautiful condition", as he assures us they are in one of the candid, over-the-shoulder asides to the camera which this movie carries over from Tom Jones (1963). This movie shows how much of the "swinging 60s" quality of London life was a male creation, and through the dominance of the fashion photographers, a male prerogative.Written by
Michael Caine was 33 years old in 1966...the year Alfie was made. He was a relatively unknown actor. After Alfie, he was famous and in demand. Caine appears to have approached this role with a lot of confidence ...and why not, he already had a cockney accent...and he was also very cocky. His performance is 95% of the reasons why this is a very good movie. He gives one of the truly GREAT screen performances. The film is not just a comedy...there are examinations of deep and complex social issues...and there are lots of windows into the swinging sixties. But in the final analysis this is Michael Caines movie....for it is his character that stays with us, long after we are mesmerized by his bravado performance. He is still working today...at the age of 79. He has given some great performances over the years...but none to equal his work as Alfie.
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