6.6/10
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27 user 8 critic

The Yellow Rolls-Royce (1964)

Approved | | Comedy, Drama, Romance | 13 May 1965 (USA)
Anthology film about three owners of a yellow Rolls-Royce. A British diplomat buys the car for his French wife. A mobster's girlfriend has an affair in Italy. An American woman drives a Yugoslavian partisan to Ljubljana on the eve of the Nazi invasion.

Director:

Anthony Asquith
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Won 1 Golden Globe. Another 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ingrid Bergman ... Gerda Millett
Rex Harrison ... Lord Charles Frinton - The Marquess of Frinton
Shirley MacLaine ... Mae Jenkins
Jeanne Moreau ... Lady Eloise Frinton - The Marchioness of Frinton
George C. Scott ... Paolo Maltese
Omar Sharif ... Davich
Alain Delon ... Stefano
Art Carney ... Joey Friedlander
Joyce Grenfell ... Hortense Astor
Edmund Purdom ... Fane
Michael Hordern ... Harnsworth
Lance Percival Lance Percival ... Assistant Car Salesman
Roland Culver ... Norwood
Moira Lister ... Lady Angela St. Simeon
Harold Scott ... Taylor
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Storyline

Three stories about the lives and loves of those who own a certain yellow Rolls-Royce: **First purchased by the Marquess of Frinton for his wife as a belated anniversary present, the Marchiness finds her own use for the vehicle, one which prompts her husband to sell the car in disgust. **Gangster Paolo Maltese's moll, Mae, thinks the Rolls is a "classy" car in which to tour Paolo's home town in Italy. When Paolo is called away to the U.S. to finish some "business", a bored Mae takes the Rolls-Royce on a spin through the country, enjoying both the sights and the handsome Italian photographer who crosses her path. **By the outbreak of World War II, the car has come into the possession of socialite Gerda Millet. While on her way to visit Yugoslavian royalty, Gerda and the Rolls-Royce become (at first) unwitting and then (eventually) most willing participants in the Yugoslavian fight. Written by A.L.Beneteau <albl@inforamp.net>

Plot Summary | Add Synopsis

Taglines:

Everything Happens In The Yellow Rolls Royce!

Genres:

Comedy | Drama | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

13 May 1965 (USA) See more »

Also Known As:

El Rolls-Royce amarillo See more »

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Box Office

Budget:

$3,900,000 (estimated)

Gross USA:

$5,400,000, 31 December 1965

Cumulative Worldwide Gross:

$10,000,000, 1 September 1965
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Moira Lister was infuriated when Rex Harrison insisted that most of her lines be cut, and they were. See more »

Goofs

In the last scene, supposedly in the 1940s, the Rolls is driving north on the Henry Hudson Parkway passing under an overhead sign for Interstate 95. The Interstate System was not conceived of until the Eisenhower administration and I-95 was not designated through Manhattan until 1957. See more »

Quotes

Paolo Maltese: And this is the girl, my fidanzata, that I am bringing home to meet my folks. Of all the women in the whole world that I can choose from to be my wife, who do I choose? An ignorant slob of a hatcheck girl who thinks Pisa - Piazza del Duomo in Pisa, Joey - is a stopping-off place between hamburger joints.
See more »

Connections

References Dinner at Eight (1933) See more »

Soundtracks

Forget Domani
Words by Norman Newell
Music by Riz Ortolani
Performed by Katina Ranieri
See more »

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User Reviews

 
Three faces of women and a car for a bedroom
10 April 2002 | by JuguAbrahamSee all my reviews

All the three actresses are beautiful and attractive: some honest and some dishonest. The men remain the drones to the queen bee in all the three episodes.

Jeanne Moreau is probably the weakest of the trio but elegant in her role as a wife who has a young lover. Shirley Maclaine is the classical stunning dumb blonde who has to make a choice to step into a stable, rich married life. The fascinating Ingrid Bergman chooses to step down from a wealthy peerage to a realistic rustic lifestyle using charming wit for achieving an honest end.

This is Asquith's last film with Jack Hildyard's cinematography that is patchy but stunning at times. As a film it is average but the casting and the performances of the three ladies and George C Scott are notable.


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