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A busboy at a disco has sexual problems related to events in his childhood. He becomes obsessed with a disc jockey at the club, leading to obscene phone calls, voyeurism, trips to the porn shop and adult movie palace, and more! A police detective is similarly obsessed with sexual materials, leading him to become personally involved in the case.Written by
Steven Rubio <email@example.com>
During the first scene set at the discotheque, Juliet Prowse puts on a new record after we see the crowd dancing to the first song. However, minutes later, we see the crowd dancing to the first song again. See more »
You gotta learn to handle 'em baby. If you're gonna make it in show biz you're gonna run into some pretty weird types. Of course, that is assuming you mean to make it on your feet. Uh... so to speak. No offense.
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The edited version of this film runs at 91 minutes as opposed to the uncut running time of 94 minutes. The 91 minute version deletes some scenes of Sal Mineo working out and swimming at the Gym where he encounters Juliet Prowse. See more »
This film is truly a work of art of the highest magnitude and no, I am not kidding. Shot in glorious, high-contrast black-and-white, it reeks of exploitation from the note of the cheesy theme song all the way through the strobe-cut ending and every horn-blaring, high-heeling, hip-grinding moment in between. Sal Mineo plays a busboy obsessed with aspiring actress/club DJ Juliet Prowse (and Prowse is at her foxiest in this one, with her pencil skirts, kitten heels and cat eyes), coming off like a perverted puppy dog.
The obscene phone call bits--all heavy breathing, bulging tighty whiteys and sweat--will make you want to leave the theatre and take a shower. Or, if that isn't nasty enough for you, how about the scene with bulldyke Elaine Stritch fondling Prowse's fur (so to speak), or the retarded kid sister locked in the closet or the policeman obsessively playing audio tapes of various twisted criminal's confessions as his daughter listens wide-eyed from the other side of the door? Or how about the "twist lesson" that brings the film to it's climax (no pun intended)? Another asset of this great piece of cinema are its New York City location shots, especially when Mineo goes walking the city at night, looking for filth in scenes that must've influenced "Taxi Driver" (also love the W.S. Burroughs titles in the window of the "dirty bookshop"). I cannot recommend this movie highly enough. It's not available on video (Curses!), so if it's ever screened at the theater or on TV in your area, be there.
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