A vengeful witch and her fiendish servant return from the grave and begin a bloody campaign to possess the body of the witch's beautiful look-alike descendant, with only the girl's brother and a handsome doctor standing in her way.
International man of mystery Diabolik and his sensuous lover Eva Kant pull off heist after heist, all while European cops led by Inspector Ginko and envious mobsters led by Ralph Valmont are closing in on them.
John Phillip Law,
In the near future the two spaceships Argos and Galliot are sent to investigate the mysterious planet Aura. As the Galliot lands on the planet her crew suddenly go berserk and attack each other. The strange event passes, but the crew soon discovers the crashed Argos - and learns that her crew died fighting each other! Investigating further, the explorers come to realize the existence of a race of bodiless aliens that seek to escape from their dying world.Written by
Jeremy Lunt <firstname.lastname@example.org>
The original title for this film during production was "Planet of Terror." See more »
When Sanya tosses the "Ray rifle" to Mark on board the Galliot near the end she tosses it to him backwards, he catches and holds it on his possessed bother's body backwards despite it being clearly shown earlier firing from the opposite end he was pointing at Toby. A moment later he shoots Toby's body and the ray rifle is pointed correctly. See more »
Capt. Mark Markary:
I'll tell you this, if there 'are' any intelligent creatures on this planet... they're our enemies.
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The original Italian version runs 88 minutes long. The US version runs 86 minutes long. See more »
This new release in the "MGM Midnight Movies" series of DVDs is an absolute must-have. The print of this 1965 classic is gorgeous, and for the first time since its theatrical release viewers can see the film in its original wide-screen format. For those who -- like me -- purchased the HBO Video version on VHS, don't worry: The original spare-but-effective electronic score has been restored, instead of the "updated" abomination that made the VHS print almost unwatchable.
Although I've never heard Dan O'Bannon acknowledge it, certain elements of this film must have been in his mind when he was working on "Alien": Two spaceships are drawn to an eerie, fog-shrouded planet by a mysterious radio signal, then snatched from orbit by an irresistible force. After crash landing, the surviving crew find themselves pitted against their own dead shipmates, resurrected by the parasitic mentalities of the planet, a dying race who must find a new home. There's even a scene where Barry Sullivan and Norma Bengell investigate an ancient, derelict alien spacecraft, complete with giant skeletons (any of this sound familiar?)
The set designs -- the cavernous interior of the spaceship and the appropriately alien fixtures of the derelict -- are some of the best you'll find in any pre-1968 science fiction film. Sullivan is suitably stoic as the warrior-scientist Captain; the supporting cast and in particular the luscious Ms. Bengell turn in remarkably understated performances, perfectly conveying dread verging on panic. While this movie may disappoint fans of director Mario Bava who are more familiar with his horror films, as a science fiction film buff I rate it a solid 7.
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