The Cage 

Capt. Pike is held prisoner and tested by aliens who have the power to project incredibly lifelike illusions.

Director:

Robert Butler

Writers:

Gene Roddenberry (created by), Gene Roddenberry

Stars:

Jeffrey Hunter, Susan Oliver, Leonard Nimoy

Cast

Episode complete credited cast:
Jeffrey Hunter	...	Captain Christopher Pike
Susan Oliver	...	Vina
Leonard Nimoy	...	Mr. Spock
Majel Barrett	...	Number One (as M. Leigh Hudec)
John Hoyt	...	Dr. Phillip Boyce
Peter Duryea	...	Lt. José Tyler
Laurel Goodwin	...	Yeoman J.M. Colt

Storyline

This is the pilot to the series that would star William Shatner. Only in this version there is different Captain, Christopher Pike, and with the exception of Mr. Spock, an entirely different crew. Now it begins when the Enterprise receives what appears to be a distress message. But when they get to the planet where the message was sent from, they discover that the supposed survivors were nothing more than illusions created by the inhabitants of the planet, for the purpose of capturing a mate for the one genuine surviving human, and Captain Pike is the lucky winner. While Captain Pike tries to cope with the experiments and tests that the aliens are conducting on him, his crew tries to find a way to rescue him. But the aliens' illusions are too powerful and deceptive (at first).

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Plot Keywords:

illusion | torture | picnic | man horse relationship | rider horse relationship | 

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Genres:

Action | Adventure | Sci-Fi

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Certificate:

PG

Did You Know?

Trivia

The first pilot was not aired on TV until 1988, when it was used as a filler episode for Star Trek: The Next Generation (1987) due to a writers strike.

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Goofs

Pike complains about Yeoman Colt, saying that he "can't get used to having a woman on the bridge"--with a backhanded compliment to Number One. Yet earlier when he received the follow-up distress call from Talos, there was a woman (an uncredited extra actor) at the station receiving it and he didn't bat an eye.

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Quotes

Captain Christopher Pike: The point is that this isn't the only life available. There's a whole galaxy of things to choose from.
Dr. Boyce: Not for you. A man either lives life as it happens to him, meets it head-on and licks it, or he... turns his back on it and starts to wither away.
Captain Christopher Pike: Now you're beginning to talk like a doctor, bartender.
Dr. Boyce: Take your choice. We both get the same two kinds of customers - the living... and the dying.

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Alternate Versions

All prints of the original version of "The Cage" were destroyed by Paramount sometime in the sixties...or so it was thought. For over two decades, the only surviving copy had been a 16mm black and white proof print personally owned by Gene Roddenberry. Mr. Roddenberry took this proof print with him on the college lecture circuit throughout the 70's and early 80's. As a result of many showings in dilapidated 16mm projectors, it has become badly scratched and damaged. One of the versions available on video is a re-created hybrid of the original, using the B&W proof print as a reference, reconstructed from footage used in the episode "The Menagerie" (transferred from the original color camera negatives) and the deleted footage (as originated from the B&W proof print)...this version was originally released on video in the 1980s (and most recently on DVD) with a special introduction by Gene Roddenberry. Then, a few years later, in 1988, a full-color original print of the episode was discovered in the Paramount archives and then released as a filler episode during the original syndication run of "Star Trek: The Next Generation" due to a Hollywood strike (it was later shown during the Sci-Fi Channel's first run of the original "Star Trek" series). The original soundtrack to the discovered print was missing, but the re-mixed soundtrack used for the previous hybrid B&W/color version (in which the "Menagerie" soundtrack was used wherever possible to avoid using the severely scratched and degraded optical soundtrack from the proof print) was re-synched to this restored full-color version to make it look and sound whole. In any event, the most significant difference in the existing versions of the pilot is the voice of the Keeper. In the numberous restored versions, it switches between that of actor Vic Perrin in the footage taken from "The Menagerie" and that of Malachi Throne in the restored footage. This is because, coincidentally, Malachi Throne was cast as Commodore Mendez in "The Menagerie". The producers, quite rightly, thought that it would be confusing for Commodore Mendez and The Keeper to have the same voice, so The Keeper's lines were re-dubbed. (All Thelosian characters were played by women with dubbed male voices.) Among the other addtional scenes/differences in the original version-- -Pike discovers a monster lurking in the Talosians' chambers during the Captain's imprisonment; an extended version of Pike's first illusion, set on the planet Rigel VII (referred to earlier in the film by the ship's doctor) -Spock and crew suspect that their weapons are an illusion by the Talosians -extended dialogue by the Keeper about "Number One" -an extended illusion scene set in the countryside -an extended version of the Orion Slave Girl sequence -the Enterprise loses power as they are about to escape from Talos, and the computer bank goes out of control (both a result of the Talosians' telepathic powers) -and an extended closing scene aboard the bridge.

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Connections

Referenced in Family Guy: A Very Special Family Guy Freakin' Christmas (2001)

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Soundtracks

Star Trek Theme (Original TV Series Version)
(uncredited)

User Reviews

Trek with Capt. Pike, paving the way for Kirk and co.

Before Scotty and Sulu; before Dr.McCoy; before even Capt. Kirk, Spock (Nimoy) was under command of Capt. Pike (Hunter) in the familiar Enterprise (tho with a crew of only 203, as mentioned). The genesis of this original version of a proto-Federation from Roddenberry can be traced back to the spectacular sf film of about 8 years earlier, "Forbidden Planet." As in that film, it was established that some kind of space fleet exists in mankind's future, on patrol or a Star Trek or just exploring (mostly exploring in Roddenberry's vision). There was a commander Adams in the earlier film; Roddenberry first scripted a Capt. April; when the pilot for a new TV show was finally filmed in late '64, he settled on a Capt. Pike, here a more morose and disenchanted version of Capt. Kirk, tired of the heavy responsibilities associated with such a ship's captaincy. This pilot episode, filmed close to the standards of a feature film, takes on unexpected connotations from the perspective of current times. Since it was later established that this episode took place about 13 years prior to the events of the regular Trek series, one gets the impression of a long line of captains and ship's doctors, all debating, in succession, the values and principles of crew duties and regulations after particularly trying missions, as in an early scene here.

In a clever scripting detail, we sort of come into the middle of a story as the episode begins: the crew just completed some mission or adventure on one of the Rigel planets; there were fatalities, everyone's tired. So the sense is that missions in space have been going on for quite some time. Now, the latest - a bogus distress call and pretty soon the captain is held captive by a race of big-headed aliens with extraordinary powers of illusion. It's amazing that the entire holodeck concept in the TNG series, over 20 years later, is given an early run-through here. As mentioned, the production values are close to those of a feature film - this is especially evident after the restored version of this pilot became available. Pike transits, thanks to such illusionary abilities, from one exotic locale to the next, never knowing what to expect. Jeff Hunter was pretty good as the captain, playing a bit closer to the vest than Shatner, some might say withdrawn, but with obvious leadership charisma. Nimoy, in this early version of Spock, lets loose a grin at least once, definitely a younger, less polished interpretation of his well-known character. I was a bit impressed by Barrett, who would've been 2nd-in-command had this show continued as is here. Back in the sixties, the powers-that-be could not accept a female of such high rank, but she pulled it off. They demoted her to lovestruck nurse by the time the regular show began. Hoyt seemed to exist merely as a 'bartender-as-doctor' personality, with none of the crackle Kelley brought to the role.

The rest of the cast as the crew in this early version of Trek were quite bland, including an early role for Roarke, later a fixture in some biker films and "Dirty Mary,Crazy Larry"(74). Guest star Oliver was more interesting as the fellow prisoner engaged in futuristic mating rituals with Pike - her Orion slave girl illusion was quite risqué for its time, but that was Roddenberry for you. The entire episode proved to be a highly cerebral, involved effort, too complex for the masses of that time in the view of decision-makers, and maybe even too serious in approach. Unexpectedly, a sequel to this pilot materialized during the course of the regular series, only a third of the way through the first season - "The Menagerie" parts 1 & 2 - where-in we learned the future fate of Pike, not a very pleasant prospect, as it turned out. After this pilot was rejected by the bosses, Roddenberry presented "Where No Man Has Gone Before," starring Shatner as Kirk.

Details

Official Sites:

Official site Paramount Pictures [United States]

Country:

USA

Language:

Greek English

Release Date:

27 November 1988 (USA)

Filming Locations:

Desilu Studios - 9336 W. Washington Blvd., Culver City, California, USA

Box Office

Budget:

$630,000 (estimated)

Company Credits

Production Co:

Desilu Productions

Technical Specs

Runtime:

63 min

Sound Mix:

Mono DTS (re-mastered version) Dolby Digital (re-mastered version)

Color:

Color (Technicolor) Color

Aspect Ratio:

4:3