The murder of a Soviet defector forces his old handler, British spymaster George Smiley, out of retirement. His investigation leads to an old nemesis, the Soviet spymaster known only as Karla. This will be their final dance.
This is the story of Magnus Pym, from his childhood to the end of his career in middle age. As a young man, there is little doubt that his father Rick was the most influential character in ... See full summary »
Following the suicide of an elderly Jewish man, a journalist in possession of the man's diary investigates the alleged sighting of a former S.S. Captain, who commanded a concentration camp during World War II.
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British spy, Alec Leamas, seeks vengeance on the East German Intelligence Service during the height of the Cold War. A Television adaptation of John le Carre's novel "The Spy Who Came in From the Cold".
Alec Leamas (Richard Burton), a British spy, is sent to East Germany, supposedly to defect, but in fact to sow disinformation. As more plot turns appear, Leamas becomes more convinced that his own people see him as just a cog. His struggle back from dehumanization becomes the final focus of the story.Written by
John Vogel <firstname.lastname@example.org>
Back during the Cold War, people actually bought into the bleak misery that was brinkmanship & actors actually took chances, & their agents let them.
Richard Burton is Alec Laemmas, John Le Carre's reluctant spy, whose disillusionment is turned against him to save one last informant: hard to believe that Mr. Burton was then still in the throes of his public romance with Liz Taylor. Grim's the word here: from the opening Checkpoint Charlie Berlin scene to the Dutch shores to the East German countryside--the Cold War's done nobody any favors. Moreover, this harsh treatment of spies & their back-stabbing, double-dealing ways was made just after Ian Fleming's suave James Bond had become a pop movie icon (Bond's "M," Bernard Lee, as a grocer here ["T'get a proper credit, y'need a banker's reference."], gets the crap pummeled outta him by Burton).
Anyway, "Spy" is movie stripped of glamor: everyone gets usurped by people with power. Burton's Laemmas is sent to salvage the good guys' chief informant, a senior GDR official; Claire Bloom's Commie idealist Nancy is called to East Germany under the ruse of cultural exchange, to aid in the hoax. Oscar Werner is mesmerizing ("Were you present for ziss...Sanksgiving?") as the no. 2 man in the Abteilung, on the trail of no. 1, Peter van Eyck, until Laemmas shows up to thwart his plans.
If old cold warriors were only half as conniving as they appear here, whither did they go after the fall of the Soviet Union? Something to which nobody with nanogram of sense has paid much attention.
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