| Cast overview, first billed only: | |||
| Vivien Leigh | ... | Mary Treadwell | |
| Simone Signoret | ... | La Condesa | |
| José Ferrer | ... | Siegfried Rieber (as Jose Ferrer) | |
| Lee Marvin | ... | Bill Tenny | |
| Oskar Werner | ... | Dr. Wilhelm Schumann | |
| Elizabeth Ashley | ... | Jenny | |
| George Segal | ... | David | |
| José Greco | ... | Pepe (as Jose Greco) | |
| Michael Dunn | ... | Karl Glocken | |
| Charles Korvin | ... | Capt. Thiele | |
| Heinz Rühmann | ... | Julius Lowenthal (as Heinz Ruehmann) | |
| Lilia Skala | ... | Frau Hutten | |
| BarBara Luna | ... | Amparo (as Barbara Luna) | |
| Christiane Schmidtmer | ... | Lizzi Spoekenkieker | |
| Alf Kjellin | ... | Freytag | |
1933: An ocean liner belonging to a second-rate German company is making a twenty-six day voyage from Veracruz, Mexico to Bremerhaven, Germany. Along the way it will stop in Cuba to pick up a large group of Spanish farm laborers who are being shipped home and who will be housed like cattle in steerage. There it will also pick up La Condesa, a Spanish countess. It will stop in Tenerife, where the farm workers will disembark and where La Condesa will be sent to a German-run prison for her "traitorous" activities in Cuba. This voyage will be the last of three for the ship's doctor, Willi Schumann, who has a serious heart ailment and who thought he could find some meaning to his life through this job. Willi and La Condesa fall in love, with the ship's Captain Thiele, who is Willi's closest friend on board, believing the drug-addicted La Condesa is only using him to get her fixes. Willi and La Condesa have to figure out if there is a future for them after the voyage, as Willi's life also ... Written by Huggo
A grim long voyage with an earnest script by the remarkable Abby Mann and a respectful Stanley Kramer at the helm. Assorted desperate characters makes the sailing a gripping one. When the extraordinary Simone Signoret, Oskar Werner and Vivien Leigh are on, we're there with them one hundred per cent. Simone Signoret's addicted Countess and Vivien Leigh's bitter and disillusioned middle age Southern woman touch and dominate the highest, most powerful moments. Their stories have an immediate resonance and their faces, wonderful, beautiful faces, carry a truth that is as pungent as it is undeniable. Painful yes, very painful but, as it happens with the best kind of drama, entertaining, compelling, cinematic. Jose Ferrer's German bore, George Segal and Elizabeth Ashley and even the wonderful Michael Dunn will make you sea sick at times but I will recommend it nonetheless just to admire and enjoy Vivien Leigh's Charleston or Simone Signoret looking at Oskar Werner with a mixture of love, lust, compassion and need. For collectors of imperfect gems.