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Repulsion (1965)

Not Rated | | Drama, Horror, Thriller | 3 October 1965 (USA)
A sex-repulsed woman who disapproves of her sister's boyfriend sinks into depression and has horrific visions of rape and violence.

Director:

Writers:

(original screenplay), (original screenplay) (as Gerard Brach) | 1 more credit »

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Nominated for 1 BAFTA Film Award. Another 2 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
... Carol
... Michael
... Colin
... Helen
... Landlord
... Miss Balch
Valerie Taylor ... Madame Denise
James Villiers ... John
Helen Fraser ... Bridget
... Reggie
Monica Merlin ... Mrs. Rendlesham
Imogen Graham ... Manicurist
... Workman
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Storyline

In London, Belgian immigrant Carol Ledoux shares an apartment with her older sister Helen, and works as a manicurist at a beauty salon. Helen uses the word "sensitive" to describe Carol's overall demeanor, which is almost like she walks around in a daze, rarely speaking up about anything. When she does speak up, it generally is about something against one of those few issues on which she obsesses, such as Helen's boyfriend Michael's invasion of her space at the apartment. That specific issue may be more about men in general than just Michael's actions, as witnessed by Carol being agitated by hearing Helen and Michael's lovemaking, and she not being able to rebuff the advances effectively of a male suitor, Colin, who is infatuated with her. One of those other obsessive issues is noticing cracks and always wanting to fix them. While Helen and Michael leave on a vacation to Pisa, Italy, Carol chooses largely to lock herself in the apartment, ditching work. There, she is almost hypnotized... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

From the Award-Winning "Knife In the Water" See more »

Genres:

Drama | Horror | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

3 October 1965 (USA)  »

Also Known As:

Repulsión  »

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Box Office

Budget:

$300,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

When Roman Polanski first announced this, he stated the actress he required would have to be "an angel with a slightly soiled halo". See more »

Goofs

Whenever a character takes the ringing phone off the hook, the bell sound is cut off abruptly as opposed to having it resonate. See more »

Quotes

[first lines]
Mrs. Rendlesham: Have you fallen asleep?
Carol: Oh, I'm sorry.
Mrs. Rendlesham: I think you must be in love or something.
See more »

Connections

Referenced in Minority Report (2002) See more »

Frequently Asked Questions

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User Reviews

 
Twisted, atmospheric, and cerebral horror.
17 January 2011 | by See all my reviews

Repulsion is a 1965 Polanski psychological horror/thriller (emphasis on the psychological) about a woman's descent into madness. Carol's (Catherine Deneuve) fear of men (the cause of which is hinted at but never explained) combined with her incredibly intense sexual repression, spirals into outright madness over a course of several days, as she's left largely alone in her apartment. A cascade of mental collapses, hallucinations, violence, and death follow. 

This is a movie that takes a bit to keep going, and the first half primarily focuses on establishing Carol's character. We slowly come to realize that something is clearly wrong with Deneuve's character. Then, in the latter half of the movie, things greatly accelerate as Carol's sister leaves her alone for a few days for a holiday with an older man, and Carol's grip on reality rapidly deteriorates. The very walls of her apartment seem to be cracking and leaking, she leaves rotting food all over the place, and she repeatedly has delusions of being attacked and forced to have sex by a sinister man.

Repulsion is creepy, disturbing, and even downright shocking, on occasion. I was bored somewhat by the slower initial half, but in retrospect, it's necessary for the movie to accomplish its highly effective latter portion. It's a nice introduction to Catherine Deneuve (who's startlingly beautiful, even as such a disturbed character), and it has an ending that's almost as haunting and memorable as another Roman Polanski favorite, Chinatown. Not a bad movie to be compared to, in my opinion.


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