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Rekopis znaleziony w Saragossie (1965)

Upon finding a book that relates his grandfather's story, an officer ventures through Spain meeting a wide array of characters, most of whom have a story of their own to tell.

Director:

Wojciech Has (as Wojciech J. Has)

Writers:

Tadeusz Kwiatkowski, Jan Potocki (novel)
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Cast

Cast overview, first billed only:
Zbigniew Cybulski ... Alfonse Van Worden
Iga Cembrzynska ... Princess Emina
Elzbieta Czyzewska ... Donna Frasquetta Salero
Gustaw Holoubek ... Don Pedro Velasquez
Stanislaw Igar ... Don Gaspar Soarez
Joanna Jedryka ... Zibelda
Janusz Klosinski ... Don Diego Salero
Bogumil Kobiela ... Senor Toledo
Barbara Krafftówna ... Camilla de Tormez
Jadwiga Krawczyk Jadwiga Krawczyk ... Donna Inez Moro
Slawomir Lindner Slawomir Lindner ... Van Worden's father
Krzysztof Litwin ... Don Lopez Soarez
Miroslawa Lombardo Miroslawa Lombardo ... Van Worden's mother
Jan Machulski ... Count Pena Flor
Zdzislaw Maklakiewicz ... Don Roque Busqueros
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Storyline

In the Napoleonic wars, an officer finds an old book that relates his grandfather's story, Alfons van Worden, captain in the Walloon guard. A man of honor and courage, he seeks the shortest route through the Sierra Morena. At an inn, the Venta Quemada, he sups with two Islamic princesses. They call him their cousin and seduce him; he wakes beside corpses under a gallows. He meets a hermit priest and a goatherd; each tells his story; he wakes again by the gallows. He's rescued from the Inquisition, meets a cabalist and hears more stories within stories, usually of love. He returns to Venta Quemada, the women await with astonishing news. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis


Certificate:

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Details

Official Sites:

Mr Bongo Films

Country:

Poland

Language:

Polish

Release Date:

9 February 1965 (Poland) See more »

Also Known As:

El manuscrito encontrado en Zaragoza See more »

Filming Locations:

Olsztyn, Slaskie, Poland See more »

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Box Office

Opening Weekend USA:

$3,456, 23 May 1999, Limited Release

Gross USA:

$118,971, 12 November 2000
See more on IMDbPro »

Company Credits

Production Co:

Kamera Film Unit See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Mono

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Luis Buñuel, who seldom viewed movies more than once, liked this film so much that he saw it three times. See more »

Quotes

Don Pedro Velasquez: We are like blind men lost in the streets of a big city. The streets lead to a goal, but we often return to the same places to get to where we want to be. I can see a few little streets here which, as it is now, are going nowhere. New combinations have to be arranged, then the whole will be clear, because one man cannot invent something that another cannot solve.
Alfonse Van Worden: I no longer follow.
See more »

Alternate Versions

Originally released in a cut version in the US, the film was restored to it's original 182-minutes running time and premiered at the New York Film Festival in September 1997. The restoration project, supervised by Edith Kramer, was initially sponsored by Grateful Dead's leader Jerry Garcia and later completed by Francis Ford Coppola and Martin Scorsese. The restored version includes a dedication to Jerry Garcia. See more »

Connections

Referenced in Chuck: Chuck Versus Bo (2012) See more »

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User Reviews

 
Keys to understanding the film... and the DVD
29 November 2006 | by benoit-3See all my reviews

"The Saragossa Manuscript" is a very entertaining film that two or three viewings will eventually allow you to understand fully. Its style mixes an easy congeniality and libertine spirit à la "Tom Jones" (1963) with elements of sophisticated comedy and slapstick commedia dell'arte, all delivered by an expert cast and imbued with a tangible sense of fun and mystery.

Its story centers around the efforts by a brave officer in mid-XVIIIth Century Spain to distance himself from ghosts or evil spirits that visit him every night and take the form of two charming Muslim sisters who want to be his lovers and bear his children, even in succubi form, and insist that he convert to Islam. Those erotic (and heretic) reveries also have something to do with devilry and all things forbidden and his encounters with those women are encouraged by the mysterious figure of the Cabalist (another forbidden science) and his sister Rebecca and severely repressed by roaming members of the Catholic Inquisition. This framing story is the pretext for a series of very involving and amusing moral tales told in flashback by several participants, who all echo each other and whose moral seems to be that all religious and social prohibitions and ghost stories should be taken with a grain of salt. In this ocean of mystery and gothicism stands the figure of Don Pedro Velasquez, a mathematician who befriends the hero and who seems the only character to believe in the cold light of reason (foreshadowings of Polanski's "The Fearless Vampire Killers").

After several viewings, the only point in the film which remains mysterious is why Frasqueta's lover (Pena Flor) should appear with a bloodied face when he climbs in her bedroom through a window, a fact the viewer has to provide his own backstory for and which could be evidence that the original film was even longer than the 182 minutes at which it clocks in on the restored DVD edition. (Personal theory: Pena Flor really was Frasqueta's lover and the band of thugs Frasqueta hired to deceive her husband into believing he had paid to have his wife's lover killed really did attempt to kill him before he paid them to kill her husband instead.) Well, that and the fact that Jerry Garcia of the Grateful Dead, an early fan of the film and one the persons responsible for its restoration, was fond of quoting a scene from the film that doesn't seem to exist anymore (a character's confrontation with Death at the foot of his bed, which, according to DVD Savant, could come from the 1960 Mexican film "Macario")...

A WORD ABOUT THE DVD: This film was restored thanks to the efforts and money of Martin Scorsese, Francis Ford Coppola and the above-mentioned Jerry Garcia, and the collaboration of the director. It was shot in Dyaliscope, the French CinemaScope equivalent, which is always projected at a standard 2.35:1 ratio. This "enhanced for widescreen TVs" DVD shows an image with a ratio of 2:1, which means that the picture information is still squeezed by a ratio of 15 % in relation to the way it should be shown normally. In this presentation, the picture is "fish-eyed" and the characters and animals appear too slim. There is no way around this problem if you watch it on a 4:3 television set. However, if you own a widescreen TV, you can set-up your DVD player as for a standard 4:3 TV monitor and gently unsqueeze the resulting picture with any one of the "cheater" modes provided by your TV model to approximate a 2:35 presentation. There is no way of knowing if this drawback is the result of simple ignorance (mistaking the 2:1 squeeze of Dyaliscope with a 2:1 projection ratio) or of a compromise allowing to use the greater part of the TV screen in both 4:3 and 1.77:1 TV sets. It took me along time to figure out this problem and I am glad to share this little trick with you.


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