8.3/10
195,033
245 user 122 critic

For a Few Dollars More (1965)

Per qualche dollaro in più (original title)
Two bounty hunters with the same intentions team up to track down a Western outlaw.

Director:

Sergio Leone

Writers:

Sergio Leone (scenario), Fulvio Morsella (scenario) | 2 more credits »
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Cast

Cast overview, first billed only:
Clint Eastwood ... Monco
Lee Van Cleef ... Col. Douglas Mortimer
Gian Maria Volontè ... El Indio (The Indian)
Mario Brega ... Nino, Member of Indio's Gang
Luigi Pistilli ... Groggy, Member of Indio's Gang
Aldo Sambrell ... Cuchillio
Klaus Kinski ... Juan Wild - The Hunchback
Benito Stefanelli Benito Stefanelli ... Luke 'Hughie'
Luis Rodríguez Luis Rodríguez ... Manuel, Member of Indio's Gang (as Luis Rodriguez)
Panos Papadopulos Panos Papadopulos ... Sancho Perez, Member of Indio's Gang (as Panos Papadopoulos)
Mara Krupp Mara Krupp ... Mary - Hotel Manager's Beautiful Wife (as Mara Krup)
Roberto Camardiel ... Tucumcari station clerk (as Robert Camardiel)
Joseph Egger Joseph Egger ... Old Prophet (as Josef Egger)
Tomás Blanco ... Tucumcari sheriff (as Tomas Blanco)
Lorenzo Robledo Lorenzo Robledo ... Tomaso, Indio's Traitor
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Storyline

Manco is a bounty killer chasing El Indio and his gang. During his hunting, he meets Col. Douglas Mortimer, another bounty killer, and they decide to make a partnership, chase the bad guys together and split the reward. During their enterprise, there will be lots of bullets and funny situations. In the end, one of the bounty hunters shows the real intention of his hunting. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

The man with no name is back. See more »

Genres:

Western

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | Spain | West Germany

Language:

Italian

Release Date:

10 May 1967 (USA) See more »

Also Known As:

For a Few Dollars More See more »

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Box Office

Budget:

$600,000 (estimated)

Gross USA:

$15,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor) (Techniscope)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Though no year is stated, the movie takes place no earlier than June 1872. This is shown when Mortimer is browsing a newspaper (El Paso Tribune) with the visible publication date of June 15 1872. See more »

Goofs

During the opening credits, the rider goes down just as the rifle is fired. See more »

Quotes

[first lines]
Train Conductor: Tickets. Tickets, please. Tickets. Tickets. Thank you. Tickets.
Col. Douglas Mortimer: Is this part of Tucumcari?
Train Conductor: We should pass there in about 3 to 4 minutes.
Col. Douglas Mortimer: Thanks.
Carpetbagger on Train: Well, eh, excuse me, but you made a mistake, Reverend. I couldn't help hearing you're going to Tucumcari. I sell goods around here, and I gotta tell you, you're on the wrong train. I think the nearest stop to Tucumcari is Amarillo. By getting off at Santa Fe and returning by way of Amarillo, you should be able to get right where... you're....
[...]
See more »

Crazy Credits

The title credits disappear as if being shot by a gun. See more »


Soundtracks

Indio's Flashback
(uncredited)
Composed by Ennio Morricone
See more »

Frequently Asked Questions

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User Reviews

 
A classic in every aspect.
15 October 2003 | by Pavel-8See all my reviews

"For a Few Dollars More" is the middle film of Sergio Leone's classic western trilogy starring a then upstart Clint Eastwood. Sandwiched between "A Fistful of Dollars" and the finale, "The Good, the Bad, & the Ugly." This film provides further insight into Eastwood's "Man with No Name."

Eastwood is a bounty killer who is in search of the feared bandit known as El Indio. Colonel Douglas Mortimer (played by Lee Van Cleef) is in a similar position, and the two cross paths many times in their pursuits of El Indio. The premise has similarities to that of the first, and in fact won't be all that surprising to most younger viewers. But at the time, the various plot turns and twists were unique and revolutionary.

The pace is both a pro and con at the same time. Unlike modern films, the usual western showdown scenes unfold very deliberately. Rather than simultaneously begin and end in a furious volley of bullets, the encounters are set up slowly. On the bright side, this gives both the characters and the viewers an opportunity to fully appreciate the choices made and the consequences that will follow. From a negative perspective (not mine), one might say that the gunfights are plain slow, and the action is too sparse. While I enjoyed the change of pace, I also understand why some will say otherwise. Others portions of "More" can hang with any western sequences ever put on film. Highlighting the action is a robbery scene, the creativity of which ranks with any modern heist out of "The Score" or "The Italian Job."

This trilogy catapulted Clint Eastwood to Hollywood fame, and one can see his star-making charisma ooze through the screen. Blending stoicism and machismo wonderfully, Eastwood produces the epitome of the tough and arrogant loner cowboy. In a role that could easily have been overshadowed, Van Cleef holds his own against Eastwood. His character was probably similar to Eastwood's in his youth, but Van Cleef accurately reflects the wisdom that would likely come with his character's age. The motley crew of baddies is filled with men who completely look their parts. That's about all that is asked of them, and they deliver.

The cinematography of "More" follows in the groundbreaking footsteps of "Fistful." While one might not notice anything revolutionary now, at the time shots like that had scarcely been seen. Shots like the low-angles utilized prior to a few shootouts, as well as the framing of space are all now staples of cinematic westerns, and they originated here.

Ennio Morricone's score is also a classic. Whether serving as epic background music for sweeping crane shots or providing aural cues during action sequences, the music is always appropriate and often the best part of the film.

Bottom Line: While it might not seem as great now, so much of this movie was groundbreaking and remains classic that it merits 8 of 10.


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