Retired Old West gunslinger William Munny (Clint Eastwood) reluctantly takes on one last job, with the help of his old partner Ned Logan (Morgan Freeman) and a young man, The "Schofield Kid" (Jaimz Woolvett).
Disgruntled Korean War veteran Walt Kowalski (Clint Eastwood) sets out to reform his neighbor, Thao Lor (Bee Vang), a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.
In 1938, after his father Professor Henry Jones, Sr. goes missing while pursuing the Holy Grail, Professor Henry "Indiana" Jones, Jr. finds himself up against Adolf Hitler's Nazis again to stop them from obtaining its powers.
Manco (Clint Eastwood) is a bounty killer chasing El Indio (Gian Maria Volontè) and his gang. During his hunting, he meets Colonel Douglas Mortimer (Lee Van Cleef), another bounty killer, and they decide to make a partnership, chase the bad guys together and split the reward. During their enterprise, there will be lots of bullets and funny situations. In the end, one of the bounty hunters shows the real intention of his hunting.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Regardless of lawsuits and court rulings, Eastwood's character can be assumed to be the same person. This being the case, the six repaired bullet holes in his serape (from the previous movie) have been supplemented by another eight from this movie (four bullets passing through both the front and the back). See more »
In the hilarious scene where Monco and Mortimer shoot each others' hats you can see the lights of an airplane flying over Monco's head in one quick shot. See more »
Tickets. Tickets, please. Tickets. Tickets. Thank you. Tickets.
Col. Douglas Mortimer:
Is this part of Tucumcari?
We should pass there in about 3 to 4 minutes.
Col. Douglas Mortimer:
Carpetbagger on Train:
Well, eh, excuse me, but you made a mistake, Reverend. I couldn't help hearing you're going to Tucumcari. I sell goods around here, and I gotta tell you, you're on the wrong train. I think the nearest stop to Tucumcari is Amarillo. By getting off at Santa Fe and returning by way of Amarillo, you should be able to get right where... you're....
[...] See more »
The title credits disappear as if being shot by a gun. See more »
All the wide-screen versions from MGM lack a scene at the end of the scene where Manco and Col. Mortimer are beaten up. There, 20 seconds are missing, where Indio jumps down the wall and orders to stop the beating. He orders to tie them up and his aide asks him, why keep them alive. This cut is contained in all the DVD releases by MGM worldwide, including the newly restored Special Edition. The British Pan&Scan VHS video is uncut, as well as the Italian DVD release (which, however, only contains Italian language audio). The only uncut DVD version with English language track is the German DVD by Paramount. See more »
One of my favorite westerns- a fitting middle section to the "Dollars" trilogy
As the second of the three films legendary filmmaker Sergio Leone collaborated on with Clint Eastwood (not to mention his first with Lee Van Cleef and his second with 'Fistful' actor Gian Maria Volonte), For a Few Dollars More gets well earned respect from the fans of the director and the groundbreaking star. And yet, occasionally there are those who'll not even know this film from Leone and Clint exists since it does sometimes get under the shadow of their two most infamous works, Fistful of Dollars (which for the most part introduced Clint and Leone to the public's awareness) and The Good, the Bad and the Ugly (which solidified Clint as a Western icon and gave Leone a similar status for film buffs). But taken as a film unto itself, aside from its place in the trilogy, this is a Western that simply delivers the goods, and it does so with a spectacular marriage of style and substance.
The story begins by introducing our two (anti) heroes, bounty hunters Douglas Mortimer (Cleef), former Colonel, and Monco (Eastwood), a drifter. They both set their sights on the leader of a gang of bandits named Indio (Volonte), who is plotting to go after over a million locked in a bank in El Paso. At first, Monco and Mortimer seem like their after Indio for the same reason- reward money- though there seems to be more than each man counted on with him and his gang.
From the opening scenes with Cleef and Eastwood, to the scenes in El Paso, and then into the set pieces in the stone ruins in the Mexico desert(s), For a Few Dollars More displays the utmost skill by Leone in his storytelling, as well as in his use of the camera. Using Fistful's camera-man Massimo Dallamano, Leone does what he does best in his spaghetti westerns- he creates a perfectly in sync mood with his characters: each look in a scene, whether it's intense waiting for guns to be drawn, or just regular conversation, the look of the film draws the viewer in without over-doing it. Some points are made bold or repetitious (like Ennio Morricone's score, that keeps its whistling theme and serene watch theme completely in check), though it's not done to any degree of annoyance or by accident.
In fact, that's what makes his westerns such fun, is that you take them seriously as films, yet he always reminds you that it's all in the 'movie-world' just by the way Mortimer or Monco strikes up a match. As for the actors themselves, Eastwood and Cleef are total pros in this genre, so ever line of dialog comes out naturally, and the supporting actors (however dubbed over from original Italian) all contribute great notes as well. At the least, it can appeal to a new generation of kids looking back to older movies, which may look at this and consider it more modernly crafted than a John Ford oldie. A+
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