Over the course of one day in August 1912, the family of retired actor James Tyrone grapples with the morphine addiction of his wife Mary, the illness of their youngest son Edmund and the ... See full summary »
A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
Valentine "Snakeskin" Xavier, a trouble-prone drifter trying to go straight, wanders into a small Mississippi town looking for a simple and honest life but finds himself embroiled with problem-filled women.
Eddie Carbone, a Brooklyn longshoreman is unhappily married to Beatrice and unconsciously in love with Catherine, the niece that they have raised from childhood. Into his house come two ... See full summary »
In a poor neighborhood of New York, the bitter and lonely Jewish pawnbroker Sol Nazerman is a survivor from Auschwitz that has no emotions or feelings. Sol lost his dearest family and friends in the war and his faith in God and belief in mankind. Now he only cares for money and is haunted by daydreams, actually flashbacks from the period of the concentration camp. Sol's assistant is the ambitious Latino Jesus Ortiz, who wants to learn with Sol how to run a business of his own. When Sol realizes that the obscure laundry business he has with the powerful gangster Rodriguez comes also from brothels, Sol recalls the fate of his beloved wife in the concentration camp and has a nervous breakdown. His attitude leads Jesus Ortiz to tragedy and Sol finds a way to cry.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
One of the rules that United Artists, who initially flirted with financing the film, insisted on was that there should be no overt depictions in the film of the Holocaust as it was such a depressing subject. Ted Allan, who was the first hire to write the screenplay, found this a difficult thing to work around. See more »
As Jesus runs down the street, his shirt changes from a V-neck to a turtle neck, and then back again. See more »
[Jesus Ortiz points to the tattooed numbers on Sol Nazerman's arm]
You want to tell me something, Mr. Nazerman? What is that? That... is that a secret society or something?
Well... what do I do to join?
What do you do to join? You learn to walk on water.
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A very impressive and dramatic movie. I remember when I saw the first time this movie as a young teenager, I was deeply impressed by it, and after many years it still one of the movie that are important to me. The thing that hit me in the movie is the wire between the violence in the streets of the city and the violence in the Nazist concentration camp. It's the story without any hope of a survivor, a dead man walking, living an impossible life in the violent modern society. It has been the first movie that I saw about other movies about the Holocaust and still Ithink it's one of the more impressive about this argument. I saw many movies about the Holocaust, ma no one treats as this, the difficult life of survivors who lost their family.
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