The working-class twin sister of a callous, wealthy woman impulsively murders her out of revenge and assumes her identity. But impersonating her dead twin is more complicated and risky than she anticipated.
The son of a dead Italian nobleman and a wealthy American woman forgets the disappointment of finding he has no talent for being a painter by succumbing to the sexual advances of an amoral model who believes in indiscriminate love affairs.
Bette Davis is an English nanny whose charge is a rude 10-year-old Joey, just discharged from a disturbed children's home where he'd spent two years undergoing treatment for drowning his little sister in the bath. He returns to an unloving father, fragile mother, and doting nanny -- whom he hates. Suspicion arises again when his mother is poisoned, and Joey continues to insist Nanny is responsible. Joey contends the nanny was responsible for his little sister's death, and only the upstairs neighbour girl believes him.Written by
The last Hammer film to be made in black and white. See more »
In the scene where they put the doll into the bathtub to scare the nanny: When they first pick up the doll, it has blonde hair, then when they put it into the bathtub, it has black hair, then when the nanny finds it, it has blonde hair again. This is a technique that is repeated throughout the second half of the film, whenever the bathtub death is revisited by the characters. See more »