The fashion industry and Paris provide the setting for a comedy surrounding the mistaken impression that Joanne Woodward is a high-priced call girl. Paul Newman is the journalist interviewing her for insights on her profession.
'Human Voice' is based on Jean Cocteau's iconic one woman play of the same name. Set against the backdrop of Naples, Italy, in 1950, this romantic drama tells the story of Angela, (played ... See full summary »
Enrico Lo Verso,
Frank Capua is a rising star on the race circuit who dreams of winning the big one--the Indianapolis 500. But to get there he runs the risk of losing his wife Elora to his rival, Luther ... See full summary »
A business tycoon decides to wed a Middle Eastern princess whose customs dictate the pair must live apart for several months before marrying; even more complications settle in when the tycoon's ex-fiancée is assigned to chaperone the pair.
Today Lady Louise Lendale (Sophia Loren) is eighty-years-old and she tells her long time admirer, British poet Sir Percy (Cecil Parker), all about her eventful life. In the beginning, she was a young laundress working in "Le Mouton Bleu", a renowned Paris whorehouse. There, she met Armand (Paul Newman), both a charming man and a bomb-throwing anarchist, and it wasn't long before she became his mistress. One day, while Armand was away in Switzeland, working for a revolutionary movement aiming to murder a Russian Prince, Louise met the second man in her life, a British Lord she soon called Dicky (David Niven). The latter offered to marry her. In exchange, he would save Armand from the police's grip. She accepted on the condition she could still see Armand.Written by
I had stayed away from this film because the critics panned it so viciously. Serves me right, because it was absolutely wonderful from beginning to end. Ustinov punctuates the rich satire in the script just perfectly with his grandiose direction. The cinematography is lush, and Sophia is outrageously good, as the strongly principled woman ahead of her time, who sees and is amused by all the rich ironies of life. Cecil Parker gives the movie it's opening tone and it never misses a best. But the writing is the strongest single aspect of the work, always remaining true to its characters, while making pungent observations on UK moral codes, class struggles, the battle of the sexes, the institution of marriage, and many others. Enjoy! 10/10
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