The only feature film by the painter and documentary filmmaker, Juergen Boettcher. Inspired by the Italian neo-realists, he developed a sensitive style characterized by accurate social ...
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Sensitive, somewhat effeminate farm-boy Duncan Mudge can barely cope with grim, since Ma's death even gloomier father Edgar's manly expectations, and seeks comfort in petting a chicken he ... See full summary »
Every year the most beautiful girl will be sacrificed to the Python God. When a girl named Sia is the next to be sacrificed, she hides in the house of the village idiot, a man who goes ... See full summary »
When their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robbery in the City.
Katina, an impoverished Greek woman, tries to arrange the marrage of her shepherd son, Thanos, to Despina, the daughter of a wealthy landowner. But when Despina's father, Vlahopoulos ... See full summary »
The Rabbit Is Me was made in 1965 to encourage discussion of the democratization of East German society. In it, a young student has an affair with a judge who once sentenced her brother for... See full summary »
The only feature film by the painter and documentary filmmaker, Juergen Boettcher. Inspired by the Italian neo-realists, he developed a sensitive style characterized by accurate social observations and poetic verse. This film tells the story of Al and Li, a married couple living in the Prenzlauer Berg district of Berlin. They have only been married for a couple of months but decide to divorce. Alfred, a motorcycle enthusiast, especially pushes for the divorce. He fears losing his independence and freedom to experiment. Alfred takes a couple days off to clear his head, and rides through Berlin meeting friends and strangers. The fact that he ultimately returns to Lisa is possibly a good omen, but the ending remains open. Born in '45 was caught in a wave of politically motivated film bans in the summer of 1966 and was not allowed to be shown. The film was described by an official as "indifferent and insignificant." Boettcher chose settings that were "gloomy, unfriendly, dirty and ...Written by
DEFA Film Library