Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta. But ...
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When young and attractive Lina Stroppiani, a thief like the rest of her family, tries to steal the taxi of Paolo, together with two accomplices, she can't possibly know that this will have ... See full summary »
Vittorio De Sica,
Vittorio Gassman stars as different characters in each of the nine episodes of this unusual Italian comedy. Playing everything from a practical joker to a prisoner, he comments upon romance, love and women in general.
Giulio is a 38-year-old intellectual stuck in a meaningless white-collar job. He realizes that this job will never fulfill his dreams of becoming rich so he comes up with a little plan ... See full summary »
Antonietta viene fotografata per caso e la sua foto finisce in copertina. Il suo fidanzato vuol far causa al giornale per questo, ma Antonietta decide di farsi conoscere e con l'aiuto di ... See full summary »
Alberto's marriage is a complete failure: his wife Elena is a hard woman influenced by her mother and sister who live with the married couple. Alberto is also experiencing financial ... See full summary »
Raffaele vive a Napoli, dove studia, ma viene richiamato al paese per dare l'ultimo saluto alla nonna Sabella, morente. Appena arrivato scopre che la nonna non è morente affatto e che ha ... See full summary »
Peppino De Filippo,
Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta. But little by little Sandro identifies himself with the people he meets and the accusation against mankind changes into a confession to himself. And, after the death of his true friend Peppino Marazzi and a conversation with Silvia, Sandro begins to consider again his own life.Written by
Baldinotto da Pistoia
I watched this film about 5 years ago, and I must say it's one of the bests I've seen. The subtle humour is perfectly married with the irony and another emotional moments. This film and 'Loves of a Blonde' (Milos Forman) have that subtlety you hardly see anymore. Mastroiani's performance as Pepino is memorable. His performances in different films as a director, gigoló and also a shy - timid man (for example) make him one of the most outstanding actors ever.
"Io Io Io e gli altri", starts laughing about itself, starts critizicing society, its vices, and the narrator commits one of those in the middle of his monologue. It sets up a tongue in cheek film which develops in an intelligent way.
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