Col. Mike Kirby picks two teams of crack Green Berets for a mission in South Vietnam. First off is to build and control a camp that is trying to be taken by the enemy the second mission is to kidnap a North Vietnamese General.
After the Civil War, ex-Confederate soldiers heading for a new life in Mexico run into ex-Union cavalrymen selling horses to the Mexican government but they must join forces to fight off Mexican bandits and revolutionaries.
On patrol the morning of December 7th commanding a cruiser Captain Torrie receives word of the attack on Pearl Harbor. His orders are to find the Japanese force and attack it. The picture tells the story of three families during the outbreak of World War ll.Written by
Many of the non-military costumes and hairstyles worn by the women throughout the film were contemporary to the mid 1960s period, during which the film was made, rather than of the early 1940s. This is particularly noticeable at the dance which opens the film. Many of the extras in this scene were, in fact, active duty officers and their spouses assigned to various commands in Oahu. See more »
When Capt. Torrey walks Eddington from the brig to the duty launch, a boom mic shadow is very clearly seen on Kirk Douglas and the background behind him. See more »
Critically under-valued at the time of it's release and now largely forgotten, Otto Preminger's World War Two movie is a first-class entertainment, intelligently scripted, crisply photographed and very well directed. (There is a beautifully sustained scene where Preminger cross cuts between John Wayne's date with Patricia Neal and son Brandon De Wilde's date with Neal's room-mate Jill Haworth in which the characters of all four protagonists are neatly established).
For once an all-star cast adds to, rather than detracts from, the film. With a few exceptions (Henry Fonda and Franchot Tone in blink-and-you'll-miss-them cameos) all the actors are allowed to flesh out their roles with Patricia Neal and Burgess Meredith outstanding. Ultimately. of course, it never rises above melodrama and is the cinematic equivalent of those door-stopper novels favoured on the beach, but then melodrama was always where Peminger really came into his own. While certainly not in the class of "Laura", "Bonjour Tristesse", "Anatomy of a Murder" or "Advise and Consent", it is no disgrace and is a reminder that even second-rate Preminger is head and shoulders above a lot of the junk food cinema that fills our multi-plexes today.
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