Hoping to push Britain to the forefront of aviation, a London publisher organizes an international air race across the English Channel, but must contend with two entrants vying for his daughter, as well as national rivalries and cheating.
A scientist is nearly assassinated. In order to save him, a submarine is shrunken to microscopic size and injected into his blood stream with a small crew. Problems arise almost as soon as they enter the bloodstream.
Professional daredevil and white-suited hero, The Great Leslie, convinces turn-of-the-century auto makers that a race from New York to Paris (westward across America, the Bering Straight and Russia) will help to promote automobile sales. Leslie's arch-rival, the mustached and black-attired Professor Fate vows to beat Leslie to the finish line in a car of Fate's own invention.Written by
Jeanne Baker <firstname.lastname@example.org>
Writer/director Blake Edwards was known for his penchant for slapstick physical humor and Vaudevillian visual gags, which he totally indulged while writing and shooting this film, mostly in sequences involving Jack Lemmon and Peter Falk. See more »
When Leslie swims to the castle and climbs the wall, the rope he carries with him is much thinner than the one he actually uses to climb the wall. See more »
Master of Ceremonies:
[addressing the crowd]
Ladies and gentlemen, you are about to witness the most spectacular feat ever attempted by the greatest daredevil in the world: The Great Leslie!
[the crowd cheers]
Master of Ceremonies:
He will be strapped in a straightjacket before your very eyes and lifted up into the clouds where eagles soar and no sparrow dares to venture!
[the crowd murmurs]
See more »
The Warner Bros logo, opening credits, intermission and closing credits all appear in the form of a magic lantern slideshow (an early form of cinema), with each credit having a custom slide. See more »
The Great Race was licensed for showing in the Soviet Union in 1965. However, the whole episode where the race is going through Russia was cut. The Soviet authorities took it as a mockery of the 1908 Russian people. See more »
THE GREAT RACE may not be a masterpiece--but it is a perfect choice for a cold and rainy night: stylish, frothy, and often flatly hilarious, it makes for "comfort viewing" at its best.
One of the movie's several charms is that it draws heavily from Victorian clichés that still linger in the public mind, gives them a gentle comic spin, and then drops them into the tale of an early 1900s auto race from New York to Paris by way of Siberia. Add to this a heap of favorite character actors, a big budget, flamboyant period costumes, and the biggest pie fight ever filmed, and you have a movie where there is always something to enjoy on the screen.
The great thing about THE GREAT RACE are the performances, which are very broad but endowed with a sly humor. The comedy accolades here go to Jack Lemmon and Peter Falk as the notorious Dr. Fate and his bumbling sidekick Max--wonderful bits of acting that will have you hooting with laughter in every scene--and Dorothy Provine scores memorably in a cameo as Lily Olay, the bombshell singer who presides over the most rootin'-tootin' saloon this side of the Pecos.
But every one, from Tony Curtis and the lovely Natalie Wood down to such cameo performers as Vivian Vance, get in plenty of comic chops as the film drifts from one outrageous episode to another: suffragettes crowding a newspaper, the biggest western brawl imaginable, polar bears, explosions, daredevil antics, and a subplot lifted from THE PRISONER OF ZENDA agreeably crowd in upon each other. True, the film does seem over-long and may drag a bit in spots, but it never drags for very long, and it's all in good fun--and the production values and memorable score easily tide over the bare spots. Lots of fun.
Gary F. Taylor, aka GFT, Amazon Reviewer
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