Amelia and Pippo are reunited after several decades to perform their old music-hall act (imitating Fred Astaire and Ginger Rogers) on a TV variety show. It's both a touchingly nostalgic ... See full summary »
In 1914, a luxury ship leaves Italy in order to scatter the ashes of a famous opera singer. A lovable bumbling journalist chronicles the voyage and meets the singer's many eccentric friends and admirers.
Cinecitta, the huge movie studio outside Rome, is 50 years old and Fellini is interviewed by a Japanese TV crew about the films he has made there over the years as he begins production on ... See full summary »
Juliet lives in a beautiful house by the ocean. Her sisters, and especially her Mother overshadow her with their beauty. She is a spiritual, superstitious and naive woman. She visits a psychic seer who tells her she must follow the sex trade in order to be happy. Not long after she meets her eccentric and sexy neighbour, Suzy, who, by all counts appears to be a high class prostitute and encourages Juilet into sexual acts which make her guilty and nervous. A rare night when her husband is at home she wakes up to catch him talking to another woman on the phone. He calls out the name "Gabriella" while sleeping, but when she questions him he lies his way out of it. She finds out who Gabriella is and fears her husband will leave her. Juliet begins having visions who accuse and terrorize her. The pinnacle of the visions comes at the end where it is implied she realizes she would be better off without her husband and is ultimately emotionally emancipated.Written by
In 1964, it was announced that Marcello Mastroianni and singer Anna Maria Alberghetti would be starring opposite Giulietta Masina. See more »
Jose owns one of the biggest bull farms. Sometimes at night this madman puts on his own bullfight.
What courage! Isn't it dangerous?
No, signora, it's poetry. Poetry is never dangerous. My best friends are toreadors. They compose music, write verse, and abhor blood.
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Really sort of the female counter part to 8 1/2, It had the same sort of dream/memory/fantasy narrative, and the same sprawling dialogue and humor, the biggest difference was this was about relationships and sexual repression and freedom, had a female lead and was in technicolor, which Fellini really makes great use of, it adds a kelidoscopic psychedelic feel to the whole movie. There really are some amazing visuals and all the dialoge is superb. Though I guess its not so much a female 8 1/2 as it is a caricature of a marriage during the sexual revolution , but it's still a funny and poignant one. Great performances and memory dialog; the sexual revolution as a circus.
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