Amelia and Pippo are reunited after several decades to perform their old music-hall act (imitating Fred Astaire and Ginger Rogers) on a TV variety show. It's both a touchingly nostalgic ... See full summary »
In 1914, a luxury ship leaves Italy in order to scatter the ashes of a famous opera singer. A lovable bumbling journalist chronicles the voyage and meets the singer's many eccentric friends and admirers.
Cinecitta, the huge movie studio outside Rome, is 50 years old and Fellini is interviewed by a Japanese TV crew about the films he has made there over the years as he begins production on ... See full summary »
Juliet lives in a beautiful house by the ocean. Her sisters, and especially her Mother overshadow her with their beauty. She is a spiritual, superstitious and naive woman. She visits a psychic seer who tells her she must follow the sex trade in order to be happy. Not long after she meets her eccentric and sexy neighbour, Suzy, who, by all counts appears to be a high class prostitute and encourages Juilet into sexual acts which make her guilty and nervous. A rare night when her husband is at home she wakes up to catch him talking to another woman on the phone. He calls out the name "Gabriella" while sleeping, but when she questions him he lies his way out of it. She finds out who Gabriella is and fears her husband will leave her. Juliet begins having visions who accuse and terrorize her. The pinnacle of the visions comes at the end where it is implied she realizes she would be better off without her husband and is ultimately emotionally emancipated.Written by
I AM your lover, I AM your zero, I AM the face in your dreams of glass
A reincarnation of the Buddha is said to have described himself as being, "like the moon upon the water...a reflection. Think of me as your self." He said. Many ancient sages have spoke and been written of seeing The One, the holy God of eternity while looking, gazing, or meditating into a river or pond. For just as God separated the light from the darkness. Fellini too has created his own deep symbolic reflections of the Unfathomable One. Some say that this film, 'Giullietta degli spiriti' is the feminine partner of Federico's previous film 8 1/2. 'An Ode To No One', and 'An Ode To One'. Like two mirrors, the two films reflect the Eternal Lovers in Their breaking, and in Their embrace. Fellini's dialogue and metaphors show a great understanding of The Self, The Divine Marriage, The Sacred Mystery. Fellini is one of the few modern artists who greatly understood the purpose and very nature of art itself. All art imitates life, sure, but human life also is merely an interpretation of that which is truly real. It is obvious by Fellini's work that he himself created his art in order to become more real, to become closer to truth. He created in order to see with more depth and to share this with others. Fellini undoubtedly understood the logic in the seemingly illogical words of the great William Blake when he said "If the doors of perception were truly cleansed, everything would appear as it truly is - infinite.". Fellini understood that all art imitates life, but even more so, he understood that all art imitates the Divine. He also understood that only through this kind of conscious introspection can one become closer and closer to our own True Infinite Nature. People who do not follow spiritual disciplines, or who do not know the work of Carl Jung, or who do not have a good understanding of ancient sacred scripture, will likely miss much of the depth in this film. However that is not to say that those people still won't enjoy it. This is the work of a Divinely inspired genius. Some watch this film and are dazzled by the great colour and flamboyant spectacle of it (And why wouldn't you be?), however truly it is the interweaving of dialogue and relationships that speak even louder than the amazing visuals. "For those who have ears, let them hear!"
18 of 25 people found this review helpful.
Was this review helpful to you?
| Report this