Temüjin and Börte are childhood lovers who are deeply in love; but news of Temüjin's father's death swiftly disrupted their relationship. Temüjin heads back to his hometown, but was faced ... See full summary »
After suffering Egyptians from the oppression of the Mamluks and despotism clump the people and organize popular resistance to eliminate them and get rid of the ruling Circassians and the ... See full summary »
Mohamed el Sabaa,
Mostly fictionalized account of the life of Ghenghis Khan, the Mongol warlord whose 13th century armies conquered much of the known world. Named Temujin, he was taken prisoner by the rival warlord Jamuga and as punishment was forced to wear a large round wooden stock that severely restricted his movements. With the help of two supporters, the wise-man Geen and the strongman Sengal he manages to escape. He now begins his quest to unify all of the Mongol tribes. He faces great success but his old nemesis Jemuga keeps appearing at various times in his life leader to a final battle between the two.Written by
Released in 70MM and also advertised as having 6-track stereophonic sound in Sydney's long gone Barclay Cinema. See more »
James Mason used a "glass" mirror to signal the soldiers of the emperor, the glass mirror was invented in 1835 in Germany, in the times of Genghis Khan, a polished metal like copper or bronze was used as mirror. See more »
Perhaps once, in many centuries, does the world produce a man with the power and the will equal to his vision and destiny. Genghis Khan is such a man!
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All UK releases are cut by 1 min 3 secs. The cinema version was cut for nudity and later video releases also included additional edits for horse-falls and to a rape scene. See more »
This has about as much to do with the real Genghis Khan as the Hughes film"The Conquerer".If you want to know about the real historical figure,read Lamb's 1920s book.That aside,we have to appreciate the production values of the film.Sets,props,etc.,are all ok.None of these people,however,can scarcely be imagined as Central Asians.Greek Savalas and Alabaman Strode come closest.Wallach,as the Shah,makes an acceptable sly villain,and not an unbelievable Levantine.Everybody else is not only much too European,but much too Nordic,as well.(Sharif is only a minor exception to this generalisation.)And Morley,Mason,and Hordern all act as though they wandered in from a road company of "The Mikado".Watch this film for amusement,and perhaps free-wheeling historical fiction(aka Robert E. Howard),but don't take it too seriously.
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