During WWII, a human heart taken from a certain lab in Europe (Dr. Frankenstein's) is kept in a Japanese lab, when it gets exposed to the radiation of the bombing of Hiroshima. The heart ...
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An experimental lab animal called a gargantua escapes from his captors and is suspected to be the creature that is killing people all over the countryside. But when the gargantua from the ... See full summary »
King Kong is brought in by an evil ruler to dig for precious gems in a mine when the robot MechaKong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle that threatens to level Japan.
A space probe is infiltrated by alien beings and then crashes on a remote Pacific atoll. A group planning to build a resort hotel land on the island and discover it to be inhabited by giant... See full summary »
When a narcotics deal goes sour and a suspect disappears, leaving only his clothes, Tokyo police question his wife and stake out the nightclub where she works. His disappearance stumps the ... See full summary »
During WWII, a human heart taken from a certain lab in Europe (Dr. Frankenstein's) is kept in a Japanese lab, when it gets exposed to the radiation of the bombing of Hiroshima. The heart grows in size, mutates and sprouts appendages, and eventually grows into a complete body and escapes. Later, a feral boy with a certain physical deformity (a large head with a flat top) is captured by scientists who refer to the boy as Frankenstein. The creature grows to the height of 20 feet, escapes again, fights police and army, and is practically indestructible. Later, a reptilian monster goes on a rampage. Eventually the Frankenstein creature and the reptile face off in a terrible battle.Written by
In addition to the giant octopus sequence, the American producers also requested Toho shoot alternate footage of Frankenstein on the loose in Hiroshima. Unlike the alternate ending, however, these new shots were utilized in the American theatrical release. See more »
When Frankenstein notices the boar, the boar is clearly a model swinging its legs unconvincingly while rotating around on its support. See more »
In the original U.S. version distributed by American International, the noted Japanese actor Tadao Takashima is listed in the onscreen credits as "Takao Takashima." See more »
In the mid 1980s, the distribution of this film was taken over by U.P.A. who transferred the film to tape for television syndication. They reshot the opening credits (on tape), trying to duplicate the look of the original title sequence. Apparently they mistimed the footage causing the sound in the first reel to be at lease a full second out of sync. Also, due to sloppy handing of the changeovers, there is slight footage missing at each changeover point causing the running time to be reduced to 86 minutes. This may be one of the worst video transfers ever. By mid-2003, there has been no sign that any attempt has been made to correct the problems and this print remains in distribution. See more »
Well, he may not exactly conquer the world in this picture, but at least he gets off his usual home turf! In the very imaginative opening of "Frankenstein Conquers the World" (1965), you see, the living heart of the Frankenstein monster is taken from Germany at the end of World War II and transported by submarine to Japan, where it is promptly exposed to A-bomb radiation at Hiroshima and eventually grows, to become a giant, gap-toothed male waif. This lumbering doofus (who ultimately reveals himself to be the nimblest, most energetic Frankenstein ever shown on film) soon has a dukeout royale with Baragon, a sort of giant, spiny-backed, (heat?) ray-spewing, burrowing armadillo dinosaur, with no holds barred and no quarter given. Anyway, this picture strikes me as being several cuts above the usual kaiju eiga. It has been fairly handsomely produced, features very adequate FX (despite the Maltin book's claim to the contrary; well, that bucking horse excepted), and makes excellent use of its CinemaScope frame. Director Ishiro Honda, composer Akira Ifukube and the great actor Takashi Shimura, who all contributed so much to the original "Gojira" film in 1954, here bring their talents together again, with highly entertaining results, and American actor Nick Adams does his best playing Dr. James Bowen, a scientist working at the Hiroshima International Institute of Radiotherapentics (sic). The picture offers several striking visuals, none perhaps as impressive as the awesome spectacle of Franky and Baragon going at it with a flaming forest as a backdrop. The pristine-looking DVD from Media Blasters that I just watched offers both the "international" and the "theatrical" versions of the film, which differ only in the final five minutes. I much prefer the "international," if only because we get to see Franky (ridiculously) battle yet another monster in it. Either version, however, should provide an evening's worth of good mindless fun.
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