Three go-go dancers holding a young girl hostage come across a crippled old man living with his two sons in the desert. After learning he's hiding a sum of cash around, the women start scheming on him.
Believe it or not even in Smalltown USA there are still people who are unfulfilled and unrelieved in the midst of plenty. Levonna and Lamar could have the perfect relationship if it were not Lamar's obsession with rear entry.
Three bad boy motorcyclists get kicks raping women and generally being a nuisance. When they rape a veterinarian's wife, he takes exception and pursues them, teaming up with a Cajun woman ... See full summary »
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Raven De La Croix,
Tales of eleven losers are told and interwoven. Burt can't satisfy Angel, so she seeks the arms of another man, who is caught by Angel in the arms of another woman. Angel ends up with ... See full summary »
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Harry (a corrupt sheriff) and his Chicano deputy hunt an Apache who is about to go to the authorities with the news Harry is smuggling marijuana. Harry makes love to Raquel (a prostitute) ... See full summary »
Three strippers seeking thrills encounter a young couple in the desert. After dispatching the boyfriend, they take the girl hostage and begin scheming on a crippled old man living with his two sons in the desert, reputedly hiding a tidy sum of cash. They become houseguests of the old man and try and seduce the sons in an attempt to locate the money, not realizing that the old man has a few sinister intentions of his own.Written by
Ed Sutton <firstname.lastname@example.org>
Tura Satana said in a 2004 interview that, regardless of the nudity and sexual themes of his films and female characters, she always felt Russ Myers was a feminist at heart. "He loved to make women look good. I have never seen any of the gals in his films look bad. And the men in his movies were always incapacitated in some way. They were either in a wheelchair or on crutches or short of a full deck. He liked to make women strong, make them feel that they were empowered." See more »
After Varla cuts the fence and gets back into her car, look at the rear side window. Crew member with hat is briefly visible in the reflection. See more »
Please, take it from one who, until tonight, foolishly and ignorantly pigeonholed Russ Meyer as a Grade-B Soft-Core cult hero. What did I know? He's so much more than that. Think really good John Waters crossed with really bad Fellini (which is good, of course, in its own way) and you have just a hint of the inspired wickedness here.
Three mean chicks in sports cars, on a road trip from hell, back in a blistering hot, black-plate California desert. The script is undisguised genius and the performances (particularly, of course, the sadistic, sneering Tura Satana) cross most known bounds. But you know what? Even with that firebrand in the lead, the others hold up incredibly well. Meanwhile, the cinematography is spot-on for the theme here, tilted and trenchant. The overall effect: bracing--blinding, almost--and more than a little surreal.
FASTER, PUSSYCAT KILL! KILL! It's hideous and hip. Nightmarish, and nasty. Scathing and scabrous. Insane, but inventive. It's not a film for everyone. Some will call it sick, some will dismiss it as camp. It's all that and more. Hardly a wrong note, and with *so* many opportunities too... I was glued to the screen from beginning to end. Wicked fun. Captivating. Can you tell I liked it?
PS: Also recommended for fans of NHB, male/female bare-knuckle boxing. You know who you are ;)
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