7.7/10
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The Dot and the Line: A Romance in Lower Mathematics (1965)

A simple line attempts to woo his true love, a dot, away from the unkempt squiggle she prefers. But he'll have to learn to bend before she'll notice him.

Directors:

Chuck Jones, Maurice Noble (co-director)

Writer:

Norton Juster (original story and screenplay)
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Won 1 Oscar. Another 1 nomination. See more awards »

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Cast

Complete credited cast:
Robert Morley ... Narrator (voice)
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Storyline

A simple line attempts to woo his true love, a dot, away from the unkempt squiggle she prefers. But he'll have to learn to bend before she'll notice him. Written by Kathy Li

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

31 December 1965 (USA) See more »

Also Known As:

The Dot and the Line See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Metrocolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

To give the squiggle an unkempt appearance, the animation drawings were inked on rice paper. The ink bled, creating a textured line that was then Xeroxed onto cel. See more »

Quotes

[first lines]
Narrator: Once upon a time there was a sensible, straight line, who was hopelessly in love, with a dot.
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User Reviews

 
An experimental, Oscar-winning Chuck Jones cartoon
31 January 1999 | by VarlaamSee all my reviews

In order to lure a cute dot away from a swingin' squiggle, a very conservative straight line learns to turn himself into exciting polygons and Spirograph designs.

This cartoon unfortunately is more impressive than it is entertaining. The overwrought narration by Norton Juster is read by Robert Morley. This is the first collaboration between Juster and Jones who later worked together on "The Phantom Tollbooth" in 1969.

In some ways, "The Dot and the Line" resembles a prototype for that later film since they are both less than the sums of their parts and are both better described than seen. In both cases, Jones is let down by Juster.

This 1965 effort however is shorter, better, and less cute than their 1969 feature, and has sufficient charm and originality to be well worth your time.


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