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Doctor Zhivago (1965)

PG-13 | | Drama, Romance, War | 31 December 1965 (USA)
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The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during World War I and then the October Revolution.

Director:

David Lean

Writers:

Boris Pasternak (novel) (as Boris Leonidovic Pasternak), Robert Bolt (screenplay)
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Popularity
3,118 ( 24)
Won 5 Oscars. Another 16 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Omar Sharif ... Yuri
Julie Christie ... Lara
Geraldine Chaplin ... Tonya
Rod Steiger ... Komarovsky
Alec Guinness ... Yevgraf
Tom Courtenay ... Pasha
Siobhan McKenna ... Anna
Ralph Richardson ... Alexander
Rita Tushingham ... The Girl
Jeffrey Rockland Jeffrey Rockland ... Sasha
Tarek Sharif Tarek Sharif ... Yuri at 8 Years Old
Bernard Kay ... The Bolshevik
Klaus Kinski ... Kostoyed
Gérard Tichy ... Liberius (as Gerard Tichy)
Noel Willman ... Razin
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Storyline

During the Russian Revolution, Dr. Yuri Zhivago (Omar Sharif) is a young doctor who has been raised by his aunt and uncle following his father's suicide. Yuri falls in love with beautiful Lara Guishar (Julie Christie), who has been having an affair with her mother's lover, Victor Komarovsky (Rod Steiger), an unscrupulous businessman. Yuri, however, ends up marrying his cousin, Tonya (Geraldine Chaplin). But when he and Lara meet again years later, the spark of love reignites. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

A Love Caught in the Fire of Revolution See more »

Genres:

Drama | Romance | War

Motion Picture Rating (MPAA)

Rated PG-13 for mature themes | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA | Italy | UK | Liechtenstein

Language:

English | Russian | French

Release Date:

31 December 1965 (USA) See more »

Also Known As:

Doctor Zhivago See more »

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Box Office

Budget:

$11,000,000 (estimated)

Gross USA:

$111,721,910

Cumulative Worldwide Gross:

$111,918,564
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1999 re-release) | (1992 re-release)

Sound Mix:

3 Channel Stereo (Westrex Recording System) (5.0) (L-R)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Initially, this movie failed to make much impact at the box-office, probably due to the critics' lukewarm reception to it. The first three weeks returns were considered to be a disaster, despite a million dollars being spent on publicity. Director Sir David Lean remarked at the time that "you could hurl boulders in the theater and not hurt anyone." Gradually, audiences started to pick up, probably due to the incredible popularity of Maurice Jarre's "Lara's Theme". See more »

Goofs

When Yuri, Lara and her daughter are riding in the sleigh on the way to the ice palace, the close-up shots show the three of them in the sleigh. In the wide shot where the sleigh goes over a bump, there is only one driver in the sleigh and no passengers. See more »

Quotes

Gromeko: What I want to know is how we're going to stay alive this winter.
See more »

Alternate Versions

When it was first released, the film originally ran 197 minutes. Early in its run, David Lean and editor Norman Savage shortened it to 180 minutes; this version was in circulation for years. By the mid-1990s, the uncut version was restored. See more »

Connections

Referenced in Game Show Models (1977) See more »

Soundtracks

The Internationale
Lyrics by Eugène Pottier
Music by Pierre De Geyter
[Sung by crowd in the street]
See more »

Frequently Asked Questions

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User Reviews

Drowned in the Purity of Sentiment
9 December 2004 | by johnny-mSee all my reviews

No wonder the highest directorial achievement for direction of the British Academy of Film and Television is named after David Lean. An artist who knew how to combine great performances, with breathtaking settings, haunting soundtrack, in order to create works of art that are to remain as pillars for the future generations of film-makers.

"Doctor Zhivago" is definitely one of his most outstanding works, a film that breathes with life, and suffers with passion. Neither, though, of the credited people can take as much credit for it, as David Lean. Omar Sharif delivers one of his best performances of his career, Julie Christie has never been as stunning, or Rod Steiger as Komarovsky or Tom Courtenay as Antipov ever left more memorable performances than these ones. Not even Maurice Jarre, who composed one of the most unforgettable themes in film history, or Robert Bolt, for his skillful adaptation on Pasternak's difficult novel, not even Freddy Young's cinematography, can rise above the vibration of genius, which is David Lean. We almost feel the complexity of the universe collapsing on us with a mad power that we instantly become part of it, and fall in love with all its particles.

For those who haven't seen the film, this might make little sense, and it can give a misleading understanding of what one is to expect. "Doctor Zhivago" is a poet, who at the beginning of the 20th Century is caught in the historical Bolshevik revolution. An outstanding doctor, married to his childhood friend, Tonya (Geraldine Chaplin in a warm performance), finds that there is beauty beyond deceit, love beyond commitment, by starting an affair with an enigmatic lady which appears often in his path in the most unnoticeable of moments. Their destiny is as confused as Russia in the turmoil started by the Reds, it is shaped by history without their approval. There is no solution for a country that abandoned its passions in its desire of self-improvement, just as for the two lovers, which find themselves abandoned in the middle of the Siberian taiga.

This is a slow film and for the good reasons. We are allowed to breathe the story, to give it momentum, and to judge it from within, as if the choices were not Yury's, Lara's or Tonya's, but our own creation. And this is the brilliance of Lean's direction. The story transcends time and space, and it melts within the triviality of our life. Beyond it, we are left with nothing but love, pure and blindingly real.


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