10 user 2 critic

Deadwood '76 (1965)

Approved | | Western | 30 June 1965 (USA)
A young drifter is mistaken for Billy the Kid. The consequences prove deadly.


James Landis


Arch Hall Sr. (screenplay) (as Arch Hall), James Landis (screenplay) | 1 more credit »

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Cast overview, first billed only:
Arch Hall Jr. ... Billy May
Jack Lester Jack Lester ... Tennessee Thompson
La Donna Cottier La Donna Cottier ... Little Bird
Arch Hall Sr. Arch Hall Sr. ... Boone May (as William Watters)
Liz Renay ... Poker Kate (as Melissa Morgan)
Robert Dix ... Wild Bill Hickok
Richard Cowl Richard Cowl ... Preacher Smith (as Richard S. Cowl)
Jonny Bryant Jonny Bryant ... Hubert Steadman
David Reed David Reed ... Fancy Poggin
Gordon Schwenk Gordon Schwenk ... Spotted Snake
Ray Zachary Ray Zachary ... Spec Greer
Barbara Moore Barbara Moore ... Montana
Hal Bizzy Hal Bizzy ... Curt Aiken
Read Morgan ... Ben Hayes (as Reed Morgan)
Rex Marlow Rex Marlow ... Sam Bass


A young drifter is mistaken for Billy the Kid. The consequences prove deadly.

Plot Summary | Add Synopsis




Approved | See all certifications »






Release Date:

30 June 1965 (USA) See more »

Also Known As:

A Cidade dos Fora da Lei See more »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Ryder Sound Services)


Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


La Donna Cottier's only film. See more »


Set in 1876, Billy the Kid wouldn't have been known at the time. He didn't become a "wanted" outlaw until he killed Sheriff William Brady in April 1878. See more »


Featured in Western Outlaws: 50 Movie MegaPack (2016) See more »


Music by Harper MacKay
Lyrics by Arch Hall Sr.
Sung by Rex Holman
See more »

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User Reviews

Parallels to cult movies
16 August 2007 | by c532cSee all my reviews

This movie was playing in grind houses to unsuspecting kids and half-sleeping winos at about the same time EL TOPO was playing at college-area theaters to earnest young students and drug-addled hippies. Oddly, both films make the same point about the futility of death. Or something. While the lack of continuity and coherence here is probably unintentional, the parallels are striking: Like EL TOPO, DEADWOOD '76 offers a mythical gunfighter prompted into a series of challenges that maybe prove something to somebody, but are ultimately meaningless to the central character.

Just thought I'd mention it.

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