A TV talk-show hostess and her boyfriend investigate a shady magician whom has the ability to hypnotize and control the thoughts of people in order to stage gory on-stage illusions using his powers of mind bending.
A demented, elderly woman has her mentally retarded son kill and scalp various young women to use their hair for her wig shop while a persistent coed tries to link various killings on a local Florida college campus to them.
Herschell Gordon Lewis
A naive and innocent teenage girl is blackmailed into modeling in the nude for a photographer who is in league with a teenage gang whose boss illegally sells photos of teenage girls being abused and degraded.
Herschell Gordon Lewis
Allison Louise Downe,
Lawrence J. Aberwood
A redneck con artist sets himself up as a preacher in a small Deep South town to run his moonshine distillery and clashes with a number of locals and a federal agent bent on shutting his operation down.
An eccentric artist is panned by a well-known critic at his opening for not having a good color sense, so he starts a new series, using his own blood to paint. Soon he is weakened and must find other sources of blood to continue his paintings.Written by
Ed Sutton <firstname.lastname@example.org>
Filmed and completed in early 1964, but remained on the shelf for over a year over production, editing, and sales release issues after producer David F. Friedman terminated his business partnership with director Herschell Gordon Lewis. See more »
After blood leaves the body and dries, it turns brown in color. Therefore the amazing red in the paintings would have in reality been brown. See more »
I guess I won't take up painting for a while.
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Final installment in the legendary "Blood Trilogy"
Herschell Gordon Lewis and producer David F. Friedman ditched softcorn porn in the early 60's to create a series of gory horror films designed specifically to cater to the increasing demands of the Southern drive-in movie market. The first three of their horror ventures, BLOOD FEAST (1963), 2000 MANIACS (1964) and this feature from 1965 made up what was later to be called their "Blood Trilogy." COLOR ME BLOOD RED is easily the least shocking, least entertaining and least memorable of the bunch, but it does have it's moments...
Adam Sorg (Don Joseph) is a Florida based struggling artist living in a beach house who has not yet been able to break through on the snobbish local art scene. That is, until he stabs his bickering girlfriend and discovers that all his paintings needed were a touch of red...blood red. His new morbid creations suddenly become the craze on the art scene, so he must kill more people for more blood to make more paintings.
Lewis must have really liked "aquacycles," some incredibly slow-moving bikes with floating tires, cause he puts these hilariously dated things in every possible scene. Adam and his girlfriend take a ride on them before he kills her, then a young couple steals them ("Oh, come on! He won't notice!"), prompting Sorg to impale the guy, then kidnap the girl, tie her up in his house, cut open her stomach and squeeze blood out of her guts directly onto a palette!
This film (briefly known as MODEL KILLER) is now noteworthy mainly as a vintage curio, complete with primitive gore FX, dated fashions faux pas and colorful lines of dialogue like "Come out to the patio, daddy-o!"
All in all, a decent watch.
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