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Storyline
Freddie, a socially withdrawn bank clerk and butterfly collector, decides to expand to collecting human specimens. That's where art student Miranda Grey comes in. Miranda matches wits with Freddie the icy psychopath.
Written by
A.M.Putnam
Plot Summary
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Plot Synopsis
Taglines:
She is young and innocent. She is abducted by a young man who is not so innocent.
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Did You Know?
Trivia
According to
Terence Stamp, Wyler wouldn't let
Samantha Eggar off the set during the day. He also wouldn't allow her to eat with anyone else during the lunch break. Stamp argues Wyler knew what he was doing, as the director whispered to him one day on set, "I know this looks cruel, but we're going to get a great performance out of her."
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Goofs
Where Freddie returns from the hospital, we can see the numbers from Miranda's calender on the wall in several shots. She had painted over the numbers to mark the passing of time earlier in the film.
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Quotes
Miranda Grey:
I've stayed the four weeks.
Freddie Clegg:
I just have to have you here a little longer.
Miranda Grey:
Why? What more can I do? What more can you want?
Freddie Clegg:
You know what I want... it's what I've always wanted. You could fall in love with me if you tried. I've done everything I could to make it easy. You just won't try!
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Connections
Referenced in
The Defilers (1965)
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This intensely creepy film showcases director William Wyler in his intimate, character-study mode, and features a superb performance from Terrence Stamp in the title role, as the "collector" of beauty. Stamp creates a portrait of sexual obsession that is every bit as unsettling in its way as the long legacy of serial killer movies in existence. Samantha Eggar, as one of Stamp's "specimens," is used more as a catalyst for driving the plot and less as a character for whom we have any great deal of interest. Is that a flaw of the material or the intention of Wyler and novelist John Fowles, on whose book this is based? If their intention was to make us sympathize with, and even relate to, the character with the obsession, they succeed brilliantly.
The ending genuinely surprised me, which happens all too infrequently in movies like this. The film feels like a product of independent cinema before independent cinema really existed.
Grade: A