In 1930s New Orleans, the Cincinnati Kid, a young stud poker player who travels from one big game to the next, stopping along the way up with various girls, is pitted against the legendary champion card-sharp Lancey Howard in a high-stakes poker game.Written by
There had been talk about Cary Grant taking the role of Lancey Howard, although it is unlikely that Grant would have conceded first billing to Steve McQueen. See more »
When the Kid is playing a card trick with Christian's father, the deck changes positions between camera angles.
When the Kid is showing the trick to the father, he is wearing a coat. When the mother comes in to see the trick, the jacket is gone and nowhere to be found. See more »
Can't live with them and can't live without them, huh, Kid?
Yeah, that's right, Pig.
Don't lose no sweat, Kid. Mine left me too.
I wonder why.
See more »
In 2005, the BBFC cut this release further compared to the previous 1993 edits. UK cinema release in 1970 and early video versions were cut by 38 seconds to a scene featuring a cockfight (scenes involving cockfights are always cut by the BBFC). The 2005 wide-screen version substituted some scenes though the cuts were lengthened to 1 min 4 secs. See more »
This fine film chronicles a tense, dramatic marathon game of poker between a rising young star and a cagey old pro. Steve McQueen is the cool, detached hot shot and Edward G. Robinson displays nerves of steel, razor sharp instincts and a veteran's poise as the two players probe each other, searching for openings and seeking any advantage, however subtle. Both men are excellent and have good support from a solid cast of veteran actors. Ann-Margret is nice as a siren who just can't sit still when she and the Cincinnati Kid are in the same room. She slinks her way through her interpretation as the sluttish wife of a compromised card dealer who figures prominently in the grand game. The romantic angle between the Cincinnati Kid and his girlfriend doesn't ring true, although Tuesday Weld is pleasing as a vulnerable, love-struck girl. The cinematography shows a grim, gray, seedy side of New Orleans that brings realism to the story. The music has a jazzy score and nice vocals by Ray Charles.
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