A tenderfoot becomes a bounty hunter in the hopes of making a better future for himself and his new love.A tenderfoot becomes a bounty hunter in the hopes of making a better future for himself and his new love.A tenderfoot becomes a bounty hunter in the hopes of making a better future for himself and his new love.
Boyd 'Red' Morgan
- Big Jim Seddon
- (as Red Morgan)
Dan White
- Marshal Davis
- (as Daniel M. White)
- Director
- Writers
- All cast & crew
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Featured reviews
This could have been quite a decent western adventure were it nor for the surprisingly weak effort from Dan Duryea. He ("Duggan") arrives out west where he is shocked by the lawlessness and violence he encounters. Determined to make a decent living for himself and his gal "Carole" (Audrey Dalton) he takes up as a bounty hunter, but has he the strength of character not to become subsumed by greed and violence himself? To be blunt, Duryea is just not at his best here, and at nearly 60 years of age is not remotely convincing as the naive man he is supposed to be; unless he has been in kindergarten for an awfully long time. The story is decent, the film keeps moving along well enough, and the supporting efforts from Randolph Scott lookalike Rod Cameron and Buster Crabbe keep it off the rocks, but unfortunately too much of the plot and the storyline depend on the implausible efforts of the leading man.
This amazing and wonderfully evocative film is one of the last films for the fine character actor Dan Dureya. This film provides him with a star role and it is a tour DE force performance. A wonderful cast of b western actors give magnificent support and Audrey Dalton shines as the love interest. Fuzzy Knight gives his best ever screen performance in a poignant role. Buster Crabbe makes a fine villain and Richard Arlen also effective.About the youngest guy is Peter Dureya - this is Dan's son and his role has a chilling significance for the film, you will have to watch it to see why. This western was penned by actor Leo Gordon and it's a strong study of character. Dureya plays an innocent tenderfoot arriving in the west from the civilised East. As he encounters the different characters of the film he absorbs them and totally changes in attitude. At first he is a nice, gentle guy but after witnessing a killing by bad guy Rod Cameron ( who in fact saves his life by doing so ) he sets out to earn money- eventually he becomes a bounty killer and then out for revenge he chases a whole gang . determined to eliminate them all. The ending is memorable and a fitting end to a wonderful film. Long neglected, try and search this one out , it will reward you with a viewing treat. One of the finest westerns ever and all shot on a shoe string. 10 out of 10 without any low points at all.
The Bounty Killer is directed by Spencer Gordon Bennet and written by Ruth Alexander and Leo Gordon. It stars Dan Duryea, Rod Cameron, Audrey Dalton, Richard Arlen, Buster Crabbe, Fuzzy Knight and Johnny Mack Brown. Music is by Ronald Stein and cinematography by Frederick E. West.
Willie Duggans (Duryea) arrives in the Wild West and quickly becomes exposed to its violence. Finding that big money can be made by bringing in bad guys, he takes up arms and plans to make enough money to set him up for a future with Carole Ridgeway (Dalton), a beautiful saloon singer. But the job isn't easy, physically, emotionally and mentally.
It's a film that asks some forgiveness from Western fans, you are asked to accept Duryea being too old for the role, some iffy production issues, coincidences and some giant leaps of faith. Yet if you can do that and just roll with its high energy willingness to keep the Western traditional in the mid 60s? Then this is better than a time waster.
Ultimately it's a message movie about the cycle of violence and how said violence can corrupt the most amiable of minds. The screenplay deftly brings in to the equation the roles of normal outsiders who don't mind violence as long as it is for their own ends, something which brings the best sequence in the film to the fore and lets Duryea once again show his class. Backing the superb Duryea is a roll call of Western movie veterans, all of which - with the leading man - make for a reassuring presence at our Oater dinner table. Neatly photographed out of the Corriganville and Glenmoor ranches in California, this may be a "B Western" trying to keep the traditional Western afloat in the mid 60s, but it's honourable in intent and entertains the Western faithful royally. 7/10
Willie Duggans (Duryea) arrives in the Wild West and quickly becomes exposed to its violence. Finding that big money can be made by bringing in bad guys, he takes up arms and plans to make enough money to set him up for a future with Carole Ridgeway (Dalton), a beautiful saloon singer. But the job isn't easy, physically, emotionally and mentally.
It's a film that asks some forgiveness from Western fans, you are asked to accept Duryea being too old for the role, some iffy production issues, coincidences and some giant leaps of faith. Yet if you can do that and just roll with its high energy willingness to keep the Western traditional in the mid 60s? Then this is better than a time waster.
Ultimately it's a message movie about the cycle of violence and how said violence can corrupt the most amiable of minds. The screenplay deftly brings in to the equation the roles of normal outsiders who don't mind violence as long as it is for their own ends, something which brings the best sequence in the film to the fore and lets Duryea once again show his class. Backing the superb Duryea is a roll call of Western movie veterans, all of which - with the leading man - make for a reassuring presence at our Oater dinner table. Neatly photographed out of the Corriganville and Glenmoor ranches in California, this may be a "B Western" trying to keep the traditional Western afloat in the mid 60s, but it's honourable in intent and entertains the Western faithful royally. 7/10
Dan Duryea -- innocent(!?) and decent rube from Vermont, goes west and decides to become a bounty hunter. Embittered by circumstances, he becomes the mean, Dan Duryea-esquire sneering nasty man known as the BOUNTY KILLER.
This episodic movie, chock full of old western stars, is a real frustration, because the elements to an Anthony Mann style western are there -- an intriguing premise, great acting by Duryea in the second half of the movie, and malicious murder of a cheerful sidekick. But...
Well, first and foremost, the role is written for someone who is no older than 30 and who can play somewhat clueless innocence. Duryea looks every bit of 55, which makes his pursuit of the young, pretty heroine a touch creepy. Also, for the first half of the movie, Duryea's attempt to portray youthful innocence is simply awful. Oddly enough -- for someone who, by all accounts, was a nice guy who only married once -- Duryea cannot carry off nice and he really cannot carry off clueless. It is a relief when the script, about 30 minutes in, finally allows him to be sly and tricky. (The performance gets much better when circumstances turn Duryea bitter -- and he gets to show us a darn good depiction of a good man gone drunk and evil.)
Secondly, this movie was made on the cheap, and it shows badly. All the outdoor dramatic scenes take place on the same cheesy "outdoor" set, with a photograph of the desert mountains serving as a backdrop to the plastic trees.
Third, the plot has some big old holes and lines that no actor could make sound right. Also, the ending, alas, is really, really, really predictable.
All in all, this movie is worth seeing, but it probably won't seem that way until you've gotten through 30 minutes of the movie. Fans of the genre should stick it out.
This episodic movie, chock full of old western stars, is a real frustration, because the elements to an Anthony Mann style western are there -- an intriguing premise, great acting by Duryea in the second half of the movie, and malicious murder of a cheerful sidekick. But...
Well, first and foremost, the role is written for someone who is no older than 30 and who can play somewhat clueless innocence. Duryea looks every bit of 55, which makes his pursuit of the young, pretty heroine a touch creepy. Also, for the first half of the movie, Duryea's attempt to portray youthful innocence is simply awful. Oddly enough -- for someone who, by all accounts, was a nice guy who only married once -- Duryea cannot carry off nice and he really cannot carry off clueless. It is a relief when the script, about 30 minutes in, finally allows him to be sly and tricky. (The performance gets much better when circumstances turn Duryea bitter -- and he gets to show us a darn good depiction of a good man gone drunk and evil.)
Secondly, this movie was made on the cheap, and it shows badly. All the outdoor dramatic scenes take place on the same cheesy "outdoor" set, with a photograph of the desert mountains serving as a backdrop to the plastic trees.
Third, the plot has some big old holes and lines that no actor could make sound right. Also, the ending, alas, is really, really, really predictable.
All in all, this movie is worth seeing, but it probably won't seem that way until you've gotten through 30 minutes of the movie. Fans of the genre should stick it out.
This started out being a rather charming western but quickly devolved into waaaay to much killing for my taste. But the worst death for me was not of a person, but of a horse.
Toward the last third of the movie, a character shoots a horse and rider running downhill. The horse tumbles head over heels repeatedly and the scene changes without the animal getting back up. There is no way this horse wasn't seriously injured or killed. As a horse owner, it's hard for me to believe anyone would do this to any animal in the name of 'entertainment'. It ruined the movie for me - very sad to think of how lax hollywood was about the humane treatment of animals. I hope it's truly better in present times.
Toward the last third of the movie, a character shoots a horse and rider running downhill. The horse tumbles head over heels repeatedly and the scene changes without the animal getting back up. There is no way this horse wasn't seriously injured or killed. As a horse owner, it's hard for me to believe anyone would do this to any animal in the name of 'entertainment'. It ruined the movie for me - very sad to think of how lax hollywood was about the humane treatment of animals. I hope it's truly better in present times.
Storyline
Did you know
- TriviaDan Duryea (father) and Peter Duryea (son) appeared in two western films together: Taggart (1964) and this film.
- Alternate versionsThe UK release was cut, a compulsory cut was required to a scene of animal cruelty (in this case, sight of a horse being made to fall in a dangerous manner), in order to obtain a PG classification. Cuts made in accordance with the BBFC's Guidelines and policy. An uncut classification was not available.
- ConnectionsFeatured in Best in Action: 1965 (2021)
- SoundtracksGo Away Old Man and Leave Me Alone
Written by Ronald Stein
Performed by Harlene Stein (singing voice of Audey Dalton)
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Details
Box office
- Budget
- $194,000 (estimated)
- Runtime1 hour 32 minutes
- Aspect ratio
- 2.35 : 1
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