5.0/10
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13 user 24 critic

Bad Girls Go to Hell (1965)

Not Rated | | Drama | 16 May 1969 (West Germany)
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2:12 | Trailer

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After hubby Ted goes to work, Ellen putters around the apartment in her nightgown cleaning up. When she takes the trash out, the janitor forces her into his apartment and rapes her. When he... See full summary »

Director:

Doris Wishman

Writer:

Doris Wishman (story and screenplay) (as Dawn Whitman)
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Cast

Cast overview:
Gigi Darlene ... Meg Kelton / Ellen Green
Charles E. Mazin Charles E. Mazin ... Husband Who Rapes Meg (as George La Roque)
Sam Stewart Sam Stewart ... Ed Bains
Gertrude Cross Gertrude Cross ... Mrs. Thorne (as Sandee Norman)
Alan Feinstein ... Ted Kelton (as Alan Yorke)
Barnard L. Sackett Barnard L. Sackett ... Tom (as Bernard L. Sankett)
Darlene Bennett Darlene Bennett ... Tracy
Marlene Starr Marlene Starr ... Wife Who Rents Meg's Room
Harold Key Harold Key ... Janitor
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Storyline

After hubby Ted goes to work, Ellen putters around the apartment in her nightgown cleaning up. When she takes the trash out, the janitor forces her into his apartment and rapes her. When he tries to rape her again, she dispatches him and then hits the road, a fugitive from injustice. She goes to the Big City and encounters a string of situations where she gets used and abused. When she finally finds a nice woman to rent from, the woman's son turns out to be a detective, which threatens her newly found identity and peace of mind. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

Possessed with sex, they know no shame! See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

16 May 1969 (West Germany) See more »

Also Known As:

Ich will dich ohne... See more »

Filming Locations:

New York City, New York, USA

Company Credits

Production Co:

Juri Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

There were several different posters for this film, all of which featured various women in states of undress (bra and panties, negligee, etc.). None of the women in the posters appeared in the film. See more »

Goofs

When Meg is walking down the staircase to the janitor's apartment, she is wearing open-toed mules. In the scene in the apartment itself, however, she is wearing regular pumps. (Fact: the feet in the shot on the stairwell are actually those of Doris Wishman; they can also be seen in the Port Authority crowd scene). See more »

Connections

Featured in Extra Weird (2003) See more »

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User Reviews

 
Like Watching A Car Wreck
19 December 2007 | by ferbs54See all my reviews

Watching Doris Wishman movies is like driving past a car wreck; you know you're gonna see something awful if you look, but you just can't help yourself! The Something Weird DVD edition of "Bad Girls Go To Hell" that I just watched is paired with another Wishman epic, "Another Day, Another Man," and it makes for one perfect(ly awful) double feature. In "Bad Girls...," a young woman kills her janitor, comes to NYC and is attacked/seduced by practically every person she bumps into. A nice twist ending DOES mitigate some of the weirdness that precedes it. In "Another Day...," a woman with the hugest bouffant hairdo you've ever seen becomes a call girl to pay for her hubby's doctor bills. But these capsule descriptions can't possibly describe the level of sleazy teasing that these films are all about. While neither features ANY frontal nudity at all--odd, given the fact that Wishman's "Nude on the Moon," made five years EARLIER, was replete with nudity--the level of leering is not to be believed. Now I know what a raincoat-wearing old man in a 42 St. theatre in the mid-60s must have felt like. Trust me, you will need a HOT shower after watching these sleazy flicks. Lingering shots of a tossed-off brassiere lying on the floor are Wishman's idea of titillation. And her direction really does make Ed Wood look like Orson Welles. She seems incapable of shooting anything without including meaningless shots of inanimate objects. And there is no synchronized dialogue to speak of. As the "Psychotronic Video Guide" so rightly puts it, "it's a rare occurrence when a few words happen to match the lips." So why have I given these flicks two stars? Because you stare at your TV screen in utter disbelief, occasionally cracking up, and by the end realize that you HAVE, somehow, been entertained. And since neither film is much longer than an hour, the experience flies by pretty quickly. Thank God.


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