Alphaville (1965) - News Poster



The Big Clock

Clever plotting goes into overdrive for this light-comedy proto-paranoid film noir about a magazine publishing empire so organized that it seems a sci-fi invention from the future. Ray Milland’s charismatic fall guy finds himself embroiled in a murder plot filled with false identities, and a manhunt that he must supervise… to catch himself. Maybe Robert Zemeckis and Bob Gale watched this from their cribs, and applied its chaotic symmetry to their pretzel-plotted comedies!

The Big Clock


Arrow Academy

1948 / B&W / 1:37 flat full frame / 95 min. / Street Date May 14, 2019 / Available from Arrow Video / 39.95

Starring: Ray Milland, Charles Laughton, Maureen O’Sullivan, George Macready, Rita Johnson, Elsa Lanchester, Harry (Henry) Morgan.

Cinematography: Daniel L. Fapp, John Seitz

Film Editor: LeRoy Stone

Original Music: Victor Young

Written by Jonathan Latimer from a novel by Kenneth Fearing

Produced by John Farrow, Richard Maibaum

Directed by John Farrow

The thriller The Big Clock
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The Man With the Magic Box: Out on DVD & VOD April 4th

The Man With the Magic Box: Out on DVD & VOD April 4th Bobo Kox’s Time-Travelling Sci-Fi Thriller Is a Playful, Thought-Provoking Tale For Immediate Release Peppered with references to such classics as Blade Runner, Brazil and even Men in Black, and influenced by such European classics as Godard’s Alphaville, Melville’s Le Samurai and Tarkovsky’s …

The post The Man With the Magic Box: Out on DVD & VOD April 4th appeared first on Hnn |
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Posterized March 2019: ‘Us,’ ‘Transit,’ ‘Black Mother,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably.

It’s a five Friday month so prepare yourself for a ton of new films to hit theaters. From Marvel to Disney to Netflix drops and Sundance hits (already), there will be something for everyone—including those who’ve waited months to years for their highly anticipated festival darling to make it to town (Jafar Panahi’s 3 Faces hits in limited release on March 8).

The positive of this surplus of work is being able to talk solely about the posters I really like. All sixteen below are successes for different reasons,
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The Origins of Early Creepy Computer Movies

Jim Knipfel Mar 4, 2019

We look at some of the lesser-remembered but influential evil artificial intelligence computer movies, Colossus and Demon Seed.

The ugly turns taken by assorted historical vectors in the late 1960s and early ‘70s—a string of high-profile assassinations, race riots, Manson, the Weather Underground, Vietnam, Nixon, a broader awareness of impending environmental collapse—made the 1970s a particular golden era for dystopian cinema. All the above mentioned forces and more gave us the likes of Soylent Green, No Blade of Grass, Thx-1138, Frogs, The Omega Man, and countless other visions of our doomed future. In and amongst all our other inescapable anxieties and paranoias was an increasing awareness of the role computers were playing in our daily lives.

Technoparanoid fears of dehumanization and power-mad machines can of course be traced back to the silent era in cinema, and much earlier than that in literature and legend, but
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The Paradoxes of F.J. Ossang

  • MUBI
F.J. Ossang's 9 Fingers (2017) is exclusively showing November 9 – December 8, 2018 as a Special Discovery. The retrospective F.J. Ossang: Cinema Is Punk is showing November 2018 - January 2019 on Mubi in most countries around the world.Dharma GunsThe films of F.J. Ossang are richly paradoxical objects. One of the things that struck me most forcefully on my initial encounter with his work was the odd and compelling discrepancy between a bursting-at-the-seams fullness on one level, and an almost minimalistic void on another level. The friction of these two levels—the full and the empty—is simultaneous and constant, from the first moments of Ossang’s first feature film to the termination of his latest, 9 Fingers (2017). The evidence of this unusual style is directly there, poured into your eyes and ears. The characters—themselves palpably “there” as physical presences, yet militantly lacking any conventional psychology—never stop talking about the
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Movie Poster of the Week: Antonio Stella’s Top 10 Favorite Movie Posters

  • MUBI
Above: Tony Stella’s illustration for an alternative poster for Suspiria for Alphaville.One of my favorite working movie poster illustrators is the Italian-born, Berlin-based artist Tony Stella, a true connoisseur of cinema as well as a prodigious and prolific artist. I profiled Tony in this column a few years ago. Tony recently joined forces with the designer known as Midnight Marauder to start the boutique movie poster design agency Alphaville, and since I recently asked Mm for his ten favorite movie posters it was only fair that I ask Tony too, a task he took up with alacrity.So, without further ado, here are Tony Stella’s ten favorite movie posters of all-time, in ascending order, with his own comments. His choices take us on a tour through some of the best movie poster illustration of the past 50 years.10. Get Carter (1971)“The number ten spot was a toss-up between
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Win a Blu-ray bundle with The Nun

  • HeyUGuys
To mark the release of the restoration of The Nun, out now, we’ve been given a Blu-ray bundle including The Nun, The Essential Godard Collection, La Prisonnière, Belle de Jour and Lola to give away.

In the Xviii century, Suzanne Simonin (Anna Karina) is locked in a convent against her will. She finds for a while some comfort with the Mother Superior, but then she dies and is replaced by a sadistic woman than cannot stop blaming and punishing Suzanne. The young lady gets the right to move to another convent, however, she remains determined to recover her freedom.

Jacques Rivette (1928 – 2016) was a French film director and film critic, known for his contributions to the French New Wave and the influential magazine (dubbed the ‘instrument of combat’ of the New Wave) Cahiers du Cinéma, of which he was editor throughout the first half of the 1960s. Extremely prolific throughout his career,
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Jean-Luc Godard Crafts Spot for Ji.hlava Docu Festival

  • Variety
Jean-Luc Godard Crafts Spot for Ji.hlava Docu Festival
One of Central Europe’s top docu fests, known for cultivating art film and nonfiction work that explores genre boundaries, has adopted a suitably avant-garde look this year, thanks to the work of Jean-Luc Godard.

The 22nd Ji.hlava international docu fest, running Oct. 25-30 in the former silver mining town of Jihlava in the Czech Republic, is not mentioned in the moody one-minute clip posted on YouTube, although its logo appears in the last few seconds.

Instead, a disembodied hand runs a finger across a mobile phone screen menu of photographs, presumably from the life of an older man, murmuring in voiceover.

“And even if nothing turned out how we’d hoped,” he intones, “it would not have changed what we’d hoped for.”

The voice, Godard’s own, riffs on the French New Wave auteur’s habit of overlaying philosophical observations to complement his jump cuts and surreal
See full article at Variety »

Marlon Brando's "One-eyed Jacks": America At The Crossroads

  • CinemaRetro
Eve Goldberg presents an in-depth examination of the only film Marlon Brando ever directed: "One-Eyed Jacks" (1961)

"One-eyed Jacks: America At The Crossroads"

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A new movie schedule arrived every few months. A two-sided paper treasure chest brimming over with promises of time travel, existential wisdom, and singing in the rain. Wild Strawberries, City Lights, Battle of Algiers, Belle de Jour.

We grabbed up the schedule and studied it with care, taped it to the refrigerator door, marked our calendars. The African Queen, Yojimbo, Rules of the Game.

We made cinema voyages all over town — to the Vista in Hollywood, the Nuart in West La, the art deco Fox Venice. Before VCRs, DVDs or streaming, revival movie theaters were about the only place a film junkie could get a fix. We might find an occasional nugget on late night TV, John Ford’s Stagecoach, perhaps,
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Cinema St. Louis’ Classic French Film Festival Continues This Weekend With Alphaville, Lovers On The Bridge, and Pickpocket

The Tenth Annual Robert Classic French Film Festival — co-presented by Cinema St. Louis and the Webster University Film Series continues this weekend. — The Classic French Film Festival celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1920s through the mid-1990s, offering a revealing overview of French cinema.

There are two more events for the Tenth Annual Robert Classic French Film Festival happening this weekend:

Friday, March 16th at 7:30pm – Alphaville

A cockeyed fusion of science fiction, pulp characters, and surrealist poetry, Jean-Luc Godard’s irreverent journey to the mysterious Alphaville remains one of the least conventional films of all time. Eddie Constantine stars as intergalactic hero Lemmy Caution, on a mission to eliminate Professor Von Braun, the creator of the malevolent Alpha 60, a computer that rules the city of Alphaville. Befriended by the scientist’s beautiful daughter Natasha (Godard
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On cloud nine by Jennie Kermode

Jane Spencer

Just over three years ago, I interviewed Jane Spencer about her film The Ninth Cloud. That film will enjoy a special screening in London, where it's set, on the12th of February, and Jane is working on a new film, South Of Hope Street. She took time out from her busy schedule to catch up and discuss her current projects.

"It's a science fiction piece. It also has a female lead. I'd compare it to a film like Alphaville," she says of South Of Hope Street. "Michael [Madsen] has a cameo role in it as a kind of hippy character, and that's funny for him. Also we have Hilmir Snær Guðnason, who was in a film called 101 Rejkjavik a while back, and he's brilliant. And an Arab actor named Zafer El-Abedin who plays an immigrant in the film, he's wonderful also. Tanna Frederick is my lead actress. She's...
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Films Announced for Cinema St. Louis’ Classic French Film Festival March 2nd -25th at Webster University

The 10th Annual Robert Classic French Film Festival — co-presented by Cinema St. Louis and the Webster University Film Series — celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1920s through the 1990s, offering a revealing overview of French cinema.

This year’s fest kicks off with a screening of Bertrand Tavernier’s acclaimed documentary “My Journey Through French Cinema,” the director’s personal reflections on key films and filmmakers. Several of the works he highlights — such as Jacques Becker’s “Casque d’or” and Jean-Pierre Melville’s “Le Samouraï” — are screened at this year’s fest.

The fest annually includes significant restorations, and this year features New Wave master Jacques Rivette’s visually sumptuous “La belle noiseuse.” The fest also provides one of the few opportunities available in St. Louis to see films projected the old-school, time-honored way, with Jean Renoir
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New to Streaming: ‘Happy Together,’ ‘Detroit,’ ‘Silence,’ ‘Irma Vep,’ and More

With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.

Detroit (Kathryn Bigelow)

Late into Detroit, Kathryn Bigelow’s docudrama recounting the racial terrorism that took place at the Algiers hotel during the 1967 Detroit riots, one of the innocent, young black men who’s been tortured for nearly the entirety of the movie is given a chance at escape. The camera follows him in his moment of triumph as the man weaves around corners, back alleys, and under a
See full article at The Film Stage »

The Reality of a Reflection: An Exploration of Jean-Luc Godard's Filmography

  • MUBI
Mubi's retrospective For Ever Godard is showing from November 12, 2017 - January 16, 2018 in the United States.Jean-Luc Godard is a difficult filmmaker to pin down because while his thematic concerns as an artist have remained more or less consistent over the last seven decades, his form is ever-shifting. His filmography is impossible to view in a vacuum, as his work strives to reflect on the constantly evolving cinema culture that surrounds it: Godard always works with the newest filmmaking technologies available, and his films have become increasingly abstracted and opaque as the wider culture of moving images has become increasingly fragmented. Rather than working to maintain an illusion of diegetic truth, Godard’s work as always foreground its status as a manufactured product—of technology, of an industry, of on-set conditions and of an individual’s imagination. Mubi’S Godard retrospective exemplifies the depth and range of Godard’s career as
See full article at MUBI »

Foreplays #4: Jean Epstein's "Les feux de la mer"

  • MUBI
Foreplays is a column that explores under-known short films by renowned directors. Jean Epstein's Les feux de la mer (1948) is free to watch below. When not greeted with indifference or merely mentioned in passing, Jean Epstein’s Les feux de la mer (1948) is frequently regarded as a strange and mismatching film, containing only a few sparks of Epsteinian poetry. Commissioned by the United Nations, this 21-minute short—the final installment in Epstein’s Breton cycle that began with Finis terrae in 1929—was part of a larger project involving a series of movies from fourteen different countries, around the theme of international cooperation. As often happens with institutional films, Les feux de la mer has been too easily dismissed as compromised and propagandistic, overshadowed by a didactic discourse diametrically opposed to the very notion of audiovisual lyricism that normally defines Epstein’s cinema. In Les feux de la mer, there
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Fahrenheit 451

François Truffaut’s adaptation of Ray Bradbury’s dystopian, illiterate future looks better than ever, but the scary part is that some of its oddest sci-fi extrapolations seem to be coming true. It’s a movie that truly grows on one. The Bernard Herrmann music score is one of the composer’s very best.

Fahrenheit 451


Universal Studios Home Entertainment

1966 / Color / 1:85 widescreen / 112 min. / 50th Anniversary Edition / Street Date June 6, 2017 / $14.98

Starring Julie Christie, Oskar Werner, Cyril Cusack, Anton Diffring, Jeremy Spencer, Bee Duffell.

Cinematography: Nicolas Roeg

Production Designers: Syd Cain, Tony Walton

Film Editor: Thom Noble

Original Music: Bernard Herrmann

Written by François Truffaut & Jean-Louis Richard from the book by Ray Bradbury

Produced by Lewis M. Allen, Miriam Brickman

Directed by François Truffaut

Quality science fiction was once a hard sell with both critics and the public. Fahrenheit 451 is usually discussed either as a Science Fiction film or a François Truffaut movie,
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NYC Weekend Watch: Quad’s Return, James Gray, Frederick Wiseman, De Niro Essentials & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Quad Cinema

The Quad has returned and looks very fine, their first weekend running from a Lina Wertmüller series to watching a David Lynch classic with Greta Gerwig to Fassbinder to David Bowie. And that’s only about the half of it.


James Gray, Universal ’70s classics, Alphaville, Donnie Darko, Jeanne Dielman, Ghost in the Shell
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12 Movies to Watch After You See ‘Ghost in the Shell’

Check out these essentials even if you don’t catch the new movie.

Another week, another live-action remake of an animated classic. Well, you could argue that most of Ghost in the Shell isn’t really live action, since there’s so much that’s CG. You could also say it’s not a remake so much as a new adaptation of a Japanese comic book. Regardless, a lot of it is a pretty faithful copy, so a good percentage of this week’s list of Movies to Watch could apply to the manga or the anime versions of the story (I’m making it a given that you should see the original). That’s good for any of you boycotting the new movie due to its whitewashing controversy.

These 12 titles are worth seeing either way:

The Creation of the Humanoids (1962)

Despite being a cheap, cheesy sci-fi B movie, this is a significant work for being possibly
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French New Wave cinematographer Raoul Coutard dies aged 92

French New Wave cinematographer Raoul Coutard dies aged 92
Former army documentary cameraman worked on Jean-Luc Godard’s Breathless [pictured].

Legendary French cinematographer Raoul Coutard who worked with Jean-Luc Godard, François Truffaut, Pierre Schoendorffer, Jacques Demy and Costa-Gavras has died aged 92.

Coutard worked on more than 80 features in a career spanning from 1958 to 2001 but is best known for his work with New Wave pioneers Godard and Truffaut.

He got his big break working with Jean-Luc Godard on 1960 classic Breathless, which was credited with reinventing cinema at the time for its stripped-down, fast-paced aesthetic.

Godard — who wanted to shoot the film as much as possible with a handheld camera and natural lighting — had partly hired Coutard for his background as a documentary cameraman for the French army.

Coutard spent five years working with the army’s press service, mainly in French Indochina (today Vietnam, Laos and Cambodia) in the late 1940s and early 50s.

Prior to that, he worked in a Paris photography lab, having dropped
See full article at ScreenDaily »

Ava DuVernay Original Prison Documentary Set To Open The 54th New York Film Festival

The Film Society of Lincoln Center announces Ava DuVernay’s documentary The 13th as the Opening Night selection of the 54th New York Film Festival (September 30 – October 16), making its world premiere at Alice Tully Hall. The 13th is the first-ever nonfiction work to open the festival, and will debut on Netflix and open in a limited theatrical run on October 7.

Chronicling the history of racial inequality in the United States, The 13th examines how our country has produced the highest rate of incarceration in the world, with the majority of those imprisoned being African-American. The title of DuVernay’s extraordinary and galvanizing film refers to the 13th Amendment to the Constitution—“Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States . . . ” The progression from that second qualifying clause to the horrors of mass incarceration and
See full article at LRM Online »
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