A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
In the near future, leftist writer Paula goes from Paris to the French town of Atlantic-Cité when she learns of the death of a former colleague and lover, Richard P. Is she there to ... See full summary »
Lemmy Caution, an American private-eye, arrives in Alphaville, a futuristic city on another planet. His very American character is at odds with the city's ruler, an evil scientist named Von Braun, who has outlawed love and self-expression.Written by
Gene Volovich <firstname.lastname@example.org>
When questioned, Lemmy Caution states that he drives a Ford Galaxie, when it's a Ford Mustang. See more »
Towards the end when Lemmy and Natasha get into their car while all the Alphaville residents are incapacitated, cars can be seen driving past, while the drivers should have been knocked out. See more »
Sooner or later, the Outlands will declare war on us. Therefore, we decided to invade them.
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Before the credits, Godard adds one letter at a time to compose the word "fin"--"i"..."in"..."fin"--as though to suggest "I, in the end." See more »
In the original French version, the voice of the computer Alpha 60 sounds harsh and throaty as if produced by belching. One English-dubbed version gives the computer a more typical computer-like voice. See more »
Alphaville, a strange adventure of Jean-Luc Godard..
Based on a simple philosophical premise (Alphaville is a city where emotions are not allowed, everything is based on logic, everyone has a clear purpose imposed upon him, people that believe in ideals are executed etc), Jean-Luc Godard uses an arsenal of directorial tricks to transform this into a futuristic film-noir, a surrealist collage, a humanistic elegy, an off-beat comedy etc.
In the end, Alphaville doesn't quite fully achieve it's potential. Some of the sequences look amateurish, some of the verbose scenes are too much etc. But it's a worthwhile watch for any cinephille. And even so early in his career, Godard shows a healthy desire to turn the rules upside down.
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