| Cast overview, first billed only: | |||
| Toshirô Mifune | ... | Dr. Kyojô Niide | |
| Yûzô Kayama | ... | Dr. Noboru Yasumoto | |
| Tsutomu Yamazaki | ... | Sahachi | |
| Reiko Dan | ... | Osugi | |
| Miyuki Kuwano | ... | Onaka | |
| Kyôko Kagawa | ... | Madwoman | |
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Tatsuyoshi Ehara | ... | Genzô Tsugawa |
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Terumi Niki | ... | Otoyo |
| Akemi Negishi | ... | Okuni, the mistress | |
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Yoshitaka Zushi | ... | Chôji |
| Yoshio Tsuchiya | ... | Dr. Handayû Mori | |
| Eijirô Tôno | ... | Goheiji | |
| Takashi Shimura | ... | Tokubei Izumiya | |
| Chishû Ryû | ... | Mr. Yasumoto | |
| Haruko Sugimura | ... | Kin, the madam | |
It's the early nineteenth century, and young Dr. Noboru Yasumoto has been summoned for a reason unknown to him to rural Koishikawa Medical Clinic from Nagasaki, where he has been stationed for three years completing his internship. The clinic, headed by the outwardly stern Dr. Kyojô Niide - nicknamed "Red Beard" for that attribute - under his very strict guidelines, treats the poor and disadvantaged of the region. Much to his surprise and dismay, Yasumoto is told he is to start work there immediately, staff, including doctors, living on site. As he was expecting a position as a physician for a shogunate in his privilege, Yasumoto shows his displeasure at this fate at every turn. He believes this fate was either orchestrated directly by Red Beard in solely wanting access to his detailed professional notes - Yasumoto believing he a much better doctor than his new, more experienced superior - or by the father of a female acquaintance in an effort to get rid of him. Yasumoto may get a ... Written by Huggo
First of all let me say that this film is a real tear jerker. If you want to see a film that talks about compassion then you are going to want to see this film. In a world where pettiness abounds to see the big-hearted nature of the main characters and how such compassion literally changes people for the better -- you're going to want to see this film.
For years I avoided this film (like IKIRU) because it was not a samurai film. But after getting over those ridiculous reasons, I finally figured I needed to complete my Kurosawa education by seeing it.
And boy was I glad I did.
It is one of those films that does change you. Like every classic it stands the test of time not because of its entertainment value but because it is a great experience. Even months after seeing the film the first time I found myself always examining my own life against the noble attitudes of the main characters.
Yes, it's three hours long. And yes, you're going to want to spend time to digest it. But the three hours you devote to this film is worth it. If you loved TO KILL A MOCKINGBIRD, you're going to love this film.