The Agony and the Ecstasy (1965)

The biographical story of Michelangelo's troubles while painting the Sistine Chapel at the urging of Pope Julius II.

Director:

Carol Reed

Writers:

Irving Stone (based on the novel: "The Agony and the Ecstasy" by), Philip Dunne (screen story and screenplay)

Stars:

Charlton Heston, Rex Harrison, Diane Cilento

Nominated for 5 Oscars. Another 3 wins & 4 nominations.

Cast

Complete credited cast:
Charlton Heston	...	Michelangelo
Rex Harrison	...	Pope Julius II
Diane Cilento	...	Contessina de'Medici
Harry Andrews	...	Bramante
Alberto Lupo	...	Francesco Maria della Rovere, duke of Urbino
Adolfo Celi	...	Cardinal Giovanni de' Medici (pope Leo X)
Venantino Venantini	...	Paris De Grassis
John Stacy	...	Sangallo
Fausto Tozzi	...	Foreman
Maxine Audley	...	Woman
Tomas Milian	...	Raphael

Storyline

Pope Julius II (Sir Rex Harrison) is eager to leave behind works by which he will be remembered. To this end he cajoles Michelangelo (Charlton Heston) into painting the ceiling of the Sistine Chapel. When not on the battlefield uniting Italy, the Pope nags Michelangelo to speed up his painful work on the frescoes.

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Plot Keywords:

michelangelo | pope | sistine chapel | rome | renaissance | 

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Taglines:

From the age of magnificence comes a new magnificence in motion pictures

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Genres:

Biography | Drama | History

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Did You Know?

Trivia

Pope Julius II was known as "The Warrior Pope" during his lifetime.

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Goofs

Giovanni de' Medici (Pope Leo X) is portrayed in this movie as an older man in this film, however he was only in his 30s when the Sistine Chapel ceiling was painted and only 37 when elected Pope.

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Quotes

Pope Julius II: You see, my son... how well we understand each other... when you don't shout?

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Connections

Spoofed in Animaniacs Live! (2006)

User Reviews

The Agony and the Ecstasy

The film is an epic grandeur feature of a interpersonal tug-of-war between the maestro Michelangelo and Pope Julius II.

I cannot help being shell-shocked to see the reconstruction of the magnificent ceiling though recognizably most of which is the trickery of montage (not in the real the Sistine Chapel, the location was inside Cinecitta Italy instead), but bathing under the glamour and solemnness of the visual wonders, I am stunned to exude my admiration and awe!

The two leads conspicuously stimulate a Moses versus Caesar confrontation, Charlton Heston seems to be more boorish than artistic to manifest a struggled Michelangelo, may God doesn't distinguish his people by their looks. The "agony and ecstasy" is watered down to an underwhelming stalemate thanks to Charlton's outlandish incarnation as the most eminent artist of that time. Rex Harrison, is by far and large worthy another Oscar nomination for his arresting devotedness, which is apt to impress the audience with a mind-blowing bi-polar characterization while good and evil coexist at the same time.

The film was a grave box office fiasco when it came out in 1965, however, judging by my appraisement, its merits still can be appreciated by our generation (a well-balanced script, the haunting original score and all the props and settings). However, the film entirely skipped Michelangelo's sexual orientation and awkwardly ploys a portentous conversation between Michelangelo and his admirer Contessina de'Medici (a over-wise Diane Cilento), which unveiled its cowardliness and helplessness.

My final remark is that as time goes by ruthlessly, art stands still and never fades away, so lucky enough cinema is yet a part of it.

Details

Country:

USA

Language:

English Latin

Release Date:

16 September 1965 (West Germany)

Also Known As:

The Agony and the Ecstasy

Filming Locations:

Dino De Laurentiis Cinematografica Studios, Rome, Lazio, Italy

Box Office

Budget:

$10,000,000 (estimated)

Company Credits

Production Co:

International Classics

Technical Specs

Runtime:

138 min

Sound Mix:

70 mm 6-Track (Westrex Recording System) (70 mm prints) Mono (35 mm prints)

Color:

Color

Aspect Ratio:

2.20 : 1