The Agony and the Ecstasy (1965)

The biographical story of Michelangelo's troubles while painting the Sistine Chapel at the urging of Pope Julius II.

Director:

Carol Reed

Writers:

Irving Stone (based on the novel: "The Agony and the Ecstasy" by), Philip Dunne (screen story and screenplay)

Stars:

Charlton Heston, Rex Harrison, Diane Cilento

Nominated for 5 Oscars. Another 3 wins & 4 nominations.

Cast

Complete credited cast:
Charlton Heston	...	Michelangelo
Rex Harrison	...	Pope Julius II
Diane Cilento	...	Contessina de'Medici
Harry Andrews	...	Bramante
Alberto Lupo	...	Francesco Maria della Rovere, duke of Urbino
Adolfo Celi	...	Cardinal Giovanni de' Medici (pope Leo X)
Venantino Venantini	...	Paris De Grassis
John Stacy	...	Sangallo
Fausto Tozzi	...	Foreman
Maxine Audley	...	Woman
Tomas Milian	...	Raphael

Storyline

Pope Julius II (Sir Rex Harrison) is eager to leave behind works by which he will be remembered. To this end he cajoles Michelangelo (Charlton Heston) into painting the ceiling of the Sistine Chapel. When not on the battlefield uniting Italy, the Pope nags Michelangelo to speed up his painful work on the frescoes.

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Plot Keywords:

michelangelo | pope | sistine chapel | rome | renaissance | 

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Taglines:

From the age of magnificence comes a new magnificence in motion pictures

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Genres:

Biography | Drama | History

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Certificate:

Approved

Details

Country:

USA Italy

Language:

English Latin

Release Date:

16 September 1965 (West Germany)

Also Known As:

The Agony and the Ecstasy

Filming Locations:

Dino De Laurentiis Cinematografica Studios, Rome, Lazio, Italy

Box Office

Budget:

$10,000,000 (estimated)

Company Credits

Production Co:

International Classics

Technical Specs

Runtime:

138 min

Sound Mix:

70 mm 6-Track (Westrex Recording System) (70 mm prints) Mono (35 mm prints)

Color:

Color

Aspect Ratio:

2.20 : 1

Did You Know?

Trivia

Sir Rex Harrison did not get along with Charlton Heston at all during filming, though not necessarily a bad thing for two actors playing antagonists. While filming Crossed Swords (1977), he avoided Heston completely.

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Goofs

As shown in the movie Michelangelo created a flat wooden platform on brackets built out from holes in the wall, high up near the top of the windows. But contrary to the depicted on the film, he did not lie on this scaffolding while he painted, but painted from a standing position.

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Quotes

Pope Julius II: What runs in Michelangelo's veins is not blood. It's paint.

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Connections

Featured in Constantine's Sword (2007)

User Reviews

Creating A Wonder

The Agony and the Ecstasy is the story of the creation of the Sistine Chapel Roof painting, the time and money it took while Pope Julius II was busy establishing his Papacy as a political force.

Back in those days the Pope was far more than the head of the Roman Catholic Church. He ruled a considerable piece of real estate in the center of the Italian peninsula that were called the Papal States. They varied in geographic size depending on how relatively strong the Pope or his enemies were at a given time. The Papal States were the last independent entity to join a united Italy in 1870.

The Borgias had been nibbling away at the Papal States for years and their triumph became complete when one of their's became Pope Alexander VI in 1491. When Giuliano Della Rovere became Julius II in 1503 succeeding Alexander VI he had it in mind to reclaim the states from the Borgias and their backer the French monarchy. Those are the folks you see Rex Harrison fighting at the beginning of the film.

In fact Harrison's identity as the warrior Pope is made clear right at the beginning of the film when after we see this figure on a white horse killing some foes in battle, he takes off his helmet and some attendees put his papal vestments right over his armor.

But Julius II wanted to be known as a patron of the arts as well as the warrior Pope. His uncle Pope Sixtus VI had built the Sistine Chapel which is today the personal chapel of the papal residence. According to Wikipedia its dimensions are exactly what the Bible lays down as the dimensions King Solomon built his temple. But who knows what Solomon had decorating his roof.

It's a big bare spot and who to fill it with something good. Julius II decided on Michelangelo Buonarrati who's got quite a resume of creativity to recommend him even though it's mostly sculpture.

The film is the story of the creative differences between Michelangelo and Julius. Michelangelo is knowing he's created something for the ages, but he won't see the big picture of the here and now of Renaissance European politics which Julius II has to deal with.

Sir Carol Reed directed The Agony and the Ecstasy and does a marvelous job of creating the look and atmosphere of the Renaissance in Italy. Charlton Heston and Rex Harrison playing Michelangelo and the Pope give outstanding performances.

If the film has a weakness is that it really is a two man show with no other characters developed in any way. The rest of the mostly Italian cast just serve as a crowd.

If you're either a patron of the arts or a Catholic who would like to know how the Sistine Chapel acquired its legendary roof than by all means see The Agony and the Ecstasy.