Drake takes the place of a defector and goes behind the iron curtain to find out what is happening when foreign agents reach England. When he gets there he finds a replica English village, which is a...
The Jolly Roger is pirate radio station on an old sea fort. A DJ is killed just as he sends a message saying that the station is sending coded messages to foreign submarines. Drake goes undercover as...
John Drake is a special operative for N.A.T.O., specializing in security assignments against any subversive element which threatened world peace. The series featured exotic locales from all... See full summary »
After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre prison. His warders demand information. He gives them nothing, but only tries to escape.
Gritty British-made Police drama series set in the beautiful location of Amsterdam, Netherlands. Cynical Dutch Detective Commissaris "Piet" Van der Valk (Barry Foster) and his colleagues investigate murders, kidnappings, and political corruption.
Secret agent Steed, working for an unnamed branch of British intelligence, is teamed up with two partners to fight evil plots for world domination, dealing with suspended animation, biological warfare, robotics, and other threats.
Coming at approximately the same time as James Bond, ITC's Danger Man (known as Secret Agent in the states) is the complete antithesis, with the calm, icy-cool demeanour of British M9 agent, John Drake (Patrick McGoohan). Whereas Bond's all flash, Drake (who never carries a gun, he felt them to be "noisy, and they can hurt someone") used his brain, instead, and is very adept at defending himself with his hands, as well. He also eschewed having the "babe of the week", or even having Drake involved with a woman. The show (which had initially been a half-hour series, also under the Danger Man (1960) title, and character name, but was brought back slightly "retconned" and became a series with hour-long episodes) became an world-wide hit, and helped propel series' lead, Patrick McGoohan to international fame (in fact, Mr. McGoohan was twice offered the role of James Bond, and twice refused. The first time, he declined, but recommended a friend of his; Sean Connery). Unlike many other spy ...
For the one hour episodes, the character of John Drake was granted a bit more depth. In one episode, he expresses some regret over not being blessed with a wife and children of his own. See more »
The first episode broadcast in the United States ("Battle of the Cameras") actually features two opening credit sequences. The first is a brief, 10-second introduction featuring a few bars of "Secret Agent Man" and a credit for Patrick McGoohan (running roughly the same length as the original UK credits). This is followed by the teaser, and then the regular credits. In all future US broadcasts, the pre-teaser credit sequence was dropped. See more »
The series was originally broadcast in the UK and Canada as "Danger Man." For American broadcast, new opening credits and a new them song - the hit "Secret Agent Man" by Johnny Rivers - was added. The original theme was "High Wire," a piece of music that can be heard following the opening credits in most episodes. See more »
In North American syndication it was SECRET AGENT, but . . .
Believe it or not, I did not see any of this programme until 1992-93. It was shown one per night on CBC-Windsor at difficult to establish late hours. In spite of the inconvenience, I made it my business to see as many as possible; my first was when Drake had a car crash, blacking out . . . and you will just have to see it.
It was well cast with well-crafted supporting characters. I had no idea it was the progeny of an earlier show about a NATO operative, a few episodes of which I saw in 1961 (and none since). One notes comment that SECRET AGENT was inspired by the 007 films, which is beyond dispute, but I respectfully disagree that it was as "gadgety" as the Bond films, and furthermore it was devoid of the latent camp. Exception: "Would You Like Some Wine" (if memory serves). Perhaps it was the b.&w. presentation that made it more -- pardon the cliche -- gritty.
Most of the episodes were good. It seems some of the later ones (did the series run into 1967?) were the weakest: Far-fetched and in a few cases ridiculous without being tongue-in-cheek. I cannot say whether SECRET AGENT came to an end because it ran out of petrol or because the more ambitious THE PRISONER was on the drawing boards. All said, I agree that one should make every attempt to see the series, and no, being period piece does not distract for those able to make a mature adjustment to such.
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