Families, friends, enemies and lovers experience life-changing events in the large upstate New York city of Port Charles, which has a busy hospital, upscale hotel, cozy diner and dangerous waterfront frequented by the criminal underworld.
The continuing story of life in the Midwestern town of Bay City, and the love, loss, trials, and triumph of its residents, who come from different backgrounds and social circles. Those who ... See full summary »
In the world of power and money, the wealthy and powerful Crane family rule the town of Harmony from their mansion on Raven Hill. But behind the money are many lies and secrets. Most of ... See full summary »
The focus in on the upper class Hughes and Stewart families plus their tribulations in Midwest Oakdale. The Stewarts fade away eventually to be replaced by the rural Snyders and wealthy Lucinda Walsh with her many intrigues.
The residents of Knots Landing, a coastal suburb of Los Angeles, deal with various issues such as infidelity, health scares, rape, murder, kidnapping, assassinations, drug smuggling, corporate intrigue and criminal investigations.
In the city of Monticello, attorney Mike Karr and his colleagues are involved in solving crimes and intrigue which touch the lives of many citizens. Some such citizens include dowager ... See full summary »
"Like sands through the hourglass... so are the Days of Our Lives." These words, spoken by late cast member Macdonald Carey, open every episode of this daytime drama, chronicaling the trials and tribulations of the citizens of the fictional city of Salem.Written by
Kevin Ackley <firstname.lastname@example.org>
John Shrum designed the pilot's stage sets, salvaging set elements from the former "soap" designed by Spencer Davies. Shrum integrated stair, door, window, fireplace mantle units. Building the Horton House set, the living room was spread open like a book, the central arch in front of the main house door, a "y" hallway leading to the rest of the house. John selected a neutral color pallet of "putty" grays for all the scenery. This color scheme was a common pattern in color television set design. Early transmission electronic signals had problems with backgrounds with intense hues, as reds, yellows, oranges, because these background colors reflective color values affected actors' skin tones. Blue hues were the most compatible, and for this reason, the hospital's corridors, nurse stations and lounges, rooms, were established in the pale blue color. After the pilot sold as a series in 1965, John Shrum continued as Art Director, acting as supervising Art Director, allowing novice Assistants to helm the art direction duties. Hub Braden Art Directed the summer of 1968. Ed Flesh, from NBC-NY, replaced Hub and was Art Director from 1968 through 1974. During this period, Studio 9 was built to move the series to it's own stage, freeing up the main NBC Stages 2, 4, 1 & 3 for Specials and for host-variety series (Andy Williams, Phyllis Diller, Bob Hope, Johnny Carson). In mid 1969, Gloria Monte developed a new day-time series "Bright Promise" with Hub Braden as Production Designer. This program moved in and was set-up on the other half of Stage 9. This combination of shows utilized the stage facility full time. "Return to Peyton Place" replaced "B.P." in 1971-1973, until the show was canceled. Milt Altman, NBC-Art Department Director, moved Ed Flesh from the "Days" show responsibilities assigned to work on game show pilots. Hub Braden took over "Days" from 1973-1975. Milt Altman then assigned Braden to the new game show series, "Wheel of Fortune" (pilot set designed by Ed Flesh), NBC practice was to use one person as the art director, expected to decorate the sets. Replacing Hub, Milt Altman assigned Scott Rittenhour as Art Director to "Days" production staff. Scott demanded an assistant art director. Milt assigned (a newly hired) Mary Ann Biddle as Scott's assistant, who was expected to decorate the sets. See more »
DOOL was a must-see soapie that I couldn't miss an eppy....
From the year of 1989...I had spent a lot of time at a friendis house, who was and STILL is a DOOL fan, she managed to get me hooked on DOOL within days of introducing me to the show. In the beginning, I took it very seriously...then after a while -- it started to look different and had more boost of comedy in a drama soap series. I loved it! Especially when Eileen Davidson - who played quite a number of roles -- such as Kristen Blake, Susan Banks, Sister Mary Moira and Penelope Kent! It was hysterical watching the funny scenes, Eileen certainly did her best performance of her life! :) Unfortunately, I stopped watching DOOL in 1998 when I moved out to Australia from California...DOOL's about 4 years behind USA's current storylines and NO captions for the Deaf/hearing impaired! I'm Deaf, by the way. If captions were started here on DOOL, then I'll be the faithful fan again. :)
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