Three actresses prepare to go on the road in a theater production of Lysistrata, Aristophanes' classic comic play about women and war. As they re-assess and deal with the problems in their ... See full summary »
Separated identical twins ride an Orient Express unaware of each other: a feminist anarchist and a hedonistic courtesan, living under the powder-keg Austro-Hungarian Monarchy. Separate ... See full summary »
This is a story about a common man who has extraordinary events in his mundane life. The film depicts the protagonist's turns of events in three eras, three seasons, three nights, in the same city, as told with reverse chronology.
Wi Ding Ho
Linda Jui-Chi Liu,
Young housewife Helena is on the verge of fulfilling a dream as she prepares to open her own business: a neighborhood grocery store. She hires a maid, Paula, to take care of her house and ... See full summary »
A filmic essay on class struggle which draws on images from westerns but has no plot and is both an experiment in making a revolutionary film and an interrogation of how successfully such a film can be revolutionary.
About the Swedish author Agnes Von Krusenstjerna (1894-1940), during her turbulent marriage with David Sprengel. In a hallucination Agnes is brought to a mental hospital in Venice, carrying her fictitious autobiography.
Stockholm, 1915. Three women, Agda, Adele and Angela are about to give birth in a clinic. All three recall their past, especially the circumstances that led them to this hospital room. Agda, a housemaid made pregnant by a young middle-class man, has just married a homosexual artist. Adele, married to a farmer, suffers from frigidity, and is expecting a baby which is practically the product of a rape by her husband. As for Angela, a young woman from aristocratic background, she is waiting to give life to an illegitimate child after throwing herself into the arms of fifty-year-old Casanova. In these conditions will the three children to be born be happy?Written by
Both in the ambiance and in its women's themes in this movie you can see unequivocally Bergman's influences. In particular It recalls Bergman's SECRETS OF WOMEN (1952)for the cast ( It's almost the same!)and for its episodic structure. The psychological search on women universe is another important link.
Anyway, although Mai Zetterling had abused it in her movies, I think that the flashback use is very interesting in this movie. It becomes, with the editing help, a concrete tragic matter and not only a way to tell the story. I give it a 6.
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