Zululand, South Africa, 1879. The British are fighting the Zulus and one of their columns has just been wiped out at Isandlwana. The Zulus next fix their sights on the small British outpost at Rorke's Drift. At the outpost are one hundred fifty British troops under the command of Lieutenants Bromhead and Chard. In the next few days, these one hundred fifty troops will fight about four thousand Zulus in one of the most courageous battles in history.Written by
The attack on Rorke's Drift was conducted by the Zulu reserve consisting of elements of the iNdluyengwe, uThulwana, iNdlondlo and uDloko amabutho ("regiments") under the command of Prince Dabulamanzi kaMpande. In theory, the four amabutho mustered about six thousand men, but in practice, not all men had turned up for the muster, and some had stayed to defend Zulu homes, or had left during the skirmishes around Isandhlwana, so perhaps three thousand five hundred men actually attacked the outpost. These were older men in their late thirties and forties, most of them carrying white shields to distinguish them in battle. See more »
At one point in the film, a bright flash of sunshine can be seen reflecting briefly on what was believed to be a vehicle windscreen up on a hill behind Rorke's Drift. However, Stanley Baker's widow and others who have visited the site confirm that it was impossible to get any sort of vehicle onto the ridge, so there must be some other explanation (probably a spear). See more »
At the end of the opening credits 'and Introducing Michael Caine' is shown, this would suggest that this was his first film. In fact MC had previously had five credited film roles, numerous TV appearances and several uncredited film roles before appearing in Zulu. See more »
"In the hundred years since the Victoria Cross was created for valour and extreme courage beyond that normally expected of a British soldier in the face of the enemy, only 1,344 have been awarded, 11 of these were won by the defenders of the mission station at Rorke's Drift, Natal, January 22nd to the 23rd 1879"
Just typing out that spoken narration from Richard Burton brings me out into goose pimples, and the hairs on the back of my neck stand to attention, Zulu quite simply is my favourite film of all time, and my love for cinema to this day owes its credit to this 1964 masterpiece.
Zulu is a perfectly staged, perfectly acted account of the British defence of Rorke's Drift, where 139 British soldiers held off 4000 Zulu Warriors at the height of the Anglo-Zulu War. Its strength is not in romanticism or over sentimentality in the name of glossy hard sell, the crux lies with just being a tale of pure courage, a tale of pure stoic heroism, it sticks vigorously to the actual events, and thus the film plays out with genuine honesty that few other War pictures can ever lay claim to.
Where does one start when outlaying the brilliance this picture has to offer? The Natal location is stunning, beautiful lush rolling hills dwarf this tiny outpost, the sky a never ending eye witness to the courage unfolding, Stephen Dade's photography perfectly capturing this colourful extravaganza. The direction from the criminally undervalued Cy Enfield is excellent, along with his star and producer (Stanley Baker in a role of a lifetime) he manages to direct some of the most amazing battle sequences put onto the screen, the discipline of man to man combat perfectly orchestrated by Enfield. The Zulu extras, who once had no idea what they was supposed to do at first, finally grasped the concept of movie making and added weight to the drama. It's now down in legend that Baker showed the chiefs a Gene Autry Western and that got them into the swing of things!
The acting right through the cast is astonishing, Baker, Michael Caine, Jack Hawkins, James Booth, Nigel Green, Ivor Emmanuel and Patrick Magee are just some of the cast that shine bright and bold. John Barry's score is blood pumping to the maximum, swirling strings collide with thumping base drums to give one the feeling of invincibility. Ernest Archer's art decoration, Arthur Newman's costumes and of course the John Prebble screenplay that is Zulu's heart. I could go on and name everyone involved in this picture, such is the admiration I have for the work involved. But really the story sells itself, not a glossy British victory in sight (the British defenders were allowed to withdraw from the engagement gracefully), this is not just another British fable of imperialistic fervour, it's just a tale of bayonets with guts behind them, and ultimately a story of when men really were men, all in the line of duty.
Men of Harlech onto glory...10/10 and then some.
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