Policemen Ali Sokhela and Brian Epkeen investigate the brutal murder of a young white woman, apparently provoked by the availability of a new illegal drug and somehow connected to the disappearance of black street children.
Operation Market Garden, September 1944: The Allies attempt to capture several strategically important bridges in the Netherlands in the hope of breaking the German lines. However, mismanagement and poor planning result in its failure.
Zululand, South Africa, 1879. The British are fighting the Zulus and one of their columns has just been wiped out at Isandlwana. The Zulus next fix their sights on the small British outpost at Rorke's Drift. At the outpost are 150 British troops under the command of Lieutenants Bromhead and Chard. In the next few days these 150 troops will fight about 4,000 Zulus in one of the most courageous battles in history.Written by
Because the film was shot in South Africa, the cast and crew were lectured on the need to refrain from fraternizing with the topless tribal dancers, since the penalty for interracial sex in the country at the time was seven years hard labor. See more »
When De Witt is held is the storeroom before the first attack, some tunic jackets are seen hanging on the outside of the door in one medium long shot. However, they weren't there a short while before, when Colour Sgt. Bourne told De Witt to shut up, and they aren't there in a close-up of the storeroom door shortly after that. See more »
[of the Zulu]
How can they let themselves be married in droves like this - young girls to... to old men?
Reverend Otto Witt:
In Europe, young women accept arranged marriages with rich men. Perhaps the Zulu girls are luckier, getting a *brave* man.
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The title has fire within its letters, and it flies directly at the screen. Additionally, the title itself doesn't appear on screen until after the opening credits have finished rolling. See more »
It`s shameful no-one makes films like ZULU anymore. In these PC dominated times there are those who may view this film as being racist dealing with a heroic battle between white foreign troops against native black Africans during Victorian times. Nothing could be further from the truth. The zulus are rightly presented as being fearless and disciplined warriors ready to willingly die than show cowardice.
The only other criticism a modern day audience can level at the film is the fact that the battle scenes are slightly ungory compared to the likes of SAVING PRIVATE RYAN and PLATOON. But so what ? How many other films compete with the excitement and tension of scenes like the soldiers fighting off the hordes of zulus in the hospital building ? Would graphic disembowelment and decapitation improve these scenes ? of course not.
I could go on all day as to what`s brilliant about ZULU , but I wont. But I will say that for me the greatest aspect of the film is John Barry`s score. The fact that he never won an oscar for it just goes to show there`s no justice in the world.
Without doubt the greatest British film of the 1960`s , probably the greatest British picture ever , and possibly the greatest film ever. Let`s hope Hollywood never decides to remake it
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