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Zulu (1964)

Not Rated | | Drama, History, War | 17 June 1964 (USA)
Outnumbered British soldiers do battle with Zulu warriors at Rorke's Drift.


Cy Endfield


John Prebble (original screenplay), Cy Endfield (original screenplay) | 1 more credit »

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Nominated for 1 BAFTA Film Award. See more awards »


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Cast overview, first billed only:
Stanley Baker ... Lt. John Chard R. E.
Jack Hawkins ... Otto Witt
Ulla Jacobsson ... Margareta Witt
James Booth James Booth ... Pvt. Henry Hook
Michael Caine ... Lt. Gonville Bromhead
Nigel Green ... Colour-Sergeant Bourne
Ivor Emmanuel Ivor Emmanuel ... Pvt. Owen
Paul Daneman Paul Daneman ... Sgt. Maxfield
Glynn Edwards ... Cpl. Allen
Neil McCarthy ... Pvt. Thomas
David Kernan ... Pvt. Hitch
Gary Bond ... Pvt. Cole
Peter Gill Peter Gill ... Pvt. 612 Williams
Tom Gerrard Tom Gerrard ... Lance / Corporal
Patrick Magee ... Surgeon Reynolds


Zululand, South Africa, 1879. The British are fighting the Zulus and one of their columns has just been wiped out at Isandlwana. The Zulus next fix their sights on the small British outpost at Rorke's Drift. At the outpost are one hundred fifty British troops under the command of Lieutenants Bromhead and Chard. In the next few days, these one hundred fifty troops will fight about four thousand Zulus in one of the most courageous battles in history. Written by grantss

Plot Summary | Plot Synopsis


Dwarfing The Mightiest! Towering Over The Greatest! See more »


Drama | History | War


Not Rated | See all certifications »

Parents Guide:

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English | Zulu

Release Date:

17 June 1964 (USA) See more »

Also Known As:

Zulu See more »


Box Office


$1,720,000 (estimated)

Gross USA:

$8,000,000, 31 December 1964
See more on IMDbPro »

Company Credits

Production Co:

Diamond Films See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:

4-Track Stereo (35 mm magnetic prints)| 70 mm 6-Track (70 mm prints)| Mono (35 mm optical prints)


Color (Technicolor)

Aspect Ratio:

2.20 : 1
See full technical specs »

Did You Know?


The Psalm quoted by Colour Sergeant Bourne (Nigel Green) and Reverend Otto Witt (Jack Hawkins) prior to the battle was Psalm 46. Between them they quote from verses 9 through 11, though neither quote in full, nor completely accurately. See more »


When Bromhead, Chard and Adendorff first speak, Bromhead is standing still with the knob atop a mountain behind him clearly visible. Bromhead then turns and walks away but the scene immediately cuts to him standing in the same spot saying, "What the deuce is the matter with him?" Chard and Adendorff continue to talk with Bromhead now out of the shot. Chard then walks away and joins Bromhead, who had already walked away. When Bromhead says, "I rather fancy he's nobody's son and heir now," he's in the same position with the same background as when he was speaking earlier with Chard and Adendorff. See more »


Lieutenant Gonville Bromhead: At one hundred yards, volley fire! Present! Aim! Fire!
See more »

Crazy Credits

At the end of the opening credits 'and Introducing Michael Caine' is shown, this would suggest that this was his first film. In fact MC had previously had five credited film roles, numerous TV appearances and several uncredited film roles before appearing in Zulu. See more »


Followed by Zulu Dawn (1979) See more »


Men of Harlech
Performed by soldiers
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Frequently Asked Questions

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User Reviews

A tribute to both sides of an uneven war.
16 February 2003 | by KoncordeSee all my reviews

ZULU steers away from making one side good and one side bad. Okay, we identify with the British troops in the face of insurmountable odds and all that - but you have to admire the ZULU warriors all the more for going up against them unfalteringly and the 'pan' across their fallen bodies isn't so much a moment of joy for the Brits saying "Ha, look how many we've killed of you lot" as opposed to clearly showing what an awful waste of life it all actually was.

The film clearly marks out why the British Army was as good as it was. Organisation. Okay, we got butchered a couple of times, but when placed in a position with time to ready ourselves the British forces where pretty unbeatable. One of the huge advantages being the fact that often we were going up against quite primitive 'warriors' with even more primitive weapons. The whole staying smart, obeying orders and keeping in line, firing in order helped to saved all those mens lives and is a neatly condensed show of arms to everybody out there. Each setpiece of British organisation re-inforces just how good they were, just how well they were drilled and just how murderous they could be with their efforts.

The film clearly marks out why the ZULU forces wasn't quite so good. It wasn't a lack of courage or absence of valour, it was simply down to the fact that they were outclassed weapon and organisation wise. Okay, they made pretty well organised charges and all that, but against rifles that's just cannon fodder. But as is pointed out by the Dutch guy, they're merely counting your guns. The ZULU's in the film aren't daft guys in furry underpants, they're the bravest warriors ever seen (or ever likely to be seen). Well organised forces wilted in the face of British troops during that period, they didn't. The fact they salute the British and walk away merely adds to their nobility and patheticises the British efforts - eventually they would have crumbled, the British would have lost against such odds if the Zulus had pressed all at once. They didn't. They walked away saluting the British effort. That moment alone, with Caine blazing about how they're being taunted and the Dutch guy chuckling to himself struggling to believe what is actually taking place is the icing on the cake of the gradually increasing tension.

For a moment of absolute spine tingling tension you can't beat the ZULU singing being countered by the Welsh Choir of voices. It's an equaliser as such, a moment of contrast and compare between the rigid red suited Brits and the tribal shield clapping chanting.

John Barry's music is a constant presence and always perfectly suited to the moment, I'd be interested to know the content of the ZULU chants though, whether they are authentic (which I figure they are) or simply picked out by the director for looking the most intimidating.

Top film, no insult to anybody.

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