The son of a dead Italian nobleman and a wealthy American woman forgets the disappointment of finding he has no talent for being a painter by succumbing to the sexual advances of an amoral model who believes in indiscriminate love affairs.
At breakfast, Jane announces that she and Ralph are getting married the next week. All Jane and Ralph want is a small wedding with the immediate family and no reception, because Jane's ... See full summary »
The working-class twin sister of a callous, wealthy woman impulsively murders her out of revenge and assumes her identity. But impersonating her dead twin is more complicated and risky than she anticipated.
Rosa Moline is bored with life in a small town. She loves Chicago industrialist Neil Latimer who has a hunting lodge nearby. Rosa squeezes her husband's patients to pay their bills so she ... See full summary »
After his teenage daughter Danny is arrested for the murder of his ex-wife's current lover, Luke Miller recalls his marriage to Valerie Hayden and the subsequent events which led to the tragedy. The lurid story seems to have been suggested by the real-life Lana Turner/Johnny Stompanato/Cheryl Crane murder scandal of six years earlier when Lana's daughter Cheryl stabbed her mother's boyfriend (Stompanato) to death in the bedroom of Lana's Beverly Hills home.Written by
During a scene in her bedroom, Susan Hayward is shown using a then-new Princess phone, however the dial does not light up. This was one of the new phone's selling points at the time, which was advertised with the slogan "It's little... It's lovely... It lights". See more »
And that's not ALL poor Joey Heatherton's lost, in this lurid melodrama adapted from the Harold Robbins novel. Produced by Schlockmeister Joseph E. Levine (''The Carpetbaggers'') ''Where Love Has Gone is a VERY thinly disguised dramatization of the Lana Turner/Cheryl Crane/Johnny Stompanato case in which he was supposedly stabbed to death by Lana's daughter Cheryl. Here, the central figure is a famous sculptress (Susan Hayward) who resents her domineering mother (Bette Davis) and spends most of her time in the sack with various low-life lovers. Heatherton is her neglected teenage daughter, whose estranged father (Michael Connors) flies to her defense when she is accused of the murder. This leads to a lengthy flashback which shows, in detail, the courtship, marriage and eventual divorce he and Hayward endure.And, back in the present (where no one involved looks a day older, let alone wiser) things get worse, as one sordid revelation after another leads all of this to it's laughably melodramatic conclusion. Davis, who reputedly didn't like the script (or Hayward either, for that matter)and sporting a white wig and very thick eye makeup,reads her lines like an elocution school teacher, while Hayward bellows hers so loudly that people who saw this in a theater could probably hear them in the bathroom.And it's Hayward we have to thank for this exercise in excess, because she insisted the script be filmed as written-refusing any changes. Heatherton, trying (and failing) to look 15 yeas old, does little more than pout her way through her part, while occasionally delivering some howlers: ''Oh, Daddy, what's wrong with me? I love all the wrong people-and I HATE all the right ones!''. Oh Yes, and blaming the loss of her virginity on ''Horseback Riding''?. Connors, a few years away from ''Mannix'' is just there. ''Star Trek's'' DeForest Kelly is around as a sleazy art critic, while Film Noir bad girl Jane Greer (making a comeback after a heart operation)is a reserved, but concerned probation officer.And it's Greer, along with Anne Seymour (''All The King's Men'')as a psychiatrist, who give the best performances.This was pretty Hot Stuff for 1964, though less so these days. Despite the box office success it had, it's largely forgotten now.A new DVD has just been released by Olive Films, And the plush Technicolor production is something to see-remastered for the first time in all it's Widescreen Glory. And in spite of (or ,maybe because of) it's Producer attempt to cash in on what was really a very seamy incident in Hollywood History, the film is very entertaining, and a time capsule from a bygone era.
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