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The Gospel According to St. Matthew (1964)

Il vangelo secondo Matteo (original title)
Not Rated | | Biography, Drama, History | 3 March 1965 (France)
The life of Jesus Christ according to the Gospel of Matthew. Pasolini shows Christ as a Marxist avant-la-lettre and therefore uses half of the text of Matthew.
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Nominated for 3 Oscars. Another 7 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Enrique Irazoqui Enrique Irazoqui ... Cristo
Margherita Caruso Margherita Caruso ... Maria (giovane)
Susanna Pasolini Susanna Pasolini ... Maria (vecchia)
Marcello Morante Marcello Morante ... Giuseppe
Mario Socrate Mario Socrate ... Giovanni Battista
Settimio Di Porto Settimio Di Porto ... Pietro
Alfonso Gatto Alfonso Gatto ... Andrea
Luigi Barbini Luigi Barbini ... Giacomo
Giacomo Morante Giacomo Morante ... Giovanni
Giorgio Agamben Giorgio Agamben ... Filippo
Guido Cerretani Guido Cerretani ... Bartolomeo
Rosario Migale Rosario Migale ... Tommaso
Ferruccio Nuzzo Ferruccio Nuzzo ... Matteo
Marcello Galdini Marcello Galdini ... Giacomo figlio di Alfeo
Elio Spaziani Elio Spaziani ... Taddeo
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Storyline

Along a rocky, barren coastline, Jesus begins teaching, primarily using parables. He attracts disciples; he's stern, brusque, and demanding. He comes to bring a sword, not peace, he says. He's in a hurry, moving from place to place near the Sea of Galilee, sometimes attracting a multitude, sometimes being driven away. His parables often take on the powers that be, so he and his teachings come to the attention of the Pharisees, the chief priests, and elders. They conspire to have him arrested, beaten, tried, and crucified, just as he prophesied to his followers. After he dies, he appears to his disciples and gives them final instructions. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

A Motion Picture which will be seen by the entire world - up to the end of the world!


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | France

Language:

Italian

Release Date:

3 March 1965 (France) See more »

Also Known As:

The Gospel According to St. Matthew See more »

Filming Locations:

Apulia, Italy See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (edited)

Sound Mix:

Mono

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

In keeping with his idea of Jesus Christ as the greatest revolutionary of all time, Pier Paolo Pasolini considered casting Jack Kerouac or Allen Ginsberg in the role. He changed his mind when he met Enrique Irazoqui, a Spanish student of literature, who has written a thesis about Pasolini's novel "Ragazzi di vita" and was very curious to meet him. See more »

Goofs

When they are taking Christ down from the cross, in the distance you can see a car driving around a corner. See more »

Quotes

Christ: Many are called, but few are chosen.
See more »

Alternate Versions

The 2007 DVD release features a colorized, English-dubbed version with a run time of 91 minutes and an Italian-language black and white version running 136 minutes. See more »

Connections

Featured in The Bible According to Hollywood (1994) See more »

Soundtracks

Maurerische Trauermusik in c minor (KV 477)
Written by Wolfgang Amadeus Mozart
Quartet for two violins, altviolin & cello nr 19 in C major
See more »

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User Reviews

 
A Film worth dying for!
10 May 2001 | by dababogSee all my reviews

Okay, so maybe not quite, but this is still an excellent film, by far the best depiction of the last days of Jesus's life. By taking the view that Jesus was a revolutionary rather than emphasising the religious aspects the film succeeds in presenting a unique view of the life, and death, of Jesus and the reactions of his followers. There are no mystical halos descending from heaven, no "angelic music" and none of the other cliches that Hollywood's attempts at presenting the story usually contain. Instead the humanity of those who lived the story comes through, and by doing this the film takes on emotional, even religious intensity totally lacking in other, larger budget depictions of Christ. Possibly the most moving part of all is the moment Peter realises he has disowned Jesus three times. This isn't portrayed as some great epic biblical act, the denial of the Messiah, but rather as the actions of a man, scared for himself, who, when he realises that he has betrayed his friend runs away in shame sobbing uncontrollably. the scene is given even more dramatic impact through the music, taken from Bach's St Matthews Passion, which perfectly fits the mood of the moment. Overall this is a brilliant film and anyone remotely interested in either good film making, the relationships between human beings under pressure, or the final days of Christ should see it.


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