7.8/10
9,852
70 user 62 critic

The Gospel According to St. Matthew (1964)

Il vangelo secondo Matteo (original title)
Not Rated | | Biography, Drama, History | 3 March 1965 (France)
The life of Jesus Christ according to the Gospel of Matthew. Pasolini shows Christ as a Marxist avant-la-lettre and therefore uses half of the text of Matthew.
Reviews
Nominated for 3 Oscars. Another 7 wins & 6 nominations. See more awards »

Photos

Learn more

More Like This 

Oedipus Rex (1967)
Drama
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is ... See full summary »

Director: Pier Paolo Pasolini
Stars: Franco Citti, Silvana Mangano, Alida Valli
Accattone (1961)
Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A pimp with no other means to provide for himself finds his life spiraling out of control when his prostitute is sent to prison.

Director: Pier Paolo Pasolini
Stars: Franco Citti, Franca Pasut, Silvana Corsini
Mamma Roma (1962)
Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

Having renounced her ignominious past, a former streetwalker reunites with her son. However, an extortion scheme endangers her aspirations for a decent bourgeois life. Can she protect him from the same snares that wounded her youth?

Director: Pier Paolo Pasolini
Stars: Anna Magnani, Ettore Garofolo, Franco Citti
The Decameron (1971)
Comedy | Drama | History
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

An adaptation of nine stories from Boccaccio's "Decameron".

Director: Pier Paolo Pasolini
Stars: Franco Citti, Ninetto Davoli, Jovan Jovanovic
Comedy | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

Innocenti Totò and his son Innocenti Ninetto are drifting on a road in Italy, when they meet a Marxist speaking crow. The trio travels together in a long journey as their hunger increases.

Director: Pier Paolo Pasolini
Stars: Totò, Ninetto Davoli, Femi Benussi
Teorema (1968)
Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A mysterious young man seduces each member of a bourgeois family. When he suddenly leaves, how will their lives change?

Director: Pier Paolo Pasolini
Stars: Silvana Mangano, Terence Stamp, Massimo Girotti
Porcile (1969)
Drama
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

A man wandering in a volcanic desert forms a band of murderous cannibals. A post-war German industrialist learns that his son is unable to make decisions or form relationships.

Director: Pier Paolo Pasolini
Stars: Pierre Clémenti, Jean-Pierre Léaud, Alberto Lionello
Medea (1969)
Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

After his quest to retrieve the fabled Golden Fleece, Jason returns to Greece with the powerful sorceress, Medea. However, when the king banishes her, it's only human that Medea plots her furious revenge. Can they escape her wrath?

Director: Pier Paolo Pasolini
Stars: Maria Callas, Massimo Girotti, Laurent Terzieff
Comedy | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

Ancient Arabia. A youth is chosen by a beautiful slave girl to be her new master; she is kidnapped and they must search for each other. Stories are told within stories; love, travel and the whims of destiny.

Director: Pier Paolo Pasolini
Stars: Ninetto Davoli, Franco Citti, Franco Merli
Comedy | Drama | History
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

Pasolini's artistic, sometimes violent, always vividly cinematic retelling of some of Chaucer's most erotic tales.

Director: Pier Paolo Pasolini
Stars: Hugh Griffith, Laura Betti, Ninetto Davoli
Drama | Horror | War
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

In World War II Italy, four fascist libertines round up nine adolescent boys and girls and subject them to one hundred and twenty days of physical, mental and sexual torture.

Director: Pier Paolo Pasolini
Stars: Paolo Bonacelli, Giorgio Cataldi, Umberto Paolo Quintavalle
Ro.Go.Pa.G. (1963)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7/10 X  

4 short films by a quartet of directors. Rosselini's 'Chastity' ('Illibatezza') deals with an attractive air hostess who receives the unwelcome attentions of a middle aged American. ... See full summary »

Directors: Jean-Luc Godard, Ugo Gregoretti, and 2 more credits »
Stars: Rosanna Schiaffino, Bruce Balaban, Maria Pia Schiaffino
Edit

Cast

Cast overview, first billed only:
Enrique Irazoqui Enrique Irazoqui ... Cristo
Margherita Caruso Margherita Caruso ... Maria (giovane)
Susanna Pasolini Susanna Pasolini ... Maria (vecchia)
Marcello Morante Marcello Morante ... Giuseppe
Mario Socrate Mario Socrate ... Giovanni Battista
Settimio Di Porto Settimio Di Porto ... Pietro
Alfonso Gatto Alfonso Gatto ... Andrea
Luigi Barbini Luigi Barbini ... Giacomo
Giacomo Morante Giacomo Morante ... Giovanni
Giorgio Agamben Giorgio Agamben ... Filippo
Guido Cerretani Guido Cerretani ... Bartolomeo
Rosario Migale Rosario Migale ... Tommaso
Ferruccio Nuzzo Ferruccio Nuzzo ... Matteo
Marcello Galdini Marcello Galdini ... Giacomo figlio di Alfeo
Elio Spaziani Elio Spaziani ... Taddeo
Edit

Storyline

Along a rocky, barren coastline, Jesus begins teaching, primarily using parables. He attracts disciples; he's stern, brusque, and demanding. He comes to bring a sword, not peace, he says. He's in a hurry, moving from place to place near the Sea of Galilee, sometimes attracting a multitude, sometimes being driven away. His parables often take on the powers that be, so he and his teachings come to the attention of the Pharisees, the chief priests, and elders. They conspire to have him arrested, beaten, tried, and crucified, just as he prophesied to his followers. After he dies, he appears to his disciples and gives them final instructions. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

A Motion Picture which will be seen by the entire world - up to the end of the world!


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Country:

Italy | France

Language:

Italian

Release Date:

3 March 1965 (France) See more »

Also Known As:

The Gospel According to St. Matthew See more »

Filming Locations:

Apulia, Italy See more »

Edit

Box Office

Cumulative Worldwide Gross:

$16,041
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (edited)

Sound Mix:

Mono

Aspect Ratio:

1.66 : 1
See full technical specs »
Edit

Did You Know?

Trivia

The film had no script. See more »

Goofs

When they are taking Christ down from the cross, in the distance you can see a car driving around a corner. See more »

Quotes

Christ: Many are called, but few are chosen.
See more »

Alternate Versions

The 2007 DVD release features a colorized, English-dubbed version with a run time of 91 minutes and an Italian-language black and white version running 136 minutes. See more »

Connections

Version of Day of Triumph (1954) See more »

Soundtracks

Cantate 'Alexander Newski' nr 1
Written by Sergei Prokofiev (as Sergej Prokofiev)
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Best Screenwriter Makes for Best Jesus Movie
17 April 2003 | by jimthevenSee all my reviews

We have reached a point at which the main point of a movie about Jesus has to be that he was "human". As if his "humanity", in itself, was any more remarkable than that of Barabbas or Philip the Tetrarch or the Man Born Blind. A recent TV miniseries drew roughly 10 % of scenes and dialogue from the Gospels. Most of it was devoted to making the Second Person of the Blessed Trinity look like a slacker goofball, a likable but pitiful example of air-headed arrested development. The approach of moviemakers to the Figure of Jesus has always been crooked. Now it's just gotten out of hand.

In the 60s, they wanted to have it both ways. To make Jesus THE Man, the Son of Man, as it were, in clouds of glory, provoking supernal modes of a Phrygian nature, but in a secularized, not a "dogmatic" way. Things were bound to get worse for the Incarnate Word in cinema. The trick to the post-SUPERSTAR travesties is to diminish Jesus by making Him out to be infantile, weak, unstable, uncertain, neurotic, stupid... and answering all orthodox objections with an appeal to the idea of His True Humanity. "Oh, I suppose YOU think the Man was made of stained glass, that He didn't sweat and weep and laugh and sing and at least WANT to have sex with Mary Magdalene and maybe even the 12 year old daughter of Jairus..."

THE GOSPEL ACCORDING TO ST MATTHEW, with roughly 99% of its dialogue and 90% of its very images coming from the eponymous text,puts to shame all other Jesus Pictures on the level of basic conception. It alone has given itself over to the Material, to the Story. It is the only movie on Jesus made in good faith with Him as He is in the Gospel. That's why it's the only one which really works on a dramatic level. With great and terrible justice of at least a poetic kind, the others fail dramatically for having tried to serve two masters: the Gospel Christ and Modernistic, Liberal Christian reductionism in His regard. MATTHEW is the only one whose 33 year old itinerant Preacher matches up perfectly with its hours-old Angel-attending, Magi-sought Celestial Babe. (THE GREATEST STORY EVER TOLD fails most miserably in this regard. It robs Jesus of all glory, all Personal interest. No WAY this kindly but annoyingly sententious unmarried uncle or history prof, called forth Glorias In Excelsis once upon a time...)

It is far from perfect. The scenes of Jesus just standing there preaching get wearisome. Too much of the direction seems deliberately bizarre. Those are obviously dolls being tossed about like footballs in the Massacre of the Innocents scene.

But what brilliant gold on the other side of the scale!

The Face of Jesus, dominated by amazingly piecing eyes...

The strong yet suave voice provided by Enrico Salerno.

Jesus' air of otherworldly authority focused with terrible intensity on His Father's business in this world...

The intelligence and the compassion and the Rabboni-worthy anti-authoritarianism demonstrated in Pasolini's own marginal glosses to Matthew's narrative... The sadness and fear of a peasant girl both pregnant and unmarried... The mute qualms of young men, soldiers, before they are forced to render unto Caesar (Herod the Great, that is) something which SS Peter and Paul themselves might not so readily have declared not to be Ceasar's... (No Christian artist before Pasolini seems to have considered that the "cruel soldiers" of unreflective homiletics and iconography were ORDERED to be cruel by the lawful Powers That Be... Maybe for Pasolini this touch was a Marxist thing. But it should be a Christian thing...)

Magnificent sequences. The young fishermen brothers James and John racing unknowingly down a beach, nets unfurled, towards their Rendevous with Immortal Glory... The way in which the very spaces between Jesus and his hearers in one wind-blown preaching scene are made to convey the idea of His words being carried off on the wind...

And you want the human touch? After this Apocalyptically stern Master of All warns some hapless farmers he happens upon to repent, leaving them to look after him in shock and awe, HE SHOOTS A GLANCE BACK AT THEM! This beautifully natural and "human" moment puts to shame all the others' tendentious "souping-up" of the Sacred Humanity.


39 of 51 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 70 user reviews »

Contribute to This Page

Free Movies and TV Shows You Can Watch Now

On IMDb TV, you can catch Hollywood hits and popular TV series at no cost. Select any poster below to play the movie, totally free!

Browse free movies and TV series

Stream Popular Action and Adventure Titles With Prime Video

Explore popular action and adventure titles available to stream with Prime Video.

Start your free trial



Recently Viewed