| Cast overview, first billed only: | |||
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Enrique Irazoqui | ... | Cristo |
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Margherita Caruso | ... | Maria (giovane) |
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Susanna Pasolini | ... | Maria (vecchia) |
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Marcello Morante | ... | Giuseppe |
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Mario Socrate | ... | Giovanni Battista |
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Settimio Di Porto | ... | Pietro |
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Alfonso Gatto | ... | Andrea |
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Luigi Barbini | ... | Giacomo |
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Giacomo Morante | ... | Giovanni |
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Giorgio Agamben | ... | Filippo |
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Guido Cerretani | ... | Bartolomeo |
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Rosario Migale | ... | Tommaso |
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Ferruccio Nuzzo | ... | Matteo |
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Marcello Galdini | ... | Giacomo figlio di Alfeo |
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Elio Spaziani | ... | Taddeo |
Along a rocky, barren coastline, Jesus begins teaching, primarily using parables. He attracts disciples; he's stern, brusque, and demanding. He comes to bring a sword, not peace, he says. He's in a hurry, moving from place to place near the Sea of Galilee, sometimes attracting a multitude, sometimes being driven away. His parables often take on the powers that be, so he and his teachings come to the attention of the Pharisees, the chief priests, and elders. They conspire to have him arrested, beaten, tried, and crucified, just as he prophesied to his followers. After he dies, he appears to his disciples and gives them final instructions. Written by <jhailey@hotmail.com>
"Il Vangelo secondo Matteo" is probably the best film ever made about Jesus. The very sparseness of visual effects is evocative and highly suggestive: the supernatural is attained by showing very natural, even lowly people. Such an effect is emphasized by the use of non-professional actors: Pasolini probably owes something to the medieval Italian tradition of "rappresentazione sacra" (a representation of important moments of Jesus's life offered by everyday people), which is still practised nowadays. The powerful effect of Jesus's preaching is very well rendered by Pasolini, and this helps to forgive some poetical licenses on his part. In the end, anyway, this is not a movie you remain indifferent to: either you love it or you hate it. And this, maybe, is what contributes to making it a faithful representation of Jesus's life.