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A small-time con man with passport problems gets mixed up with a gang of world-class jewelry thieves plotting to rob the Topkapi museum in Istanbul. Turkish intelligence, suspecting arms smuggling, gets involved, and under pressure, the con man rises to heights of which he'd never dreamed.Written by
David Carroll <firstname.lastname@example.org>
In the Turkish language, the title is not "Topkapi". The way it's pronounced in the movie is all wrong. See more »
At runtime 00:57 when Arthur pulls the couch by a rope Elizabeth sits and lays in three different positions depending on which camera shows the scene. See more »
It can be done! That's the way it can be done! Aaah... oh, excuse me; I've just had a great idea - something I've been looking for a long time... a very long time.
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At the beginning, the title and the technical credits are shown, but no credit is given to the actors or to the producer-director. However, at the end, (spoiler) we suddenly see the words "There they go again!", and all of the leading actors appear in a snowbound setting, together with their names. Then the names of all of the other actors, together with the name of the producer-director, appear on the screen. See more »
Candy-colored heist flick...amusing, even if dissatisfaction clouds the final returns
Jules Dassin's film version of Eric Ambler's book "The Light of Day" seems more like a light-hearted variation of his French heist-drama "Rififi" from 1955. A glamorous Greek thief and her Swiss lover concoct an ingenious plan to rob an emerald-studded dagger from the Topkapi Museum in Istanbul with help from a disparate group of wily characters. Peter Ustinov (wonderful) received the Supporting Actor Oscar as a British con-artist in Turkey who is initially recruited by Turkish security to keep an eye on this raffish team. The picture works mostly on a visual level, with a bravura use of color coupled with spiky editing to propel the story. If only the screenplay had been wittier, Dassin and company might have turned out a masterpiece of the genre. The movie simply isn't as sharp or funny as one might hope. The heist sequence is breathlessly intricate, and the sardonic finale is also a dandy...and yet there is a puzzling feeling of dissatisfaction which hangs over the end results. **1/2 from ****
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